SKU: 89216868265

Australian Sandalwood Incense Cone | 澳檀塔香

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Description

Australian Sandalwood Incense Cone | 澳檀塔香Material Origin Western Australia Size and Weight Diameter1. 3cm Height: 3. 0cm Weight: 60 gram About 35 50 pcs box Burning Time 15mins These incense cones are made from Western Australia Sandalwood. Australia sandalwood is mainly produced in Western Australia, so it is also called Western Australia sandalwood. Compared with the mellow taste of the India sandalwood, it is a bit more secluded, and the aroma is a bit weaker after burning. Caution:

Material Origin

Western Australia

Size and Weight

Diameter:1.3cm

Height: 3.0cm

Weight: 60 gram

About 35-50 pcs/box

Burning Time

15mins


These incense cones are made from Western Australia Sandalwood.

Australia sandalwood is mainly produced in Western Australia, so it is also called Western Australia sandalwood. Compared with the mellow taste of the India sandalwood, it is a bit more secluded, and the aroma is a bit weaker after burning.

 


Caution: Please store in a dry and cool place.

*Packaging may vary due to production batches. Please refer to the actual items received.

*The size and weight are measured manually, there is a slight error, please refer to the actual item



材料产地

西澳大利亚

尺寸&重量

直径: 1.3cm

高度: 3.0cm

重量: 60 

约35-50粒/盒

点燃时间

15分钟



此款塔香使用澳洲檀香木原料所制而成。

澳洲檀主要出产在澳大利亚的西澳州,所以也叫西澳檀香。味道相对于老山檀的醇和则显得清幽一些,燃烧后香气也偏弱一点。


注意事项:请放置干燥阴凉处妥善保存。



*因生产批次不同,包装可能会有差异。请以实际收到的物品为准。

*温馨提示:尺寸、重量手工测量,略有误差,请以实际物品为准

 


  
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SKU: 89216868265

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Paul Stevenson
Cuba, US
★★★★★ 5
A careful, scholarly work
Format: Hardcover
The introduction to this book does a great job of laying out the challenges of translating an ancient translation. It is not, however, aimed at people without a significant background in Hebrew, Greek and translation theory. I give credit to the authors of the introduction, Albert Pietersma and Benjamin G. Wright, for specifying the nature of the translation and its audience. Taken from Nida and Taber, _The Theory and Practice of Translation_ (Leiden: Brill, 1982), p. 31: "a translation in the present-day literary language, so as to communicate to the well-educated constituency." The translators chose this group "on the assumption that it is most probably this audience that has a more than passing interest in traditions of biblical literature other than their own" (p. xiv). I think they are right about this. "Translating an ancient text can only be described as a profoundly difficult undertaking.... "The difficulties of the undertaking are certainly not decreased when one attempts to translate an ancient translation into a modern language. If translating is an act of interpreting, as linguists suggest it is, rather than a simple transfer of meaning, a Greek interpretation of a Hebrew original can be expected to reflect what the translator understood the Hebrew text to mean. The end result is therefore inevitably to some degree a commentary written at a specific historical time and place by an individual person, whose understanding of the Hebrew will often have been at variance with our own, though at times perhaps equally viable." (p. xvi) Indeed, back when I was a linguist- and translator-in-training at the Summer Institute of Linguistics (early 1980s), I was taught the rather simplistic model of translation as a mere transfer of meaning. Experience, though, has taught me that this is virtually impossible. A text of any level of sophistication above that of a stop sign is full of cultural assumptions, lexical polysemy, syntactic ambiguity, and so forth. Any translation is perforce an interpretation. The only way to even begin to compensate for this, if the readers of the translations are not scholars trained in the relevant fields, is to include a massive set of footnotes. The average reader is just not going to take the time to read such a set of notes, even if they are included. The majority of traditional religious readers of a Bible translation are not prepared to deal with the challenges that such footnotes would present to their existing understanding of the text. The New English Translation of the Septuagint is aimed at those who already have at least some of the relevant scholarly background and are not averse to acquiring more.
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Reviewed in the United States on February 8, 2019
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Kim
Los Angeles, US
★★★★★ 5
Best Bible Ever!
Format: Leather Bound
This Bible is my new favorite. The leather is so soft. Best purchase , best Bible
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Reviewed in the United States on April 24, 2026
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Todd Heminger
Port Orchard, US
★★★★★ 5
Great size.
Format: Leather Bound
We bought this for our son in college. He loves the size. He brings it to church and studies from it at school. Great Bible. He enjoys taking notes in it.
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Reviewed in the United States on December 1, 2024
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Amanda Jackson
Natrona Heights, US
★★★★★ 4
Pages are a little thin but nice Bible.
Format: Leather Bound
This Bible is a great option for someone with good eyesight, as the print is on the smaller side. I personally prefer larger print, but the smaller text does make it more compact and convenient to carry. I got this for my daughter in college, and it’s perfect for her since she likes to take notes during sermons. The leather cover is very nice and adds a quality feel. I do wish the pages were a bit thicker, as there is some show-through from writing on the other side—something to keep in mind for a journaling Bible. Overall, it’s a nice, basic option for jotting down notes and reflections.
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Reviewed in the United States on March 31, 2026
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Krissy Kilwein
Los Angeles, US
★★★★★ 5
Great for my expectations!
This is not the Bible that I read from during my daily quiet time, nor the Bible that I take to worship with me at church - but also not my originial intentions, which was to have a small compact (but complete) Bible to have with me at all times. It is small and lightweight, and easy to carry in my purse; available any time I need to reference it.
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Reviewed in the United States on September 26, 2017

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