SKU: 15561279397

Grund der Kunst

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Grund der KunstZeitgenossenschaft, die gleichzeitige Befragung der Kunst vonseiten der Philosophie und der bildenden Kunst, der historische Horizont, der sich zwischen den paradigmatischen Positionen Schellings und Runges erffnet das sind die Themen dieses Bandes, in dem sich alles um Konstellationen dreht. Die Kunst genoss um 1800 in Deutschland hohes Ansehen wie nie zuvor. Zugleich steckte die zeitgenssische bildende Kunst in einer tiefen Krise. Es mehrten sich

Zeitgenossenschaft, die gleichzeitige Befragung der Kunst vonseiten der Philosophie und der bildenden Kunst, der historische Horizont, der sich zwischen den paradigmatischen Positionen Schellings und Runges eröffnet -- das sind die Themen dieses Bandes, in dem sich alles um Konstellationen dreht. Die Kunst genoss um 1800 in Deutschland hohes Ansehen wie nie zuvor. Zugleich steckte die zeitgenössische bildende Kunst in einer tiefen Krise. Es mehrten sich Zweifel an Winckelmanns am griechischen Vorbild orientierten Postulat, die Schönheit sei 'der höchste Endzweck und Mittelpunkt der Kunst'. Die idealistischen Philosophen wie die Künstler der jungen, 'romantischen' Generation drängten auf eine Neubegründung der Kunst. In dieser historischen Konstellation leisteten Friedrich Wilhelm Joseph Schelling (1775-1854) und Philipp Otto Runge (1777-1810) einen entscheidenden Beitrag zur Entwicklung der Kunst des 19. Jahrhunderts.

EAN: 9783770555628
Farbverschnitt: Generell werden die Bücher ohne Farbverschnitt geliefert, auch wenn die Abbildungen einen Farbverschnitt zeigen.
Erscheinungsjahr: 30.04.2025
Beilage: LEINEN
Titel der Reihe: Konstellationen. Die Philosophie und die Künste um 1800##
Redaktion: Büttner, Frank & Zerbst, Arne
Seitenzahl/Blattzahl: 172
Abbildungen: 18 s/w Abbildungen, 18 farbige Abbildungen
Themenüberschrift: PHILOSOPHY / Aesthetics
Keyword: Chiaroscuro; Farbenlehre; Frühromantik; Helldunkel; Imitation; Jena Romanticism; Mimesis; Nachahmung; Philosophie der Kunst; Philosophy of Art; System des transzendentalen Idealismus; System of Transcendental Idealism; Theory of Colours
Fachschema: Ästhetik~Künstler - Künstlerin~Kunstgeschichte~Romantik (Epoche) - Frühromantik ~Spätromantik~Schelling, Friedrich Wilhelm Joseph von~Neunzehntes Jahrhundert
Fachkategorie: Kunstformen~Kunstgeschichte~einzelne Künstler, Künstlermonografien~Philosophie Ästhetik
Länge: 233 mm
Breite: 157 mm
Höhe: 22 mm
Gewicht: 222 gr
Produktform: Gebunden
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SKU: 15561279397

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