SKU: 63943911953

Rokinon Cine DS Wide-Angle Lens Kit for APS-C (Canon EF)

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Description

Rokinon Cine DS Wide-Angle Lens Kit for APS-C (Canon EF)10, 16, 24, 35mm Lenses Cover APS C 24 & 35mm Lenses Cover Full Frame Consistent Color Multi Coating Standard Gearing for Focus and Iris De Clicked Iris Dual Side Focus Scales This Cine DS Wide Angle Lens Kit for APS C features Rokinon's 10, 16, 24, and 35mm focal length Cine DS lenses, all in a Canon EF mount. All four of the included lenses cover APS C sized sensors, with the 24 and 35mm lenses also covering full frame. The lenses all feature a

  • 10, 16, 24, 35mm Lenses Cover APS-C
  • 24 & 35mm Lenses Cover Full Frame
  • Consistent Color Multi-Coating
  • Standard Gearing for Focus and Iris
  • De-Clicked Iris
  • Dual Side Focus Scales

This Cine DS Wide-Angle Lens Kit for APS-C features Rokinon's 10, 16, 24, and 35mm focal length Cine DS lenses, all in a Canon EF mount. All four of the included lenses cover APS-C-sized sensors, with the 24 and 35mm lenses also covering full frame. The lenses all feature a multi-layer coating to improve contrast and reduce flare, and each lens is compared to a standard at the factory, minimizing differences in color that may arise from the multi-layer coating process. This makes for smoother intercutting between the lenses.

The internal focus design, common with cine-style lenses, means that the lens front does not rotate as you change focus. This enables the use of screw-in filters such as polarizers as well as clip-on matte boxes to be used, facilitating video shooting. The lenses feature a de-clicked iris, which is an important feature for a cine lens to have, as it allows you to pull the aperture and make smooth exposure adjustments in the shot. The lenses feature focus scales on both sides of the lens, which is a helpful aid for focus pullers, who can then pull focus from either side of the lens without having to spend time marking it up for operation from either side.

  • Rokinon 10mm T3.1 Cine DS Lens with Canon EF Mount for APS-C

    Utilizing a nano coating process for consistent color rendition from lens to lens, the Rokinon 10mm T3.1 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF mount, and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

    This 10mm lens produces a 105.9° angle-of-view when used on cameras with APS-C-sized sensors. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 7.9" from the lens. A built-in petal shaped lens hood provides flare protection when shooting without a matte box.

    Nano Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard, eliminating the need to acquire an entire set of lenses at the same time.
    Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories, such as follow focus units or iris motors, don't have to be re-positioned.
    The lens features an internal focus mechanism, so the front of the lens doesn't rotate when changing focus, allowing you to use filters and clip-on matte boxes without vignetting as you change (pull) focus.
    The lens features a 6-bladed iris that provides round out of focus highlights and a natural looking Bokeh. The declicked aperture ring allows for smooth iris pulls.
    A built-in lens hood provides flare protection without a matte box.
    UPC: 084438763782
  • Rokinon 16mm T2.2 Cine DS Lens for Canon EF Mount for APS-C

    Utilizing a multi-layer coating process for consistent color rendition from lens to lens, the Rokinon 16mm T2.2 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF mount, and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

    This 16mm lens produces a 79.5° angle-of-view when used with a camera with an APS-C sized sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and it features a minimum focus distance of 7.9"' from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, and the lens's threaded front accepts 77mm filter rings.

    Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
    Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories, such as follow focus units or iris motors, don't have to be re-positioned.
    The lens features an internal focus mechanism, so the front of the lens doesn't rotate when changing focus, allowing you to use filters and clip-on matte boxes without vignetting as you change (pull) focus.
    The lens features an 8 bladed iris that provides round out of focus highlights and a natural looking Bokeh. The declicked aperture ring allows for smooth iris pulls.
    A removable lens hood provides flare protection without a matte box.
    The lens opens up to T2.2, providing the capability for low light shooting or creating shallow depth of field.
    UPC: 084438763836
  • Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount

    Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

    This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

    Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

    24mm lens with approximate angle of view of:
    Full-Frame: 84.1°
    APS-C: 57.6°
    Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
    ED, extra-low dispersion glass, helps reduce chromatic aberration and can improve contrast and color saturation.
    Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
    "De-clicked" aperture ring for smooth iris pulls.
    A minimum focusing distance of 9.8" allows you to get up close to your subject.
    A removable petal-type lens hood provides flare protection without a matte box.
    UPC: 084438763225
  • Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount

    Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 35mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

    This 35mm lens produces a 63.1&deg angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

    Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

    Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
    Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
    "Declicked" aperture ring for smooth iris pulls.
    A minimum focusing distance of 12" allows you to get up close to your subject.
    A removable petal-type lens hood provides flare protection without a matte box.
    The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.
    UPC: 084438763270
  • Rokinon 10mm T3.1 Cine DS Lens with Canon EF Mount for APS-C
    Focal Length 10mm
    Lens Mount Canon EF
    Format Super35/APS-C
    Image Circle Not specified by manufacturer
    Maximum T-Stop T3.1
    Minimum T-Stop T22
    Diagonal Angle of View Super35/APS-C: 105.9°
    Minimum Focus Distance from Image Plane 9.45" / 24 cm
    Elements/Groups 14 / 9
    Iris Blades 6
    Front Diameter Not specified by manufacturer
    Filter Thread Not specified by manufacturer
    Focus Scales Not specified by manufacturer
    Electronic Communication Not specified by manufacturer
    Tripod Mounting Thread Not specified by manufacturer
    Dimensions (W x H) Not specified by manufacturer
    Length 4.18" / 106.1 mm
    Weight 21.2 oz / 600 g
    Packaging Info seafqdvrtszqferbvfyfsrusfvafwtxa
    Box Dimensions (LxWxH) 7.6 x 5.1 x 5.0"
  • Rokinon 16mm T2.2 Cine DS Lens for Canon EF Mount for APS-C
    Focal Length 16mm
    Lens Mount Canon EF
    Format Super35/APS-C
    Image Circle Not specified by manufacturer
    Maximum T-Stop T2.2
    Minimum T-Stop T22
    Diagonal Angle of View Super35/APS-C: 79.5°
    Minimum Focus Distance from Image Plane 7.9" / 20 cm
    Elements/Groups 13 / 11
    Iris Blades 8
    Front Diameter Not specified by manufacturer
    Filter Thread Not specified by manufacturer
    Focus Scales Not specified by manufacturer
    Electronic Communication Not specified by manufacturer
    Tripod Mounting Thread Not specified by manufacturer
    Dimensions (W x H) Not specified by manufacturer
    Length 3.52" / 89.4 mm
    Weight 20.8 oz / 590 g
    Packaging Info seafqdvrtszqferbvfyfsrusfvafwtxa
    Box Dimensions (LxWxH) 7.0 x 5.2 x 5.1"
  • Rokinon 24mm T1.5 Cine DS Lens for Canon EF Mount
    Focal Length 24mm
    Lens Mount Canon EF
    Format Full Frame
    Image Circle Not specified by manufacturer
    Maximum T-Stop T1.5
    Minimum T-Stop T22
    Diagonal Angle of View Super35/APS-C: 61.8°
    Full Frame: 84.1°
    Minimum Focus Distance from Image Plane 9.8" / 25 cm
    Elements/Groups 13 / 12
    Iris Blades 8
    Front Diameter Not specified by manufacturer
    Filter Thread Not specified by manufacturer
    Focus Scales Not specified by manufacturer
    Electronic Communication Not specified by manufacturer
    Tripod Mounting Thread Not specified by manufacturer
    Dimensions (W x H) 3.27 x 3.27" / 83.1 x 83.1 mm
    Length 3.84" / 97.5 mm
    Weight 21.7 oz / 615 g
    Packaging Info
    Box Dimensions (LxWxH) 7.2 x 5.2 x 5.2"
  • Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount
    Focal Length 35mm
    Lens Mount Canon EF
    Format Full Frame
    Image Circle Not specified by manufacturer
    Maximum T-Stop T1.5
    Minimum T-Stop T22
    Diagonal Angle of View Super35/APS-C: 40.8°
    Full Frame: 63.1°
    Minimum Focus Distance from Image Plane 12" / 31 cm
    Elements/Groups 12 / 10
    Iris Blades 8
    Front Diameter Not specified by manufacturer
    Filter Thread Not specified by manufacturer
    Focus Scales Not specified by manufacturer
    Electronic Communication Not specified by manufacturer
    Tripod Mounting Thread Not specified by manufacturer
    Dimensions (W x H) Not specified by manufacturer
    Length 4.38" / 111.5 mm
    Weight 24.7 oz / 700 g
    Packaging Info
    Box Dimensions (LxWxH) 7.6 x 5.2 x 5.1"
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SKU: 63943911953

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4.4 ★★★★★
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M
Verified Purchase
MJ
Houston, US
★★★★★ 2
Bent
Format: Paperback
When the book came the cover was crumpled and bent so it was really hard to read
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 6, 2020
N
Verified Purchase
N. Durham
Lake Worth, US
★★★★★ 5
Quite possibly the best Punisher stories ever told
Format: Hardcover
It's no secret that Garth Ennis' long run on the Punisher (particularly the MAX titles) has been nothing short of superb if not visionary, and this handsome hardcover collection, featuring three seperate one-shots, further proves that point. From First to Last begins with the Tyger, a story in which a young Frank Castle embarks on his first night of vengeance as the Punisher. As he has some mob men in his sights, he recollects to a summer in Brooklyn when he was a young man, and a shocking event that only further shaped Frank's inevitable path to becoming the Punisher. This story is good, but it's not anything really great, though John Severin's art is quite good. Thankfully, everything gets better from this point on. The Cell finds Frank turning himself in and convicted of his many murders and taken to the bowels of Riker's Island. However, Frank has a reason he's here, and it involves five men who all share a secret and a link to Frank that you'll never see coming. This story alone makes this collection worth picking up, and the art by Lewis Larosa (who also worked on the first Punisher MAX TPB, In the Beginning) is gritty, bloody, and brilliant. The third and final story is the spectacular Punisher: The End, featuring art by the legendary Richard Corben, which more than makes it worth checking out alone. As part of Marvel's "The End" line, this one-shot is just that, as an elderly Frank Castle finds himself as one of the last men on Earth after a nuclear holocaust has turned the world to ash and dust. Of course, there are still those that are guilty, and need to be punished. The last two stories alone are some of the best Punisher stories ever written, period. If you missed out on the one-shots when they were first released, now is your chance to read some of the best mainstream comic gold to come along in a long time, and this collection only furthers the notion that is discussed on the book's inside flap: Ennis was born to write the Punisher.
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Reviewed in the United States on December 30, 2006
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Verified Purchase
A.G.
Waukegan, US
★★★★★ 5
Three really solid stories here.
Art is top notch. We get three really nice stories of pre-Punisher Frank, mid-Punisher Frank and the end of Punisher Frank. I look at this book a couple times a year and Garth Ennis really did a great job on the character. The art by Severin, LaRosa and Corben were all great and fitting for their stories. Good collection if you can find it. Highly recommend.
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Reviewed in the United States on January 22, 2026
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Verified Purchase
The Critic
Boise, US
★★★★★ 4
Vintage Castle
Garth Ennis renders one of his hectic stories with Frank Castle coming back to his origins. The first story deploys Frank's childhood and the unexpected consequences of it later on. I humbly believe the second part(The cell), is the best of this issue. It narrates the ultimate vengeance of Castle against those who took the lifes of his family, several years ago in the middle of a shooting at day light in Central Park. A mention must be done of the art in The Cell. The pencils of Lewis Larosa, the Inks & Finishes of Scott Koblish and Raúl Treviño's colors, leave nothing to desire and accomplish to portrait that classic look of Castle as a somewhat mature/old man still capable of hell when it comes to seek revenge for his family. The End, however, which puts Castle in a dystopian future of a post-nuclear bombing, fails to blend smoothly Garth Ennis' script with the caricaturesque art from Richard Corben and Lee Loughridge. There is a dissonance between this very old Frank Castle in an apocalyptic environment and the drawings that for some reason maintain a gap with previous artists. As a whole, From First to Last is totally worthy. Garth Ennis is back to team with Castle and that's all what counts. Cristián Gómez O.
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Reviewed in the United States on February 20, 2011
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Verified Purchase
Alejandro duarte
Lowell, US
★★★★★ 5
I love the Punisher.!!
I loved it good story’s I recommend it.
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Reviewed in the United States on February 15, 2026

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