SKU: 11114077718

Makita DTW 1005 SGJ Akku Schlagschrauber 18 V 1360 Nm 3/4" Brushless + 2x Akku 6,0 Ah + Ladegerät + Makpac

Sale price$347.40 Regular price$386.00
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Description

Makita DTW 1005 SGJ Akku Schlagschrauber 18 V 1360 Nm 3/4" Brushless + 2x Akku 6,0 Ah + Ladegerät + MakpacLieferumfang: 1x Makita DTW 1005 Akku Schlagschrauber 2x Makita BL 1860 B 18 V 6,0 Ah Akku 1x Makita DC 18 SD Akku Ladegert 1x Makita Makpac Koffer 1x Universaleinlage Produktbeschreibung: Der Makita DTW 1005 Akku Schlagschrauber bietet mit seinen leistungsstarken Funktionen und innovativen Technologien eine ausgezeichnete Lsung fr anspruchsvolle Anwendungen. Ausgestattet mit einem brstenlosen Motor, der fr eine lange Lebensdauer und wartungsfreie

Lieferumfang:

- 1x Makita DTW 1005 Akku Schlagschrauber
- 2x Makita BL 1860 B 18 V 6,0 Ah Akku
- 1x Makita DC 18 SD Akku Ladegerät
- 1x Makita Makpac Koffer
- 1x Universaleinlage

Produktbeschreibung:

Der Makita DTW 1005 Akku Schlagschrauber bietet mit seinen leistungsstarken Funktionen und innovativen Technologien eine ausgezeichnete Lösung für anspruchsvolle Anwendungen. Ausgestattet mit einem bürstenlosen Motor, der für eine lange Lebensdauer und wartungsfreie Nutzung sorgt, liefert dieses Werkzeug beeindruckende Leistung. Der DTW 1005 bietet ein maximales Anzugsdrehmoment von 1.360 Nm und ein Lösemoment von 1.700 Nm, was ihn ideal für das Lösen und Anziehen von Schrauben und Muttern, auch in vertieften Bereichen wie an Lkw-Hinterrädern, macht. Der 137 mm lange 3/4"-Anschluss bietet eine hohe Kompatibilität und ermöglicht eine präzise Arbeit, während das Drehmoment im Vergleich zum DTW 1001 um bis zu 40 % höher ist, da keine zusätzliche Verlängerung notwendig ist. Der Akku-Schlagschrauber verfügt über vier Vorwärtsmodi und zwei Rückwärtsmodi, die sich durch unterschiedliche Drehzahlregelungen und ein Auto-Stopp-System auszeichnen. Diese Modusvielfalt ermöglicht es, das Werkzeug an verschiedene Anforderungen anzupassen, vom ersten Anziehen großer Lkw-Reifen bis hin zum Anziehen mit maximaler Drehzahl. Der Auto-Stopp-Modus sorgt für zusätzliche Sicherheit, indem er die Rückwärtsdrehung automatisch stoppt, sobald sich die Schraube oder Mutter ausreichend gelöst hat. Die XPT-Technologie schützt das Werkzeug vor Staub und Wasser und sorgt somit für eine zuverlässige Leistung, auch unter extremen Bedingungen. Für zusätzlichen Komfort und bessere Sichtbarkeit ist der DTW 1005 mit zwei LED-Leuchten ausgestattet, die den Arbeitsbereich optimal ausleuchten, und einem ergonomischen, gummierten Softgrip-Griff, der besonders bei längerem Gebrauch für eine angenehme Handhabung sorgt. Die elektrische Bremse trägt zur Produktivität bei, indem sie den Arbeitsvorgang schnell und sicher beendet. Ein breiter Einhängebügel sorgt für praktische Aufbewahrung, und der Tiefentladeschutz schaltet das Gerät automatisch ab, wenn der Akku zu niedrig ist.

Technische Daten:

Hersteller: Makita
Herstellerbezeichnung: DTW 1005
Akkuspannung: 18 V
Akku-Serie LXT: Ja
Max. Anziehdrehmoment: 50 / 150 / 450 / 1360 Nm
Leerlaufdrehzahl: 0 - 800 / 900 / 1000 / 1800 min⁻¹
Schlagzahl: 0 - 1600 / 1800 / 2200 min⁻¹
Außenvierkantaufnahme: 3/4 "
Standardschrauben: M12 - M33
Hochfeste Schrauben: M10 - M24
Schallleistungspegel (dB): 108 dB(A)
Schalldruckpegel (dB): 100 dB(A)
K-Wert Geräusch: 3 dB(A)
Gewicht mit Akku: 3,9 - 4,2 kg
Produktabmessung (L x B x H): 339 x 91 x 291 mm
Bürstenloser Motor: Ja
Max. Lösemoment: 1700 Nm
Gewicht ohne Akku: 3,6 kg


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SKU: 11114077718

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Tim M.
Natrona Heights, US
★★★★★ 5
Great gift idea!
Denomination: 0, Design Name: You're the best. (Animated)
Always a great gift for anyone and easy to purchase and redeem.
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Reviewed in the United States on May 12, 2026
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Madison
Lexington, US
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
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Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
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Paul Frandano
Boise, US
★★★★★ 5
A Dyadic Review: Baffling, Brilliant
Difficult. Rewarding. Serious. Hilarious. Wise. Faux-wise. Scholarly. Mock-scholarly. Observant. Absurdly, obsessively observant. Sharp characterizations. Ridiculous characters. Devout. Bawdy. Endearing. Frustrating. Genius. Barking mad. Narratively incoherent. Stream-of-consciousness associative. Consistently provincial. Profoundly universal. Mired in the 18th century. Harbinger of 20th century literary Modernism. Baffling. Brilliant Not for every taste. For my taste. And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more. And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
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Reviewed in the United States on June 13, 2016
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Ritesh Laud
Louisville, US
★★★★★ 5
Brilliant stream of consciousness style, *extremely* humorous
"The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters. I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story. Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict. It's not trying to teach anything, really. So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count. I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up: "No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations." It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
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Reviewed in the United States on July 31, 2005
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Diogenes
Port Orchard, US
★★★★★ 3
Interesting read, but takes some getting used to
I heard about this book on a blog, and figured I'd check it out. It's the rambling tale of a man determined to give you every last detail of everything that might be important to the narrative of his life. Unfortunately, he goes on tangets so often that he doesn't even get to his birth for several chapters, let alone the story of the rest of his life. Along the way, you're introduced to lots of random characters who are (at best) loosely related to the protagonist, but as often as not these tangents are fairly amusing. The writing is pretty dense, and this along with the tangents had me putting the book down fairly often. It's probably ideal for a commuting book, but I never wanted to just sit down and blitz through big chunks of it. Overall it's a very different kind of experience than a novel reader typically gets. It's worth a read for a change of pace, but I can't say it's a life-altering read.
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Reviewed in the United States on March 21, 2013

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