SKU: 95897694951

Historic Map : Laurie & Whittle Nautical Map of Northeastern India: Orissa, Bengal, Golconda, Mouths of, 1794, Vintage Wall Art

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Historic Map : Laurie & Whittle Nautical Map of Northeastern India: Orissa, Bengal, Golconda, Mouths of, 1794, Vintage Wall ArtThis is a fine example of Laurie and Whittle's 1794 nautical chart or maritime map of the Golconda Coast, the coast of Orissa and Bengal and the mouths of the Hooghly River, northeastern India. It covers from the mouths of the Ganges River as it empties into the Bay of Bengal, south as far as Point Gorgeware (Godavari Point) and Corigna Bay. Along the left border, the map includes siin x coastal profile views detailing Point Palmiras, Jaggernaut

This is a fine example of Laurie and Whittle's 1794 nautical chart or maritime map of the Golconda Coast, the coast of Orissa and Bengal and the mouths of the Hooghly River, northeastern India. It covers from the mouths of the Ganges River as it empties into the Bay of Bengal, south as far as Point Gorgeware (Godavari Point) and Corigna Bay. Along the left border, the map includes siin x coastal profile views detailing Point Palmiras, Jaggernaut Pagoda (Jagannath Temple), the Black Pagoda (Konnark Sun Temple), Ganjam, the highlands of Bimilipatnam (Bheemilipatnam), and the highlands of Panary. The Jagannath Temple and the Konnark Sun Temple are two of the most renowned temples in India and important pilgrimage destinations Hindus. Laurie and Whittle also note the site of the 1766 Falmouth shipwreck.

Further north, The Hooghly River, one of the most important trade and transport arteries during the colonial era, and the reason the British chose to settle in Calcutta, was witness to several battles. Perhaps the most important being the Battle of Plassey of 1759, where the British East India Company defeated Nawab of Bengal and his French allies, leading to British rule in Bengal, and eventually the entire subcontinent. Also of note, the Gahirmata Beach (near Point Palmir and Kannaka marked here), is the world's most important nesting beach for the Olive Ridley Sea Turtles.

The map offers rich detail including countless depth soundings, notes on the sea floor, commentary on reefs, rhumb lines, sandbars, shoals, pagodas, place names and a wealth of other practical information for the mariner. This map was published by Laurie and Whittle from their offices at 53 Fleet Street, London, on May 12, 1794. It was issued independently as well as offered in their 1797 East-India Pilot, or Oriental Navigator. 

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SKU: 95897694951

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4.6 ★★★★★
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Donna Menchinger
Omaha, US
★★★★★ 5
Five Stars
Format: Paperback
Fun
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Reviewed in the United States on January 9, 2017
M
Verified Purchase
MJ
Lake Worth, US
★★★★★ 2
Bent
Format: Paperback
When the book came the cover was crumpled and bent so it was really hard to read
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Reviewed in the United States on January 6, 2020
N
Verified Purchase
N. Durham
Louisville, US
★★★★★ 5
Quite possibly the best Punisher stories ever told
Format: Hardcover
It's no secret that Garth Ennis' long run on the Punisher (particularly the MAX titles) has been nothing short of superb if not visionary, and this handsome hardcover collection, featuring three seperate one-shots, further proves that point. From First to Last begins with the Tyger, a story in which a young Frank Castle embarks on his first night of vengeance as the Punisher. As he has some mob men in his sights, he recollects to a summer in Brooklyn when he was a young man, and a shocking event that only further shaped Frank's inevitable path to becoming the Punisher. This story is good, but it's not anything really great, though John Severin's art is quite good. Thankfully, everything gets better from this point on. The Cell finds Frank turning himself in and convicted of his many murders and taken to the bowels of Riker's Island. However, Frank has a reason he's here, and it involves five men who all share a secret and a link to Frank that you'll never see coming. This story alone makes this collection worth picking up, and the art by Lewis Larosa (who also worked on the first Punisher MAX TPB, In the Beginning) is gritty, bloody, and brilliant. The third and final story is the spectacular Punisher: The End, featuring art by the legendary Richard Corben, which more than makes it worth checking out alone. As part of Marvel's "The End" line, this one-shot is just that, as an elderly Frank Castle finds himself as one of the last men on Earth after a nuclear holocaust has turned the world to ash and dust. Of course, there are still those that are guilty, and need to be punished. The last two stories alone are some of the best Punisher stories ever written, period. If you missed out on the one-shots when they were first released, now is your chance to read some of the best mainstream comic gold to come along in a long time, and this collection only furthers the notion that is discussed on the book's inside flap: Ennis was born to write the Punisher.
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Reviewed in the United States on December 30, 2006
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A.G.
Waukegan, US
★★★★★ 5
Three really solid stories here.
Art is top notch. We get three really nice stories of pre-Punisher Frank, mid-Punisher Frank and the end of Punisher Frank. I look at this book a couple times a year and Garth Ennis really did a great job on the character. The art by Severin, LaRosa and Corben were all great and fitting for their stories. Good collection if you can find it. Highly recommend.
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Reviewed in the United States on January 22, 2026
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The Critic
West Palm Beach, US
★★★★★ 4
Vintage Castle
Garth Ennis renders one of his hectic stories with Frank Castle coming back to his origins. The first story deploys Frank's childhood and the unexpected consequences of it later on. I humbly believe the second part(The cell), is the best of this issue. It narrates the ultimate vengeance of Castle against those who took the lifes of his family, several years ago in the middle of a shooting at day light in Central Park. A mention must be done of the art in The Cell. The pencils of Lewis Larosa, the Inks & Finishes of Scott Koblish and Raúl Treviño's colors, leave nothing to desire and accomplish to portrait that classic look of Castle as a somewhat mature/old man still capable of hell when it comes to seek revenge for his family. The End, however, which puts Castle in a dystopian future of a post-nuclear bombing, fails to blend smoothly Garth Ennis' script with the caricaturesque art from Richard Corben and Lee Loughridge. There is a dissonance between this very old Frank Castle in an apocalyptic environment and the drawings that for some reason maintain a gap with previous artists. As a whole, From First to Last is totally worthy. Garth Ennis is back to team with Castle and that's all what counts. Cristián Gómez O.
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Reviewed in the United States on February 20, 2011

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