SKU: 32640881684

Documents of Contemporary Art: Destruction

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Documents of Contemporary Art: DestructionEdited by Sven Spieker Part of the acclaimed Documents of Contemporary Art series of anthologies which collect writing on major themes and ideas in contemporary art. " a guided tour through conceptual territory that has rarely been mapped so expertly this collection should be perused from beginning to end, as suspense irresistibly increases while roaming the global contexts and learning about the growing urgencies at stake." Tom Holert, Harun Farocki


Edited by Sven Spieker

Part of the acclaimed Documents of Contemporary Art series of anthologies which collect writing on major themes and ideas in contemporary art.

"...a guided tour through conceptual territory that has rarely been mapped so expertly...this collection should be perused from beginning to end, as suspense irresistibly increases while roaming the global contexts and learning about the growing urgencies at stake."


-Tom Holert, Harun Farocki Institut, Berlin

The effects and meanings of destruction are central in the work of many of our most influential artists. Since the early 1960s, artists have cut, sliced, burned, blurred, erased, daubed-over, pulled down, ripped, sawn, shot, acid-bombed, exploded, smashed, crushed, compressed or even masticated their material to explore the meaning of their artistic processes. Here destruction changes from a negative state or passive condition to a highly productive category. Artists focussed on in this unique anthology use destructive subversion of media imagery to release us from its controlling effects; destruction of artwork to extinguish its fixity; destruction to disrupt the perceived integrity of built structures; and destructional risk to the self to raise consciousness of oppression.

Artists surveyed include John Baldessari, Monica Bonvicini, Alberto Burri, Douglas Gordon, Huang Yong Ping, Milan Knizak, Liz Larner, Paul McCarthy, Gordon Matta-Clark, Gustav Metzger, Yoko Ono, Robert Rauschenberg, Martha Rosler, Carolee Schneemann, Song Dong, Jean Tinguely, Wolf Vostell.

Writers include Alain Badiou, Walter Benjamin, Cuauthémoc Medina, Richard Galpin, Bruno Latour, Kristine Stiles.

Sven Spieker is Professor of Germanic and Slavic Studies at the University of California, Santa Barbara, and editor of ARTmargins. His books include The Big Archive: Art from Bureaucracy (MIT Press, 2008).

Paperback, 240 pages, 210 x 145 mm

ISBN 978-0-85488-258-8

First published 2017

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SKU: 32640881684

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Kimberly G
Massapequa, US
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delightful read
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What a delightful read. The characters are awesome, the plot was so good, I loved it. I was intrigued and it kept me wanting more. Told in multiple pov, the book sucks you in and doesn’t let go. I cannot wait to read the next book.
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Kimberly B
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★★★★★ 4
not bad
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I loved the plot of this book. The characters just didn’t have a lot of depth. The connections and “love” just weren’t communicated very well in the writing. The author didn’t write the sweet psycho trope very well at all either. Lachlan was just a mess of a character.
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Reviewed in the United States on November 17, 2023
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Carmen Alicea
Charlottesville, US
★★★★★ 5
A Beta Worth Rooting For
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In Spare, Violet Fox flips the omegaverse on its head, giving us a Beta heroine determined to make her mark. Joining the Beta Trials to support her sick father, she's thrown into a pack that doesn't want her, especially the possessive Alphas. But here's the twist: their sweet Omega turns out to be her scent match. Cue the angst, forbidden tension, and a slow-burn romance that will make your heart ache in the best way. Violet Fox delivers an emotional, refreshing take on the genre, proving Betas aren't "spares." They're stars.
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Reviewed in the United States on January 10, 2025
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C. Hunter
New York, US
★★★★★ 5
Beta, Alpha, Omega oh my!
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Omegas are precious and given to Alphas & their packs... but the Betas want in too. To this end, the Beta government is rolling out its trial of assigning a Beta to each Alpha-Omega pack. But forcing a Beta into a pack where they are not wanted will not end well... Of course, no one expected the Omega to fall for the assigned Beta. Great read and cliffhanger
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Reviewed in the United States on February 15, 2025
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B. Stubby
Omaha, US
★★★★★ 3
A familiar story, just with…..less.
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So, as other reviewers make clear, this is very similar to Pack Darling and The Beta. It’s much closer aligned with The Beta, in plot and maybe more like Pack Darling with characters. That being said, I don’t hate this…..but it wasn’t great either. It’s both books mentioned but just….less. Less angst, less emotion, less feeling. The plot feels very half fleshed out, and the “bad guy” feels underwhelming. I didn’t really feel any real emotions from and of the male leads, except maybe Oliver. The others fell sorta flat for me. And Mika makes herself out to be this big bad ass straight outta training and then we never see it from here again with the one fitting room incident as the exception. SPOILER: The whole, “Oh, I’m actually probably an Omega, but I don’t wanna be but I do actually wanna be but no one can ever know my secret that I do nothing to hide “ thing fell so flat. She never commutes to believing she was secretly an omega, but also mentions her “secret” a lot. It just felt so manufactured. I’m intrigued enough to read part 2 and see how the author closes everything out, but this is not one I’ll recommend or ever come back to.
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Reviewed in the United States on February 13, 2024

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