SKU: 50772718465

DRIVIN N' CRYIN – CRUSHING FLOWERS - LP •

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DRIVIN N' CRYIN – CRUSHING FLOWERS - LP •UPC: 750958013316 Label: DRIVIN N CRYIN Format: LP Release Date: May 15, 2026 In stock items ship within 48 hours Good rock bands dont stay trapped in amber, but they can go dormant (in your life, even if not in theirs) for a little while. I still remember zipping around Denver at age 20, running errands for a law firm, listening to songs like Fly Me Courageous on heavy rotation while probably deciding I didnt want to be a lawyer when I grew up. 35

UPC: 750958013316
Label: DRIVIN N CRYIN
Format: LP
Release Date: May 15, 2026
In stock items ship within 48 hours

Good rock bands don’t stay trapped in amber, but they can go dormant (in your life, even if not in theirs) for a little while. I still remember zipping around Denver at age 20, running errands for a law firm, listening to songs like “Fly Me Courageous” on heavy rotation while probably deciding I didn’t want to be a lawyer when I grew up. 35 years later, that band, Drivin N Cryin, has rejoined me (them – still making music; me – still not a lawyer) in similar spots in 2026 – aging while watching those we love age even faster. That leads to the theme found across the band’s latest release, Crushing Flowers – slowing down is OK, but don’t stop moving.

Bandleader and songwriter Kevn Kinney has assembled the core of the nearly forty-year-old band (bassist Tim Nielsen and drummer Dave Johnson) for a collection of stripped-down, growling rockers. The album’s second single, “Why Don’t You Go Around,” is nominally a snide survival tale centered around traffic in the band’s hometown of Atlanta, but it also finds Kinney, for a long time wary of others nicking his style – “Instead of drafting me/You got to find your own rhythm/You got to find your own speed” – before realizing he’s got his lane, and others need to find comfort in theirs – “You gotta tell your own story/Kind of simple that way.” It’s not a competition (unlike Atlanta’s roadways) – in music, you learn from your elders and your peers, then do your own thing. And the “elders” on Crushing Flowers include a couple of the best – R.E.M.’s Peter Buck sits in on guitar for a couple of tunes, and the late Todd Snider, in one of his final appearances, sings the last verse on album capper “Iggy Monkey.”

One another famous facet of Drivin N Cryin – their rotating cast of ace guitar players. Luminaries like Aaron Lee Tasjan and Laur Joamets (Sturgill Simpson/Johnnie Blue Skies) have played with the band at times, but Crushing Flowers’ producer is doing double duty here – Sadler Vaden also played with Drivin N Cryin before joining the 400 Unit, and he joins the band on the other side of the glass to provide several of the album’s riffy-est moments, including the extended coda on the album’s title track, as well as adding some AC/DC-ish stomp to “Looks Like We’re Back Again.”

It’s Kinney’s songwriting, though, that centers the album. That refusal to stop living comes through most clearly on “Dead End Road,” an acoustic-led wanderer that won’t allow quitting, even as mortality becomes undeniable – “There’s no such thing as a dead end road/Maybe on a map/But not in my soul.” But it’s the album’s lead track, “Mirror Mirror,” that cuts deepest. The bluesy midtempo number describes what a lot of us middle-aged types are dealing with – the disappearance, via dementia, of a parent – “I know you’re in there somewhere/The echo in your eyes/Yesterdays are living/Clear and so alive.” And, at a certain point, it’s typical to wonder if this disease will come looking for you – “I know you’re in there somewhere/Looking for this song.” It’s normal, the decay that comes with the passage in time, but it doesn’t make it any less heartbreaking. But Kinney’s advice might be what works best – keep moving. You can’t outrun it forever, but you can keep it at a distance for a little while longer.

Song I Can’t Wait to Hear Live: “Come On And Dance” – This shout-out to get-movin’ music across eras includes boogie piano from Vaden, and it all takes place under “a Spencer Gift disco light ready to go.” Retro vibes for all.

Crushing Flowers was produced by Sadler Vaden and recorded and mixed by Owen Lewis. Songs written by Kevn Kinney and arranged by Drivin N Cryin with Sadler Vaden. Drivin N Cryin is Kinney (vocals, guitar), Tim Nielsen (bass, guitar, mandolin, backing vocals) and Dave V Johnson (drums, backing vocals). Additional musicians on the album include Vaden (guitars, keyboards), Peter Buck (guitar on “Crushing Flowers” and “Mirror Mirror” ) and Todd Snider (lead vocals on “Iggy Monkey”).



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4.8 ★★★★★
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Diana S. Long
Draper, US
★★★★★ 5
Delightful and entertaining
Format: Kindle
314. The History of Tom Jones: a foundling by Henry Fielding (Novel-Audible/E Book-Fiction) 5* I read along with the Audible of the novel which I found a highly delightful and entertaining experience. The narrator, Bill Homewood, who performed the audio version of the work was excellent doing the various characters as well as the invisible narrator (author) of the story. The Synopsis is as follows: A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire—though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature. It is rather brilliant, and there is no lack of shenanigans as we follow Jones through his history and the reader never knows when and where the author will abruptly go off on a tangent, told in a most eloquent manner, end with a flourish and no doubt tossed his quill down and took a bow. I am either taken in by some farce or thoroughly enchanted by this author. As Fielding is rather the loquacious writer this read comes in Audible time at almost 38 hours or roughly 1,000 pages but worth every minute spent on it.
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Reviewed in the United States on December 19, 2017
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Hawkeye
Houston, US
★★★★★ 5
An epic nearly 300 years old
Tom Jones is the comical history of a young man who was adopted into a rich family and faces a brother who is against him all while they grow into maturity. It’s kind of like the first part of JoJo’s Bizarre Adventure except with Jonathan and Dio being reversed and with no vampires, but there is a moment where someone gets really scared while watching the ghost in hamlet so there’s at least some notion of the supernatural. Getting into it though, it’s an easy read despite it’s length encompassing 18 books, it’s honestly fascinating that it was able to be written so cleanly considering how many gaps there must of been between these books being written, it reads to us as a consistent narrative, but to imagine the wait and changing times that must have occurred during the duration to the story is really interesting to consider. The role and function of the narrator is probably the only real glimpse of this in narrative as he’s really just talking to us in the first chapter of every book, but the narrator being so clever and charming makes the only thing of interest be him and the relationship we form to him. It’s an incredible experience that I can recommend the entire story for alone. Getting to know the narrator is like talking to an old, reliable friend and it’s worth reading into nearly 300 years on.
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Reviewed in the United States on March 27, 2021
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Verified Purchase
Astronomere
Charlottesville, US
★★★★★ 3
Jone's Tome
This book seems more likely to be enjoyed by literary academics than by folks looking for a good story. While Henry Fielding is indeed a learned man of letters and does write in a fine and high style with many subordinate clauses, the actual substance thereof is no better than more earthy pedestrian fare. To put it plainly, I found most of the book a rather tedious slog. This is my personal subjective opinion only as I do believe Henry Fielding is well esteemed by serious literary scholars who undoubtedly see the matter quite differently. I am judging this book purely by my own personal enjoyment of the actual narrative and plot construction, and by my difficulty in teasing out the subordinate clauses which are so bound up with this age of writing. Imagine a very learned and erudite professor trying to tell you a common bawdy tale, but taking forever to do it while using the most stuffy language. I had thought that my deeper background in reading many Victorian era novels would qualify me to enjoy this one, but the language was a little too dense to make it an enjoyable read. I was however able to follow the story as well as the side epistles the author directly addresses the reader with (which I find to be an annoying device also much used in that era). I did read the whole thing and did take pleasure in some parts, but I must confess my bias towards this earlier era of novel writing. It takes very learned men of their age and has them writing long-winded tales of inferior construction when compared against later centuries. I know this is not their fault any more than you can blame a champion athlete of his time for having his record broken decades later when methods have universally improved.
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Reviewed in the United States on July 19, 2015
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Oren T. Bergfald
Draper, US
★★★★★ 5
Text is nearly 300 years old…!!! 😅😅😅
Read this publication alongside Cliff Notes. It’s a fun book, but the Latin poems and phrases can be intimidating. In addition, watch the movie. It’s an old text, so utilize resources to develop your understanding. 📚📖📙📘📗📕
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Reviewed in the United States on June 1, 2026
B
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BVLenci
New York, US
★★★★★ 4
The book itself is five stars!
This is a review of the Oxford Classic Kindle edition. The book itself is one of the greatest novels ever written; this is maybe the third time I've read it. Fielding is a master of irony, by which I mean genuine irony, not the mean sarcasm that often passes for irony these days. Fielding is never mean-spirited. His irony is generous and his humor is benevolent. His characters are three-dimensional, never all good or all bad. Before reading this, I had been re-reading several Dickens novels, and the contrast is enormous. A Dickens villain is a villain to the core, and his heroes (and especially his heroines) are saints. Tom instead is a young man with many faults, but a great heart. Sophia, his beloved, is a genuinely good person, but she's got a certain fiery spirit, and has her moments of doubt and remorse. I advise you to read every word of this novel. It's divided into books, and the first chapter of each book is an address to the reader, expounding Fielding's theories on literature and on human nature. An impatient reader might be tempted to skip these, but that would mean missing a lot of worthwhile and enjoyable reading. I have some quibbles with the Kindle edition. There were some mistakes in the passage from print to pixels, but they were not excessive. The biggest problem is that the excellent notes often have a reference to another note, with the page number, e.g., a note might be only "See note on page 85." As the book proceeds, more and more of the notes are references to earlier notes. However, there is never a link to these earlier notes, and when reading a Kindle, finding the note on page 85 is not an easy matter. Other than that, the Kindle edition is a pleasure to read.
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Reviewed in the United States on September 21, 2013

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