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Description
W3G910-GV02-01 ebmpapst Axial fan 3~380/480V 2880W 4.4A 1000rpmMADE IN GERMANY HEAVY DUTY INDUSTRIAL AXIAL FAN ebm papst W3G910 GV02 01 Axial Fan German engineered for 10+ years of continuous operation, whisper quiet high efficiency performance, powerful 2. 88kW motor, and exceptional static pressure the ultimate cooling solution for heavy industrial HVAC, cooling towers, power generation, and large scale commercial ventilation systems. DOWNLOAD OFFICIAL DATASHEET (PDF) Core Performance Advantages 10+ Years
🇩🇪 MADE IN GERMANY | HEAVY-DUTY INDUSTRIAL AXIAL FAN
ebm-papst W3G910-GV02-01 Axial Fan
German-engineered for 10+ years of continuous operation, whisper-quiet high-efficiency performance, powerful 2.88kW motor, and exceptional static pressure – the ultimate cooling solution for heavy industrial HVAC, cooling towers, power generation, and large-scale commercial ventilation systems.
📄 DOWNLOAD OFFICIAL DATASHEET (PDF)Core Performance Advantages
10+ Years Industrial Durability
ebm-papst German engineering with premium ball bearings, reinforced housing, and massive 57kg build. Exceeds 10+ years of continuous operation in the harshest environments with minimal maintenance.
Ultra-Quiet Operation
Advanced aerodynamic blade profiling and precision dynamic balancing drastically reduce turbulence and noise. Ideal for hospitals, offices, residential areas, and noise-sensitive facilities.
Energy Efficient Low Power
Optimized 2.88kW motor with efficient 4.4A current draw (3~380/480V). Cuts energy costs significantly vs conventional fans – perfect for 24/7 continuous duty cycles.
High-Volume Axial Airflow
Powerful 1000 rpm axial airflow delivers exceptional volumetric flow and static pressure. Provides superior heat dissipation for power plants, data centers, and heavy industrial systems.
Industry Applications
The W3G910-GV02-01 is trusted across multiple sectors requiring reliable, high-efficiency heavy-duty axial ventilation.
Industrial Ventilation
Commercial Air Conditioning
Industrial Refrigeration
Heating Systems
Electrical Automation
Frequency Converters
Rail Transportation HVAC
HVAC (FFU/AHU)
Air Purification Systems
New Energy Vehicles
Data Center Cooling
Hospital HVAC Systems
Laboratory Ventilation
Telecom Equipment Cooling
Battery Storage Systems
Marine & Shipboard HVAC
Cooling Towers
Power Plant Ventilation
Heavy Machinery Cooling
Technical Specifications
| Model No | W3G910-GV02-01 GENUINE |
| Article No | W3G910-GV02-01 FACTORY CODE |
| Motor No | M3G150-NA MOTOR CODE |
| Condition | Original new from manufacturer |
| Power | 2880 W ENERGY EFFICIENT |
| Voltage | 3~380/480 V THREE PHASE |
| Current | 4.4 A OPTIMIZED DRAW |
| Speed | 1000 rpm HIGH STATIC PRESSURE |
| Frequency | 50/60 Hz |
| Manufacturer | ebm-papst GERMANY |
| HS Code | 8414599099 |
| Country of Origin | Germany MADE IN GERMANY |
| Product Type | Axial fan INDUSTRIAL GRADE |
| Warranty | 1 year PEACE OF MIND |
| Net Weight | 57 kg HEAVY DUTY |
| Shipping Dimension | 116*116*53cm |
| Ship From | Hong Kong |
| Lead Time | 5 days |
| Delivery Time | 3-8 days |
| Ship By | DHL / UPS |
| Sell and ship only genuine products from factory. | |
| Promise: Meet all factory specs, fit, form, and function. | |
| 30 days return policy, 100% customer satisfaction. | |
| Large quantity inquiry please contact email: [email protected] | |
📦 Shipping, Warranty & Service
Sell and ship only genuine products from factory.
Promise: Meet all factory specs, fit, form, and function.
Shipping From: Dispatched from Hong Kong – fast global distribution hub.
Processing Time: Orders are processed within 5 business days.
Express Delivery: Worldwide delivery in 3-8 business days via DHL / UPS.
Warranty: Full 1-year manufacturer warranty backed by ebm-papst.
30-Day Returns: 30-day return policy & 100% customer satisfaction commitment.
Volume Pricing: For large quantity inquiries: [email protected]
Frequently Asked Questions
🔹 Q1: What makes this fan last over 10 years?
A: The W3G910-GV02-01 features German-engineered construction with premium ball bearings, reinforced housing, and massive 57kg build. Designed for continuous heavy industrial duty with minimal wear, ensuring a service life exceeding a decade.
🔹 Q2: How quiet is the 1000 rpm operation?
A: Despite its powerful airflow capacity, the aerodynamically optimized impeller and precision balancing drastically reduce noise. It is well-suited for noise-sensitive environments such as hospitals, labs, and office buildings.
🔹 Q3: How does the 2.88kW motor save energy?
A: With optimized current draw of 4.4A and high efficiency across 380/480V, it consumes significantly less power than traditional fans, lowering operational costs especially in 24/7 heavy industrial applications.
🔹 Q4: What cooling performance can I expect?
A: The 1000 rpm axial airflow delivers exceptional volumetric flow and static pressure, ensuring superior heat dissipation for power plants, heavy machinery, data centers, and large-scale HVAC systems.
Need a Reliable Heavy-Duty Industrial Axial Fan?
Contact our technical team for application support, bulk quotes, or customized solutions.
📧 Request Technical Support 📊 Request Volume Pricing⭐ Customer Reviews
★★★★★ Verified Buyer – Power Plant Operations Manager
"The ebm-papst W3G910-GV02-01 axial fan is absolutely outstanding for our power plant cooling system. It runs remarkably quiet at 1000rpm despite its massive size, delivers powerful airflow, and the 2.88kW motor is surprisingly energy-efficient with only 4.4A draw. Build quality is rock solid at 57kg – clearly German engineered for 10+ years of heavy-duty service. Perfect for cooling towers and industrial ventilation. Highly recommended for any demanding large-scale application."
— Klaus H., Power Plant Operations Director
✅ Verified Purchase · Reviewed on June 23, 2026
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.7 ★★★★★
Based on 16 reviews
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Product Reviews
★★★★★ 5
Great face mask
Color: Lifting (Jericho Rose)
Love this mask. I have really sensitive skin and this mask doesn't irritate my skin at all. It absorbs nicely and leaves my skin feeling moisturized and glowing. Great value for the price!
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Reviewed in the United States on April 21, 2026
★★★★★ 3
Full Moisturization of the face is lacking
Color: Lifting (Jericho Rose)
I would give it a 5 based on the appearance after the mask is removed your skin is glassy but the moisture level is lacking. It leaves behind an oily residue and my face didn’t feel hydrated. The search continues.
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Reviewed in the United States on March 25, 2026
★★★★★ 5
“The fragments of a life”…
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that I’ve seen the world, ‘lo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, we’d only viewed rather straightforward movies of “good and evil,” Westerners, and the like. Predictable endings. The director of “8 ½,” Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of one’s life get all jumbled up in the brain. And he provided some takeaways that have long been with me.
I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are “fragments” in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk Aimée, who was the motive force behind the re-watching of it now. There is the “virginal” Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guido’s flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wife…
“Upstairs when you are 40.” That was one of the big takeaways. Anselmi is having this male fantasy about his “harem,” all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the “stripper” is now 40 and must go upstairs, the metaphor for being placed on the “discard pile” for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip.
It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like “impoverished poetic imagination,” “overabundant symbols,” and, of course, “self-indulgent.”
I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published “The Index of Forbidden Books,” (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated.
Anouk Aimée is absolutely mesmerizing. She has been a “fragment” of my own life, ever since I viewed “A Man and a Woman” in the ’60’s. Again, she played opposite the equally formidable Jean-Louis Trintignant, of “Z,” “Three Colors, Red,” and so much else, fame. Far more relevantly, the two of them recently played in “The Best Years of Our Lives,” again directed by Claude Lelouch. Aimée is now a young 90. In her role as Anselmi’s wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies.
It struck to the core. Luisa is utterly fed up with Guido’s philandering and constant lies. And Guido is suffering from “director’s block” in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: “But what can you say to strangers when you can’t tell the truth to the one closest to you…”.
The only problem is that I’ve felt that line was said in Ingmar Bergman’s “Scenes from a Marriage.” And maybe that line was ALSO said in Bergman’s movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe Aimée would also. 5-stars, plus for Fellini’s classic, formidable film.
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Reviewed in the United States on March 14, 2023
★★★★★ 5
One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across.
The Movie:
Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc.
The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture.
The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined.
So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem.
The DVD:
First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman.
Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*.
The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay.
Overall a great package that I'll not regret buying.
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Reviewed in the United States on January 5, 2002
★★★★★ 5
"Happiness consists of being able to tell the truth without hurting anyone."
From the stunning, groundbreaking opening sequence of escaping asphyxiation to the fantastical harem scene to the final realization to become PART of life instead of just trying to control or run from it, Fellini's masterpiece gives us one of cinema's great rollercoaster rides of guilt, artistic creativity and self-acceptance. Certainly, one of the most influential films of all time it breaks completely free of convention and introduces us to the inner workings of director Fellini's world. And we are much richer for the journey. Sometimes painful, sometimes supremely funny we can't wait to find out about another hidden treasure or nightmare locked away in the mind of Guido Anselmi. You'll never think about directors and film making quite the same way again.
Criterion does a fine job with this Blu-ray release. The restored image here has deep blacks, solid greyscale and brilliant whites. Grain is very tight with nice detail. Details in the characters' faces are easily seen. The cleaned up restored mono soundtrack is clear and the musical elements are without distortion. As usual for Criterion, the supplements are extremely generous with several fine documentaries, interviews, and a nice booklet with writings by Fellini and critics. Truly a must own for any physical media collection.
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Reviewed in the United States on May 12, 2024
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