SKU: 4295436542

COMP Cams Camshaft Kit CRS 294S SK20-248-4

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Description

COMP Cams Camshaft Kit CRS 294S SK20-248-4COMP Cams Camshafts SK20 248 4 CamShaft Kit, CRS 294S Excellent for Pro Street, bracket race 9. 5: 1 compression, 3000 3500 stall, 4. 10 4. 30 gear, aftermarket intake. COMP Cams Camshaft Kit CRS 294S Vehicle Fitments: Year Make Model Submodel 1965 Bristol 408 Base 1965 1967 Bristol 409 Base 1967 1969 Bristol 410 Base 1964 1965 Checker Aerobus Base 1979 1980 Chrysler Cordoba 300 1975 1983 Chrysler Cordoba Base 1980 Chrysler Cordoba Crown 1980 1982

COMP Cams Camshafts SK20-248-4 CamShaft Kit, CRS 294S Excellent for Pro Street, bracket race 9.5:1 compression, 3000-3500 stall, 4.10-4.30 gear, aftermarket intake. COMP Cams Camshaft Kit CRS 294S

Vehicle Fitments:

Year Make Model Submodel
1965 Bristol 408 Base
1965 - 1967 Bristol 409 Base
1967 - 1969 Bristol 410 Base
1964 - 1965 Checker Aerobus Base
1979 - 1980 Chrysler Cordoba 300
1975 - 1983 Chrysler Cordoba Base
1980 Chrysler Cordoba Crown
1980 - 1982 Chrysler Cordoba LS
1983 - 1989 Chrysler Fifth Avenue Base
1981 - 1983 Chrysler Imperial Base
1977 - 1981 Chrysler LeBaron Medallion, Base
1978 Chrysler LeBaron S
1979 - 1981 Chrysler LeBaron Salon
1980 - 1981 Chrysler LeBaron Special
1981 Chrysler LeBaron Town & Country
1979 - 1982 Chrysler New Yorker Base
1977 - 1978 Chrysler New Yorker Brougham
1971 - 1981 Chrysler Newport Base
1971 - 1976 Chrysler Newport Custom
1971 - 1972 Chrysler Newport Royal
1978 - 1981 Chrysler Town & Country Base
1964 Dodge 330 Base
1964 Dodge 440 Base
1964 - 1965 Dodge 880 Custom, Base
1964 - 1970 Dodge A100 Base
1970 Dodge A100 Sportsman
1964 - 1970 Dodge A100 Truck Base
1968 - 1970 Dodge A100 Truck Sportsman
1976 - 1980 Dodge Aspen Base
1976 - 1977 Dodge Aspen Custom, Special Edition
1975 - 1980 Dodge B100 Base
1971 - 1974 Dodge B100 Van Sportsman, Base
1981 - 1994 Dodge B150 Base
1995 - 1998 Dodge B1500 Base
1997 Dodge B1500 SE, Custom
1997 - 1998 Dodge B1500 SLT
1975 - 1980 Dodge B200 Base
1972 - 1974 Dodge B200 Van Maxi, Maxi Wagon
1971 - 1974 Dodge B200 Van Sportsman, Base
1981 - 1994 Dodge B250 Base
1995 - 1998 Dodge B2500 Base
1997 Dodge B2500 SE
1997 - 1998 Dodge B2500 SLT
1975 - 1980 Dodge B300 Base
1972 - 1974 Dodge B300 Van Maxi, Maxi Wagon
1971 - 1974 Dodge B300 Van Sportsman, Base
1981 - 1994 Dodge B350 Base
1995 - 1998 Dodge B3500 Base
1997 - 1998 Dodge B3500 SLT
1973 - 1980 Dodge CB300 Base
1970 - 1974 Dodge Challenger Base
1970 - 1971 Dodge Challenger R/T
1972 Dodge Challenger Rallye
1970 Dodge Challenger T/A
1969 - 1971 Dodge Charger 500
1966 - 1976 Dodge Charger Base
1967 - 1971 Dodge Charger R/T
1969 Dodge Charger SE, Daytona
1971 - 1978 Dodge Charger Special Edition
1976 Dodge Charger Sport
1971 Dodge Charger Super Bee
1965 - 1970 Dodge Coronet 440, 500
1965 - 1976 Dodge Coronet Base
1971 - 1976 Dodge Coronet Crestwood, Brougham
1971 - 1975 Dodge Coronet Custom
1966 - 1970 Dodge Coronet Deluxe
1967 - 1970 Dodge Coronet R/T
1968 - 1970 Dodge Coronet Super Bee
1978 - 1979 Dodge D100 Adventurer
1975 - 1979 Dodge D100 Base
1977 - 1979 Dodge D100 Club Cab
1975 - 1989 Dodge D100 Custom
1979 Dodge D100 Estacas, Warlock II
1976 - 1978 Dodge D100 Warlock
1968 - 1974 Dodge D100 Pickup Base
1964 - 1967 Dodge D100 Series Base
1977 - 1993 Dodge D150 Base
1981 - 1988 Dodge D150 Club Cab
1982 - 1988 Dodge D150 Estacas, Adventurer
1978 - 1979 Dodge D150 Li'l Red Express
1982 - 1983 Dodge D150 Miser
1982 Dodge D150 RAM, Equipado
1990 - 1991 Dodge D150 S
1977 - 1980 Dodge D200 Base
1975 - 1976 Dodge D200 Custom
1968 - 1974 Dodge D200 Pickup Base
1964 - 1967 Dodge D200 Series Base
1981 - 1993 Dodge D250 Base
1986 - 1993 Dodge D250 Club Cab, Custom, Prospector, Adventurer
1975 - 1976 Dodge D300 Custom
1979 Dodge D300 Estacas
1975 - 1980 Dodge D300 RD, Base
1977 Dodge D300 RS
1968 - 1974 Dodge D300 Pickup Base
1964 - 1967 Dodge D300 Series Base
1981 - 1993 Dodge D350 Base, RD
1982 Dodge D350 RS
1978 - 1981 Dodge D400 Base
1978 - 1981 Dodge D450 Base
1989 - 2002 Dodge Dakota Base, Sport
1989 - 1993 Dodge Dakota LE
1998 - 2002 Dodge Dakota R/T
1990 - 1993 Dodge Dakota S
1989 - 1991 Dodge Dakota SE
1989 Dodge Dakota Shelby
1994 - 2002 Dodge Dakota SLT
2002 Dodge Dakota SXT
1994 - 1996 Dodge Dakota WS
1964 - 1968 Dodge Dart 270
1976 Dodge Dart 360
1964 - 1976 Dodge Dart Base
1969 - 1975 Dodge Dart Custom
1971 - 1972 Dodge Dart Demon 340, Demon
1965 - 1969 Dodge Dart GT
1964 - 1969 Dodge Dart GTS
1971 - 1974 Dodge Dart Special
1974 - 1975 Dodge Dart Special Edition, Sport 360
1973 - 1976 Dodge Dart Sport
1973 Dodge Dart Sport 340
1969 - 1976 Dodge Dart Swinger
1969 - 1970 Dodge Dart Swinger 340
1975 - 1976 Dodge Dart Swinger Special
1977 - 1981 Dodge Diplomat Base
1977 - 1983 Dodge Diplomat Medallion
1978 Dodge Diplomat S
1979 - 1989 Dodge Diplomat Salon
1984 - 1989 Dodge Diplomat SE
1981 Dodge Diplomat Sport
1998 - 2001 Dodge Durango Base
1998 - 2002 Dodge Durango SLT, SLT Plus
2000 - 2002 Dodge Durango Sport, R/T
1968 - 1974 Dodge M300 Base
1978 - 1979 Dodge Magnum XE
1970 - 1974 Dodge MB300 Base
1981 - 1983 Dodge Mirada Base
1980 - 1983 Dodge Mirada Special Coupe
1968 Dodge Monaco 500
1968 - 1978 Dodge Monaco Base
1974 - 1978 Dodge Monaco Brougham
1977 - 1978 Dodge Monaco Crestwood
1974 Dodge Monaco Custom
1975 - 1976 Dodge Monaco Royal, Royal Brougham
1968 - 1969 Dodge Polara 500
1964 - 1973 Dodge Polara Base
1971 Dodge Polara Brougham
1970 - 1973 Dodge Polara Custom
1970 Dodge Polara Special
1972 - 1974 Dodge R300 Base
1974 Dodge R300 Motorhome
1994 - 1996 Dodge Ram 1500 Base
1994 - 2002 Dodge Ram 1500 Custom
1997 Dodge Ram 1500 LT
1994 - 1998 Dodge Ram 1500 Lujo
1998 - 2001 Dodge Ram 1500 R/T
1994 - 1997 Dodge Ram 1500 Runner
1999 - 2002 Dodge Ram 1500 SLT
1997 - 1998 Dodge Ram 1500 SS/T 5.9L
1997 - 2002 Dodge Ram 1500 ST
1997 - 2001 Dodge Ram 1500 WS, Sport, Laramie
1999 - 2002 Dodge Ram 1500 Van SLT, Base, SE
1994 - 2002 Dodge Ram 2500 Base
1995 - 2002 Dodge Ram 2500 Custom
1996 - 1997 Dodge Ram 2500 Laramie
1995 - 1998 Dodge Ram 2500 Lujo, Limited
1995 - 1997 Dodge Ram 2500 Runner
1999 - 2002 Dodge Ram 2500 SLT
1999 - 2002 Dodge Ram 2500 Van SE, Base
1999 Dodge Ram 2500 Van SLT
1994 - 2002 Dodge Ram 3500 Base
1995 - 2002 Dodge Ram 3500 Custom
1999 Dodge Ram 3500 SLT
1999 - 2002 Dodge Ram 3500 Van SE, SLT, Base
1974 - 1993 Dodge Ramcharger Base
1991 - 1993 Dodge Ramcharger Canyon Sport
1981 - 1993 Dodge Ramcharger Royal SE
1975 - 1980 Dodge Ramcharger SE
1978 - 1980 Dodge RD200 Base
1973 - 1974 Dodge RM300 Base
1971 - 1974 Dodge RM300 Motorhome
1971 - 1974 Dodge RM350 Motorhome
1975 - 1977 Dodge Royal Monaco Brougham, Base
1979 - 1981 Dodge St. Regis Base
1975 - 1989 Dodge W100 Custom
1968 - 1974 Dodge W100 Pickup Base
1964 - 1967 Dodge W100 Series Base
1977 - 1993 Dodge W150 Base
1990 - 1991 Dodge W150 S
1975 - 1980 Dodge W200 Base
1968 - 1974 Dodge W200 Pickup Base
1964 - 1967 Dodge W200 Series Base
1981 - 1993 Dodge W250 Base
1977 - 1980 Dodge W300 Base
1975 - 1976 Dodge W300 Custom
1968 - 1974 Dodge W300 Pickup Base
1964 - 1967 Dodge W300 Series Base
1981 - 1993 Dodge W350 Base
1966 Griffith 200 Base
1998 Jeep Grand Cherokee 5.9 Limited
1993 Jeep Grand Cherokee Base
1993 - 1998 Jeep Grand Cherokee Limited, Laredo
1995 - 1997 Jeep Grand Cherokee Orvis
1993 - 1995 Jeep Grand Cherokee SE
1997 - 1998 Jeep Grand Cherokee TSi
1993 Jeep Grand Wagoneer Base
1964 - 1974 Plymouth Barracuda Base
1970 - 1971 Plymouth Barracuda Gran Coupe
1964 - 1971 Plymouth Belvedere Base
1968 - 1971 Plymouth Belvedere Satellite
1965 - 1967 Plymouth Belvedere II Base
1970 - 1974 Plymouth Cuda Base
1970 - 1973 Plymouth Duster 340
1974 - 1975 Plymouth Duster 360
1970 - 1975 Plymouth Duster Base
1975 Plymouth Duster Custom
1976 Plymouth Duster Sport
1971 - 1975 Plymouth Fury Custom
1968 - 1975 Plymouth Fury Custom Suburban
1970 - 1972 Plymouth Fury Gran Coupe
1972 Plymouth Fury Gran Sedan
1974 Plymouth Fury Police
1970 Plymouth Fury S-23, GT
1976 - 1978 Plymouth Fury Salon
1970 - 1971 Plymouth Fury Sport GT
1964 - 1978 Plymouth Fury Sport, Base
1968 - 1978 Plymouth Fury Suburban, Sport Suburban
1966 - 1969 Plymouth Fury VIP
1968 - 1974 Plymouth Fury I Suburban, Base
1965 - 1974 Plymouth Fury II Base
1968 - 1974 Plymouth Fury II Custom Suburban
1965 - 1974 Plymouth Fury III Base
1968 - 1974 Plymouth Fury III Sport Suburban
1972 - 1988 Plymouth Gran Fury Base
1975 - 1977 Plymouth Gran Fury Brougham, Sport
1975 - 1976 Plymouth Gran Fury Custom
1972 - 1976 Plymouth Gran Fury Custom Suburban
1980 - 1989 Plymouth Gran Fury Salon
1972 - 1977 Plymouth Gran Fury Suburban, Sport Suburban
1967 - 1968 Plymouth GTX Base
1975 - 1980 Plymouth PB100 Voyager
1974 Plymouth PB100 Van Voyager, Base
1981 - 1983 Plymouth PB150 Voyager
1975 - 1980 Plymouth PB200 Voyager
1974 Plymouth PB200 Van Voyager EX Wagon, Base, Voyager EX, Voyager
1981 - 1983 Plymouth PB250 Voyager
1975 - 1980 Plymouth PB300 Voyager
1974 Plymouth PB300 Van Voyager, Base, Voyager EX Wagon, Voyager EX
1981 - 1983 Plymouth PB350 Voyager
1968 - 1975 Plymouth Road Runner Base
1965 - 1974 Plymouth Satellite Base
1971 Plymouth Satellite Brougham
1971 - 1974 Plymouth Satellite Regent, Custom, Sebring, Sebring Plus
1968 - 1970 Plymouth Satellite Sport
1964 Plymouth Savoy Base
1971 - 1976 Plymouth Scamp Base
1975 Plymouth Scamp Brougham
1975 - 1976 Plymouth Scamp Special
1974 - 1981 Plymouth Trailduster Base
1968 - 1969 Plymouth Valiant 100
1964 - 1966 Plymouth Valiant 200
1964 - 1976 Plymouth Valiant Base
1974 - 1975 Plymouth Valiant Brougham
1975 Plymouth Valiant Scamp, Custom
1964 - 1969 Plymouth Valiant Signet
1967 Plymouth VIP Base
1976 - 1980 Plymouth Volare Base
1976 - 1977 Plymouth Volare Premier, Custom
1976 Plymouth Volare Road Runner
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SKU: 4295436542

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4.3 ★★★★★
Based on 25 reviews
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Product Reviews
A
Verified Purchase
Amanda Boyd
Birmingham, US
★★★★★ 5
Great face mask
Color: Lifting (Jericho Rose)
Love this mask. I have really sensitive skin and this mask doesn't irritate my skin at all. It absorbs nicely and leaves my skin feeling moisturized and glowing. Great value for the price!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 21, 2026
T
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Tammy Marshall
Lake Worth, US
★★★★★ 3
Full Moisturization of the face is lacking
Color: Lifting (Jericho Rose)
I would give it a 5 based on the appearance after the mask is removed your skin is glassy but the moisture level is lacking. It leaves behind an oily residue and my face didn’t feel hydrated. The search continues.
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Reviewed in the United States on March 25, 2026
J
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John P. Jones III
Alexandria, US
★★★★★ 5
“The fragments of a life”…
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that I’ve seen the world, ‘lo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, we’d only viewed rather straightforward movies of “good and evil,” Westerners, and the like. Predictable endings. The director of “8 ½,” Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of one’s life get all jumbled up in the brain. And he provided some takeaways that have long been with me. I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are “fragments” in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk Aimée, who was the motive force behind the re-watching of it now. There is the “virginal” Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guido’s flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wife… “Upstairs when you are 40.” That was one of the big takeaways. Anselmi is having this male fantasy about his “harem,” all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the “stripper” is now 40 and must go upstairs, the metaphor for being placed on the “discard pile” for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip. It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like “impoverished poetic imagination,” “overabundant symbols,” and, of course, “self-indulgent.” I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published “The Index of Forbidden Books,” (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated. Anouk Aimée is absolutely mesmerizing. She has been a “fragment” of my own life, ever since I viewed “A Man and a Woman” in the ’60’s. Again, she played opposite the equally formidable Jean-Louis Trintignant, of “Z,” “Three Colors, Red,” and so much else, fame. Far more relevantly, the two of them recently played in “The Best Years of Our Lives,” again directed by Claude Lelouch. Aimée is now a young 90. In her role as Anselmi’s wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies. It struck to the core. Luisa is utterly fed up with Guido’s philandering and constant lies. And Guido is suffering from “director’s block” in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: “But what can you say to strangers when you can’t tell the truth to the one closest to you…”. The only problem is that I’ve felt that line was said in Ingmar Bergman’s “Scenes from a Marriage.” And maybe that line was ALSO said in Bergman’s movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe Aimée would also. 5-stars, plus for Fellini’s classic, formidable film.
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Reviewed in the United States on March 14, 2023
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Stephen McLeod
Grantham, US
★★★★★ 5
One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across. The Movie: Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc. The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture. The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined. So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem. The DVD: First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman. Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*. The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay. Overall a great package that I'll not regret buying.
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Reviewed in the United States on January 5, 2002
O
Verified Purchase
Old Cinephile
Natrona Heights, US
★★★★★ 5
"Happiness consists of being able to tell the truth without hurting anyone."
From the stunning, groundbreaking opening sequence of escaping asphyxiation to the fantastical harem scene to the final realization to become PART of life instead of just trying to control or run from it, Fellini's masterpiece gives us one of cinema's great rollercoaster rides of guilt, artistic creativity and self-acceptance. Certainly, one of the most influential films of all time it breaks completely free of convention and introduces us to the inner workings of director Fellini's world. And we are much richer for the journey. Sometimes painful, sometimes supremely funny we can't wait to find out about another hidden treasure or nightmare locked away in the mind of Guido Anselmi. You'll never think about directors and film making quite the same way again. Criterion does a fine job with this Blu-ray release. The restored image here has deep blacks, solid greyscale and brilliant whites. Grain is very tight with nice detail. Details in the characters' faces are easily seen. The cleaned up restored mono soundtrack is clear and the musical elements are without distortion. As usual for Criterion, the supplements are extremely generous with several fine documentaries, interviews, and a nice booklet with writings by Fellini and critics. Truly a must own for any physical media collection.
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Reviewed in the United States on May 12, 2024

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