SKU: 78113390991

Documents of Contemporary Art: Translation

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Documents of Contemporary Art: TranslationEdited by Sophie J. Williamson Part of the acclaimed Documents of Contemporary Art series of anthologies which collect writing on major themes and ideas in contemporary art. "This book is an invaluable resource for anyone wanting to approach questions around migration and exchange through the prism of language. How ideas travel, how cultural specificity is communicated (or not), how migration inflects and is inflected by language the questions that


Edited by Sophie J. Williamson

Part of the acclaimed Documents of Contemporary Art series of anthologies which collect writing on major themes and ideas in contemporary art.

"This book is an invaluable resource for anyone wanting to approach questions around migration and exchange through the prism of language. How ideas travel, how cultural specificity is communicated (or not), how migration inflects and is inflected by language – the questions that animate the texts reprinted here are among the most urgent facing artists and curators today." 


-Marcus Verhagen, Senior Lecturer,
MA Contemporary Art, Sotheby's Institute of Art

The movement of global populations, and subsequently the task of translation, underlies contemporary culture: the intricacies of ancient and modern diaspora, generations of colonisation and the transportation of slaves are now superimposed by economic and environmental migration, forced political exiles and refugees. This timely anthology will consider translation’s ongoing role in cultural navigation and understanding, exploring the approaches of artists, poets and theorists in negotiating increasingly protean identities: from the intrinsic intimacy of language, to translation’s embedded structures of knowledge production and interaction, to its limitations of expression and, ultimately, its importance in a world of multiple perspectives.

Artists surveyed include Shahidul Alam, Meric Algün, Barby Asante, Geta Brătescu, Trisha Brown, Jesse Darling, Parastou Forouhar, Camille Henrot, Susan Hiller, Emily Jacir, Glenn Ligon, Taus Makhacheva, Shirin Neshat, Christian Nyampeta, Hélio Oiticica, Pratchaya Phinthong, Kurt Schwitters, Yinka Shonibare, Slavs and Tatars, Erika Tan, Jennifer Tee, Danh Vō, Wu Tsang, Katarina Zdjelar.

Writers include Kathy Acker, Hannah Arendt, Alice Becker-Ho, James Baldwin, Walter Benjamin, Judith Butler, Gayatri Chakravorty Spivak, Frantz Fanon, Jean Fisher, Stuart Hall, bell hooks, Irena Klepfisz, Sarat Maharaj, Martha Rosler, Hito Steyerl, Lawrence Venuti, Miyó Vestrini.

Sophie J. Williamson is Programme Curator: Exhibitions at Camden Arts Centre, London. She has written for frieze, Art Monthly and Aesthetica and was the first recipient of the Gasworks Curatorial Fellowship in 2016.

Paperback, 240 pages, 210 x 145 mm

ISBN 978-0-85488-267-0

First published 2019

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SKU: 78113390991

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Bob
Natrona Heights, US
★★★★★ 5
Deeply insightful, thought provoking & right on
Format: Hardcover
In traveling to Thailand years ago I was pleased to learn that the country forbids westerners from taking statues of the Buddha home. The country feared it could end up in an over priced, westernized yoga studio or become a lawn ornament. And I was shocked when a friend told me that “namaste” was a term reserved for one’s elders. You can say it to your grandma but it’s inappropriate to say in yoga class. Liz Bucar’s book sheds light and brings awareness at such a ripe time in our global cultural awaking. As a long time yoga practitioner I wish this book existed years ago. I look forward to sharing it with my community.
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Reviewed in the United States on September 28, 2022
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Scot Loyd
Lake Worth, US
★★★★★ 5
So helpful
Format: Hardcover
This is a book that will help you think through the misappropriating of religion in most every aspect of life. I have learned so much from this work and believe that you will as well. Written in an engaging, easy to read style, this work is accessible by anyone who is looking to be more intentional in their understanding of others, their beliefs, culture and religion. This kind of information make navigating the world a safer journey for all of us.
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Reviewed in the United States on September 25, 2023
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User1
Draper, US
★★★★★ 5
Thoughtful and honest
Format: Kindle
I am so glad I read this! I've heard the term "cultural appropriation" many more times than I can count, but I hadn't thought about it in the context of religion. Bucar's writing is so engaging, and the book is a great blend of narrative non-fiction and theory. I couldn't put it down! Highly recommend.
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Reviewed in the United States on September 29, 2022
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DLRinehart
Alexandria, US
★★★★★ 5
An important and interesting read; well written and researched
Format: Hardcover
The author uses personal experiences to illustrate and enliven the text. Ms. Bucar challenges us to look at our own reactions, thoughts and practices. I would recommend this book for discussion at my book club.
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Reviewed in the United States on October 1, 2022
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Madrugada Mistral
Belleville, US
★★★★★ 1
Not what I was hoping for
Format: Paperback
I've been interested in the topic of religious appropriation ever since I saw my non-Tibetan neighbor hang Tibetan prayer flags on his front porch. And when I lived in Japan, I saw that non-Christian Japanese appropriated all of the trappings of Western Christian wedding ceremonies. So I had high hopes for this book. But it reads like a very looooong, and also very academic sermon on the evils of capitalism, western hegemony, and other such terms. There is not an ounce of humor in any of this book.
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Reviewed in the United States on January 25, 2026

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