SKU: 22609453679

UHP4932 Casual Indoor Pendant, 14-1/4''H x 9-7/8"W x 9-7/8''D, Matte Black Finish, Wismar Collection

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Description

UHP4932 Casual Indoor Pendant, 14-1/4''H x 9-7/8"W x 9-7/8''D, Matte Black Finish, Wismar CollectionPRODUCT OVERVIEW: What makes this product different? The UHP4932 distinguishes itself with a teardrop shaped outer glass paired with a cylindrical opal inner shade, creating a layered silhouette that feels both modern and timeless. While many pendants use a single shade or uniform glass, this design combines clear and frosted textures for depth and elegance. The brushed gold, brushed nickel, and matte black finishes elevate the fixture with a refined,

PRODUCT OVERVIEW:

What makes this product different?
The UHP4932 distinguishes itself with a teardrop-shaped outer glass paired with a cylindrical opal inner shade, creating a layered silhouette that feels both modern and timeless. While many pendants use a single shade or uniform glass, this design combines clear and frosted textures for depth and elegance. The brushed gold, brushed nickel, and matte black finishes elevate the fixture with a refined, versatile edge. Its diffused, inviting glow offers a warmth often missing in more industrial-style pendants.

Why is this product worth the price?
The UHP4932 Wismar pendant light justifies its price through a sophisticated blend of design and quality. The layered glass shades, available in a variety of finishes, create a warm, inviting glow perfect for various settings. Constructed from steel and glass, this fixture offers enduring value and style. Its adaptable hanging height and sloped ceiling compatibility enhance its versatility, making it a worthwhile investment for discerning homeowners.

What value does this product offer over similar options?
The UHP4932 evlolves ordinary moments through its sophisticated dual-glass architecture, where teardrop clarity embraces opal warmth—a refinement rarely found in typical pendants. While competitors offer basic single-shade designs with harsh downlight, this Wismar piece orchestrates gentle, room-filling radiance through layered diffusion. The substantial steel construction and precision matte black finish outlast flimsy alternatives, while Urban Ambiance's UA Guarantee ensures your investment illuminates beautifully for years, not seasons.

FIXTURE INFORMATION:
  • MODEL NUMBER: UHP4932
  • ALTERNATE MODEL NUMBER: BWP4432
  • PRODUCT COLLECTION: Wismar
  • INSTALL LOCATION: Indoor
  • FIXTURE TYPE: Pendant
  • FINISH: Matte Black
  • CONSTRUCTION MATERIAL: Steel
  • INSTALLATION HARDWARE INCLUDED: Yes
INSTALLATION INFORMATION:
  • FIXTURE BODY: 14-1/4''H x 9-7/8"W x 9-7/8''D
  • MIN HANGING HEIGHT: 21.25 (Learn More)
  • MAX HANGING HEIGHT: 69.25 (Learn More)
  • DOWNRODS INCLUDED: One 6" and Four 12" Down Rods (Learn More)
  • CHAIN LENGTH: N/A
  • ADDITIONAL RODS / CHAIN AVAILABLE: N/A
  • CEILING OR WALL PLATE DIMS: 5.12" x 5.12" x 0.87"
  • POWER WIRE LENGTH: 96 in (Learn More)
  • FIXTURE WEIGHT (IN LBS): 5.4 lbs.
  • LOCATION RATING: Dry Locations (Learn More)
  • SLOPED CEILING COMPATIBLE: Yes (Learn More)
  • REVERSIBLE (UP/DOWN) OPTION: No (Learn More)
  • VOLTAGE: 110/120 V (Learn More)
BULB INFORMATION:
  • DIMMABLE: Yes
  • NUMBER OF BULBS: 1
  • BULBS INCLUDED: No
  • MAX BULB WATTAGE: 100 W
  • ESTIMATED LUMENS PRODUCED: 1500
  • BULB BASE: E26 Medium Base
  • RECOMMENDED BULB SHAPE: A19
  • RECOMMENDED BULB COLOR TEMP: 2200-3000K
  • LED BULB COMPATIBLE: Yes
  • LIGHT DIRECTION: Down and Out
STYLE AND DESIGN INFORMATION:
  • SHADE CHARACTERISTICS: Etched/Frosted
  • FIXTURE SHAPE: Tear Drop
  • FIXTURE SHAPE: 0
COLLECTION DESCRIPTION:

The Wismar pendant lights are constructed from a combination of metal and glass. The metal components, including the rod and socket, have a brushed gold, brushed nickel or matte black finish, adding a touch of luxury and warmth. The glass components include a clear outer shade and a white opal inner shade, creating a layered effect that adds depth and visual interest to the design. The pendant light features a teardrop-shaped clear glass outer shade, giving it a sleek and contemporary silhouette. Inside this clear glass shade is a white opal glass inner shade, which is cylindrical and provides a soft diffusion of light. The fixture is designed to house a single light bulb within the white glass shade, creating a warm and inviting glow. The clear outer shade adds a touch of elegance and enhances the light’s dispersion. The pendant is suspended from the ceiling by a straight rod, maintaining a clean and minimalist aesthetic. This rod connects to a circular brass canopy that secures the fixture to the ceiling. Suitable for a variety of settings, including kitchens, dining areas, and living spaces, the pendant light blends seamlessly with contemporary, transitional, and modern decor styles. Available in brushed gold, brushed nickel and matte black, the Wismar collection combines modern design elements with a sophisticated use of materials, creating a stylish and functional lighting solution that enhances the ambiance of any room.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 22609453679

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4.7 ★★★★★
Based on 21 reviews
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Product Reviews
W
Verified Purchase
William
Grantham, US
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book. What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 6, 2017
G
Verified Purchase
G. Fisher
Birmingham, US
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 11, 2025
A
Verified Purchase
Artie Anzaldua
Grantham, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
H
Verified Purchase
Here
Lexington, US
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides. I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people! To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome. Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 5, 2013
J
Verified Purchase
Joel K. Williams
Grantham, US
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try. This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem? My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another. Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft. He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author. Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 11, 2010

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