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Ninja Creami Eismaschine Schwarz & Kupfer NC300EUCPmehr Details Beim Anbieter ansehen Kreieren Sie individuelle hausgemachte Leckereien von kstlicher Eiscreme cremigem Gelato und reichhaltigen Milchshakes bis hin zu zarten Sorbets Frozen Yogurt und vielem mehr. Die Mglichkeiten sind grenzenlos. Mehr als nur Desserts: Bereiten Sie cremige Smoothie Bowls zum Frhstck zu oder servieren Sie ein erfrischendes Fruchtsorbet als leckeren Nachmittagssnack. Verwhnen Sie Ihre Kinder mit einem hausgemachten
Kreieren Sie individuelle hausgemachte Leckereien - von köstlicher Eiscreme cremigem Gelato und reichhaltigen Milchshakes bis hin zu zarten Sorbets Frozen Yogurt und vielem mehr. Die Möglichkeiten sind grenzenlos. Mehr als nur Desserts: Bereiten Sie cremige Smoothie-Bowls zum Frühstück zu oder servieren Sie ein erfrischendes Fruchtsorbet als leckeren Nachmittagssnack. Verwöhnen Sie Ihre Kinder mit einem hausgemachten Milchshake und gönnen Sie sich nach dem Abendessen ein leckeres Dessert. Einfüllen einfrieren rühren und genießen Wie funktioniert eine Eismaschine? Ganz einfach! Füllen Sie einfach alle Zutaten in einen der praktischen Dessertbehälter und frieren Sie diese 24 Stunden lang ein. Setzten Sie kurz vor dem Servieren den Dessert-Behälter in die Außenschüssel befestigen Sie die Dessert-Klingeneinheit und den Deckel und setzen diese in die Eismaschine ein. Die rotierende Dessert-Klingeneinheit verwandelt auf Knopfdruck Ihre gefrorene Basismasse im Nu in eine cremige Köstlichkeit! Genießen Sie diese cremige zarte Leckerei sofort oder legen Sie sie für später ins Eisfach. Ihre Desserts Ihre Ideen Bereiten Sie Ihre Leckereien genauso zu wie Sie sie am liebsten mögen – reichhaltig zuckerarm laktosefrei ketogen oder vegan – Sie haben die Wahl. Das mitgelieferte Rezeptheft bietet Ihnen eine Fülle an köstlichen Ideen - hier ist für jeden Geschmack etwas dabei. Im Lieferumfang enthalten sind drei BPA-freie Behälter um Ihre Desserts zuzubereiten und aufzubewahren sodass Sie bis zu 1 4 l köstliche Eiscreme herstellen und drei verschiedene Geschmacksrichtungen auf einmal kreieren können die garantiert jeden in Ihrem Haushalt glücklich machen. Leckereien mit Extras zaubern Genießen Sie leckere Desserts mit einer Geschmacksexplosion und köstlichen Texturen. Fügen Sie nach dem Verarbeiten Ihrer gefrorenen Basismasse einfach Extrazutaten wie Chocolate Chips Süßigkeiten Nüsse Keksstücke Müsli und vieles mehr hinzu. Führen Sie dann das voreingestellte „Extras“-Programm aus um sie automatisch und gleichmäßig mit Präzision und Kontrolle im gesamten Behälter zu verteilen. Kreieren Sie ein individuelles Dessert ganz nach Ihren Wünschen. Sie können auch gekaufte Eiscreme verfeinern – füllen Sie sie einfach in den Behälter fügen Sie Ihre Lieblingsextras hinzu und führen Sie das Programm aus. Perfekte Texturen Die speziell konzipierte Dessert-Klingeneinheit liefert jedes Mal die perfekte Konsistenz. Die Klingeneinheit die Eispartikel innerhalb von Minuten zu cremigen gefrorenen Köstlichkeiten rührt bewegt sich automatisch von oben nach unten durch die gefrorene Basismasse um köstliche Leckereien herzustellen. So viel mehr als nur eine Eismaschine... Leckere Getränke Desserts und Köstlichkeiten auf Knopfdruck mit 7 voreingestellten Programmen – Eiscreme Gelato Sorbet Smoothie-Bowl Light Eiscreme Milchshake und Extras. Eiscreme – Verwandeln Sie Ihre Küche mit Milcheis und veganem Eis in Ihre ganz private Eisdiele. Genießen Sie eine Kugel klassisches Vanilleeis mit Schokostückchen oder Kokoseis kreieren Sie einen hausgemachten Eisbecher genießen Sie süßlich-herben Frozen Yogurt mit all Ihren Lieblingsaromen oder frieren Sie einfach Bananen ein um eine cremige kalorienarme „Nice Cream“ herzustellen. Gelato – Weckt Erinnerungen an den Sommer: Genießen Sie Gourmet-Gelato von cremiger Schokolade bis zu sonnengeküsster Pistazie jetzt auch zu Hause. Sorbet – Verarbeiten Sie verschiedene Obstsorten zu superzartem Sorbet von Zitronensorbet mit Zitronenabrieb bis hin zu erfrischendem Mangosorbet. Dosenobst sorgt für ein noch leichteres Ergebnis! Milchshake – Von frischen Erdbeershakes bis hin zu klassischen Schokoladenshakes: Stellen Sie köstliche reichhaltige Milchshakes selbst her oder mischen Sie Ihre gekaufte Lieblingseiscreme mit Milch um im Nu köstliche Milchshakes ohne vorheriges Einfrieren herzustellen! Smoothie-Bowl – Kombinieren Sie Obst Honig Yogurt und andere kalorienarme Zutaten für ein köstlichen Frühstück das cremig ist und sich perfekt mit frischem Lieblingsobst und Granola toppen lässt. Light Eiscreme – Stellen Sie ganz einfach Eiscreme her die zucker- oder fettarm ist oder verwenden Sie Zuckerersatzstoffe. Perfekt zum Kreieren von gesunden Leckereien Keto- oder Paleo-Rezepten. Extras – Fügen Sie nach dem Verarbeiten Chocolate Chips Nüsse und vieles mehr zu Ihrem Dessert hinzu und verteilen Sie diese gleichmäßig mit Präzision und Kontrolle im gesamten Behälter. Jede Funktion ist intelligent mit einer einzigartigen Drehgeschwindigkeit und -dauer programmiert um so die perfekte Textur zu kreieren. Mit dem Re-Spin-Programm können Sie ein superweiches Ergebnis erzielen – besonders für extrakalte Basismassen perfekt. Leicht zu verwenden leicht zu reinigen Über die einfache Steuerung per Touchscreen können Sie das gewünschte Programm ganz leicht auswählen. Eine Fortschrittsleiste auf dem Bildschirm zeigt an wie lange es noch dauert bis Sie Ihre Leckerei genießen können! Dieses schlanke kompakte Gerät ist eine stylische Ergänzung für jede Küche. Die Behälter Deckel und Klingeneinheit sind spülmaschinenfest für eine problemlose Reinigung oder können von Hand abgewaschen werden. Inspirierende Ideen finden Sie im mitgelieferten Rezeptheft das voller köstlicher Rezepte steckt! Was wollen Sie als Erstes kreieren? Bitte beachten: Bitte kein Protein Pulver mit Wasser im Creami mixen Bitte für ein optimales Ergebnis und Langlebigkeit Ihrer Ninja Creami etwas Flüssigkeit nach den ersten Umdrehungen hinzufügenShipping Notes
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4.3 ★★★★★
Based on 13 reviews
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Product Reviews
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows.
Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring.
Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters.
In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies.
At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn.
The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do.
As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable.
In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD.
It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank."
The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released?
It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex.
This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film).
I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010
★★★★★ 5
A forerunner to Dirty Harry and Lee Marvin shining...
If you liked "The Getaway" or "Dirty Harry", then meet their forerunner.
"Point Blank" is explosive, fast-paced, and still the acting is there.
Good acting that is.
Lee Marvin is at his best. Angie Dickinson. in her strong performance, is as beautiful as ever. Keenan Wynn and Carroll O'Connor play their parts to the hilt and it truly shows. John Vernon (who was The Mayor in "Dirty Harry") plays a slimy type with diligence and very believable.
Add the killing pace of the entire picture, and you have a hot item, as sharp and cutting as "Film Noir" can be.
Yes, because this is still a "Film Noir", despite the fact that it was filmed in Color and in the mid-sixties.
John Boorman ("Hell in the Pacific", "Deliverance" and "The Emerald Forest"), skillfully "color coded" the entire movie, bringing it from absolute colors at the beginning, to more red-tinted ones towards the end.
The only difference from a true "Film Noir" is its fast-paced storyline, that would lead us to movies as I have mentioned above.
Marvin's minimalistic acting, but forceful presence, is enough to fill every frame of the movie with tension, action and complete mayhem.
Compare him in "The Dirty Dozen" and "The Big Red One" and you will see what I mean.
A big plus was the release on DVD. An excellent transfer with a sharp picture resolution, a clearcut sound, make it a very enticing experience to watch it at home.
This is not just a Highly Recommended title. It is simply a Must!
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Reviewed in the United States on April 20, 2007