SKU: 95997889711

Technics SL-1200G Grand Class Reference Direct Drive Turntable

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Description

Technics SL-1200G Grand Class Reference Direct Drive TurntableTechnics SL 1200G Grand Class Direct Drive Turntable at Vinyl Sound Toronto Canada The Technics SL 1200G is a Grand Class reference direct drive turntable from Technics (Osaka, Japan), available at Vinyl Sound in Toronto, Canada. Built around a newly developed coreless twin rotor direct drive motor, a three layer heavyweight platter individually balanced at the factory, a high sensitivity cold drawn magnesium gimbal tonearm, and a four layer cabinet,

Technics SL-1200G Grand Class Direct Drive Turntable at Vinyl Sound Toronto Canada

The Technics SL-1200G is a Grand Class reference direct drive turntable from Technics (Osaka, Japan), available at Vinyl Sound in Toronto, Canada. Built around a newly developed coreless twin-rotor direct drive motor, a three-layer heavyweight platter individually balanced at the factory, a high-sensitivity cold-drawn magnesium gimbal tonearm, and a four-layer cabinet, the SL-1200G delivers the engineering precision and rotational stability of the professional SP-10 lineage in a complete, fully integrated turntable system. For vinyl listeners who want Grand Class performance in the classic silver SL-1200 aesthetic, the SL-1200G is the definitive choice.

Coreless Direct Drive Motor with Twin-Rotor Construction

Conventional direct drive turntables are subject to two fundamental problems: cogging, the magnetic reluctance effect caused by an iron core in the motor rotor, and minute rotational vibrations that subtly degrade the signal the stylus retrieves from the groove. The SL-1200G eliminates both. Its newly developed coreless direct drive motor removes the iron core entirely, eliminating cogging and producing inherently smoother, more uniform rotation. The twin-rotor construction maintains high starting torque while simultaneously reducing bearing load and suppressing the fine vibrations that iron-core motors generate. Blu-ray-derived motor control technology further refines performance by switching drive mode according to the operational status of the motor, achieving both a starting torque of 3.3 kg·cm and sustained wow and flutter of 0.025% W.R.M.S. The result is the warm, exquisitely detailed sound embedded in analogue records, retrieved with a precision that conventional direct drive designs cannot match.

Three-Layer Platter with Factory Balance Adjustment

The SL-1200G's platter rigidly bonds a brass weight to an aluminium die-cast body and covers the entire rear surface with deadening rubber, forming a three-layer assembly whose rotational inertial mass exceeds the SP-10MK2 — the direct drive reference of professional broadcast stations worldwide — and more than doubles the inertial mass of the SL-1200MK5. Every platter is individually balanced after assembly on Technics' specialised high-precision factory balance adjustment equipment. Any weight distribution irregularity in a rotating platter generates vibration and noise that degrade playback quality; the factory balancing process eliminates this variable entirely. Each unit carries a BALANCED sticker confirming the adjustment has been completed.

Key Features

  • Coreless Direct Drive Motor: No iron core eliminates cogging entirely for smoother, more accurate rotation than any iron-core direct drive design
  • Twin-Rotor Construction: Maintains high starting torque while reducing bearing load and suppressing minute rotational vibrations simultaneously
  • Blu-ray-Derived Motor Control Technology: Adaptive drive mode switching achieves high starting torque of 3.3 kg·cm and sustained speed stability of 0.025% wow and flutter
  • Three-Layer Heavyweight Platter: Brass and aluminium die-cast with full-surface deadening rubber; inertial mass exceeds the SP-10MK2 and more than doubles the SL-1200MK5
  • Individual Factory Balance Adjustment: Every unit balanced on precision equipment after assembly; BALANCED sticker confirms the process on each turntable
  • Rumble of 78 dB (IEC 98A Weighted): Exceptionally low mechanical noise floor for maximum retrieval of low-level musical detail
  • Speed Adjust Range of ±8% and ±16%: Fine and coarse pitch adjustment for absolute speed accuracy verification and correction
  • Build-Up Time of 0.7 Seconds to 33⅓ rpm: Rapid acceleration to precise playback speed from a standing start
  • High-Sensitivity Magnesium Gimbal Tonearm: Cold-drawn lightweight magnesium arm tube; gimbal suspension with horizontal and vertical axes intersecting at a single central point; high-precision cut-processed bearing housing for exceptional initial motion sensitivity
  • 230mm Effective Length Tonearm: 15 mm overhang; tracking error within 2° 32' at outer groove and within 0° 32' at inner groove; arm height adjustable 0 to 6 mm
  • Four-Layer Cabinet Construction: Aluminium die-cast, BMC, heavyweight rubber, and 10 mm hairline-finished aluminium top panel for maximum rigidity and premium feel
  • Gold-Plated Brass-Milled Phono and Ground Terminals: Prevents signal degradation at the output stage; internal metal shielding reduces susceptibility to external noise
  • Supports LP, EP, and SP Speeds: 33⅓, 45, and 78 rpm
  • Cartridge Not Included: Headshell, balance weights, overhang gauge, PHONO cable, earth lead, and dust cover all included

Technical Specifications

Drive Method Direct Drive (Manual)
Motor Coreless brushless DC; twin-rotor construction
Turntable Speeds 33⅓, 45, 78 rpm
Speed Adjust Range ±8% and ±16%
Starting Torque 3.3 kg·cm (2.8 lb-in)
Build-Up Time 0.7 seconds from standstill to 33⅓ rpm
Wow and Flutter 0.025% W.R.M.S. (JIS C5521)
Rumble 78 dB (IEC 98A Weighted)
Platter Construction Brass and aluminium die-cast combined; full-surface deadening rubber (3-layer)
Platter Diameter 332 mm (13-5/64")
Platter Weight Approx. 3.6 kg / 7.9 lbs (including rubber sheet)
Tonearm Type Universal static balance; gimbal suspension; cold-drawn magnesium arm tube
Effective Length 230 mm (9-1/16")
Overhang 15 mm (19/32")
Tracking Error Angle Within 2° 32' (outer groove) / Within 0° 32' (inner groove)
Offset Angle 22°
Arm Height Adjustment 0 to 6 mm
Stylus Pressure Range 0 to 4 g (direct reading)
Headshell Weight Approx. 7.6 g
Cartridge Weight Range 5.6 to 12.0 g (no aux weight) / up to 19.8 g (large aux weight)
Audio Output 1 x PHONO RCA, 1 x Earth Terminal
Power Supply AC 120V, 60 Hz
Power Consumption 14 W (on) / approx. 0.2 W (standby)
Finish Silver
Dimensions (W x H x D) 453 x 173 x 372 mm / 17-27/32" x 6-13/16" x 14-21/32"
Weight Approx. 18 kg / 39.7 lbs
Included Accessories Turntable mat, Dust cover, EP adaptor, Balance weight, Auxiliary weights (S and L), Headshell, Overhang gauge, Cartridge screw set, PHONO cable, PHONO earth lead, AC cord, Turntable screw set, Owner's manual

Frequently Asked Questions

What is the Technics SL-1200G?

The Technics SL-1200G is a Grand Class reference direct drive turntable featuring a coreless twin-rotor direct drive motor, a three-layer heavyweight platter individually balanced at the factory, a high-sensitivity cold-drawn magnesium gimbal tonearm, and a four-layer cabinet. It achieves wow and flutter of 0.025% W.R.M.S. and rumble of 78 dB, with rotational inertial mass exceeding the professional SP-10MK2.

What is the difference between the Technics SL-1200G and the SL-1210G?

The SL-1200G and SL-1210G are technically identical in every specification, sharing the same coreless motor, platter, tonearm, cabinet, power supply, and performance figures. The only difference is finish: the SL-1200G is silver and the SL-1210G is black.

What is the difference between the Technics SL-1200G and the SL-1200GR2?

The SL-1200G is the Grand Class flagship with a coreless twin-rotor motor, three-layer platter, four-layer cabinet, individual factory balance adjustment, and cold-drawn magnesium tonearm. The SL-1200GR2 is the more accessible Grand Class model with refined but less elaborate construction. The SL-1200G represents the higher level of engineering and materials within the range.

What does eliminating cogging actually mean for vinyl playback?

Cogging is the subtle speed irregularity caused by the magnetic attraction between the rotor poles and the iron core in a conventional direct drive motor. It creates periodic micro-variations in rotational speed that smear fine musical detail and affect the timing accuracy of bass lines, percussion, and pitch-sensitive instruments like piano. The SL-1200G's coreless motor eliminates the iron core entirely, removing cogging as a source of error and allowing the stylus to retrieve the full detail and timing accuracy embedded in the groove.

Does the Technics SL-1200G include a cartridge?

No. The SL-1200G includes a headshell, balance weights, overhang gauge, PHONO cable, earth lead, and dust cover, but no cartridge. Contact Vinyl Sound Toronto for cartridge recommendations matched to your phono stage and musical preferences.

Does the SL-1200G require an external phono preamplifier?

Yes. The SL-1200G outputs a standard PHONO-level RCA signal and includes an earth terminal. An external phono preamplifier compatible with your chosen cartridge type is required. Vinyl Sound Toronto can advise on phono stage options to complement the SL-1200G.

Where can I buy the Technics SL-1200G in Toronto or Canada?

The Technics SL-1200G is available at Vinyl Sound in Toronto, Canada, an authorised Technics dealer. Contact us to arrange an audition or to discuss cartridge and phono stage pairing for a complete analogue reference system.

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SKU: 95997889711

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4.2 ★★★★★
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L
Verified Purchase
Levi Turek
Bozeman, US
★★★★★ 5
A must read
Format: Kindle
This series is a must read if you love Star Wars post Endor. The galaxy is still in a struggle to see who is on top. With many a individual falling through the cracks in galactic society.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 23, 2025
L
Verified Purchase
L. W. Swint
Lake Worth, US
★★★★★ 4
One man's quest for vengeance
Format: Hardcover
"A long time ago in a galaxy far, far away..." It is the time of a falling empire, a time of betrayal and vengeance. This is the story of the last of the mysterious Imperial Guards of the Emperor Palpatine. It is the story of his quest to seek justice for the galactic ruler he served, and for his fellow comrades in arms, who gave their lives in that service. "Star Wars: The Crimson Empire Saga," tells the tale of Kir Kanos, the sole survivor of the scarlet clothed guardians of the Emperor, first shown in "Star Wars, Episode VI: Return of the Jedi." Over more than a decade of Dark Horse Comics publishing history, starting in 1997 to its long awaited conclusion in 2012, "Crimson Empire" reveals the history of these elite soldiers, "the best of the best," trained for one purpose: to serve the Emperor of "the first Galactic Empire." This 504 paged hardcover book collects the following stories: Star Wars: Crimson Empire #1-6 (1997) Star Wars: The Bounty Hunters (Kenix Kil) (1999) Star Wars: Crimson Empire II: Council of Blood #1-6 (1999) Star Wars: "Hard Currency" (Dark Horse Extra #21-24) (2000) Star Wars: Crimson Empire III: "The Third Time Pays for All" (Dark Horse Presents #1) (2011) (Note: The above is also the opening passage to Crimson Empire III #1) Star Wars: Crimson Empire III: Empire Lost #1-6 (2011) Star Wars Handbook Volume 2: Crimson Empire (1999) "The Crimson Empire Saga" begins with an ending; the final defeat of the Emperor Palpatine by his long-time foes, the Rebel Alliance, led by the legendary siblings, Luke Skywalker and Leia Organa Solo. But unbeknownst to those fighting to free the galaxy from Palpatine's tyranny, treachery also played a role in the Emperor's downfall. In a stunning turn of events it is revealed that one of those thought to be most loyal to Palpatine, a member of the Imperial Guard itself, betrayed his master in an attempt to seize power for himself. To insure the success of his treason, Carnor Jax also ordered the assassination of all the surviving Imperial Guard. But in his arrogance, the traitor underestimated the skill of the warriors he had trained with. Though faced with the overwhelming force of an army of stormtroopers sent to eliminate them on their training world Yinchorr, one Imperial Guard survived the massacre. Kir Kanos, the last of Emperor Palpatine's Imperial Guard lived on, to seek vengeance on Carnor Jax, and all those who had betrayed his Emperor. The core "Crimson Empire" trilogy is the creation of writers Mike Richardson and Randy Stradley, and artist Paul Gulacy, and they have produced an exciting adventure of Star Wars action, intrigue and emotion. The first "Crimson Empire" 6 issue comic mini-series was published in 1997, in the early years of what came to be called the "Star Wars Expanded Universe." The "EU" is an ongoing showcase for the continuing "adventures of Luke Skywalker" in novels, comics, computer games and more, as well as for other characters and worlds from the movie and now television saga envisioned by George Lucas. But the Expanded Universe also highlights original ideas based on characters and situations created by Mr. Lucas. "Crimson Empire" represents a prime example of talented imaginations thinking, 'what if we told a story about the red cloaked guards seen in "Return of the Jedi?"' In Kir Kanos, Richardson, Stradley, and Gulacy have created a classic Star Wars anti-hero/hero. Along with such Expanded Universe creations as Grand Admiral Thrawn, Mara Jade, Quinlan Vos, and Asajj Ventress, he is one of the most intriguing characters in the Star Wars Universe. Kanos is a highly trained warrior with a steadfast moral code, whose quest for vengeance anchors "The Crimson Empire Saga." It is this focus on the lead character's ultimate goal that is one of the achievements of the series. This dramatic strength, when adhered to, allows the comic creators to truly delve into their original characters and concepts without having to include or depend on the more famous Star Wars heroes and villains, although some appear in supporting roles. It is a testament to the makers' storytelling abilities that as the reader follows this tale of Kir Kanos' road to revenge, one becomes sympathetic to the character's cause to avenge the death of one of the most evil men who ever lived in any galaxy! A special highlight of "Crimson Empire" is the artistry of Paul Gulacy. Mr. Gulacy has a distinctive style in the sequential art medium; a clean precise vision that combines traditional comic book panel progression with simulated photographic technique. For example, Mr. Gulacy rarely uses motion lines in his comic art, except to depict the movement of a lightsaber, or in the case of Kir Kanos' preferred weapon, the force pike, a doubled-bladed long staff. This style gives Mr. Gulacy's work a heightened sense of realism. In the first "Crimson Empire" mini-series, Mr. Gulacy is inked by P. Craig Russell. In "Crimson Empire II: Council of Blood," he is embellished by Randy Emberlin. "Crimson Empire III: Empire Lost" saves the best for last as Mr. Gulacy produced full pencil and ink artwork for the third mini-series. He was always his best inker. This "Crimson Empire" collection also offers the reader the opportunity to see the evolution and advancement of comic coloring from 1997 through to 2012, the year of this special compendium's release. Dave Stewart created the color art for Mr. Gulacy's pencil work on the first two installments of the prime comic trilogy and the results display a marked improvement over the flat colors long produced in comics of the past. But with "Crimson Empire III," the most recent part of the saga, the color rendering of Michael Bartolo shows an even more nuanced use of tone and hue over Mr. Gulacy's art. Thanks in no small part to the computer age, comic coloring has come a long way from the days of newsprint. Another highlight of "The Crimson Empire Saga" is the inclusion of two addition stories within the thick hardcover. "How the Mighty have Fallen" is a tale written by Randy Stradley, and illustrated by Javier Saltares and Christopher Ivy. Published in 1999 as part of the Star Wars: The Bounty Hunters comic series, it relates how Kir Kanos created the secret bounty hunter identity Kenix Kil,to better hide from members of the fallen Galactic Empire that were hunting for him across the stars. The second adventure, the short story, "Hard Currency," was published in Dark Horse Extra, a newspaper-like fanzine released from 1998-2002, and features Kenix Kil teaching an enemy the cost of betrayal. It was scripted by Mr. Stradley, and drawn by Isaac Buckminster Owens. There is a great deal to enjoy in this "Crimson Empire" collection but it is not without flaws. While the premiere "Crimson Empire" mini-series succeeds in being an enthralling adventure on every level, "Crimson Empire II: Council of Blood" sometimes suffers from a story that concentrates too much on subterfuge and political power-plays; so much so that the series' starring character, Kir Kanos, seems rather to be a supporting player in his own story. The long-awaited third part in the "Crimson Empire" trilogy, "Empire Lost," improves on the faults of its predecessor but still has a sometimes convoluted plotline. Another flaw in the multi-part saga is the character arc of Mirith Sinn, the brave and beautiful Rebel Alliance commander who plays a major part in most of Kir Kanos' exploits. The series writers, Mr. Richardson and Mr. Stradley, showcase the evolution of the relationship between these two driven individuals, a relationship that has an undeniable chemistry. Mirith and Kir Kanos share a bond, a bond that is complicated by violent loss. But the complexities of their relationship are sometimes handled in conflicting ways from story to story, resulting in confusion for the reader in understanding the otherwise strong character of Mirith Sinn. Still another flaw in this collection is the editorial decision not to include all the striking covers painted by artist Dave Dorman for the 18 individual comics in the "Crimson Empire" trilogy of mini-series. While it is gratifying to see 6 of Mr. Dorman's contributions to the saga, notably his special wrap-around cover painting to the first "Crimson Empire" trade paperback reprint volume, as well as the "Crimson Empire Handbook" cover, this reviewer regrets the omission of the artist's 13 other paintings. Nor was the sole "variant" cover to "Crimson Empire III" number 1, drawn by Mr. Gulacy included, and it was the only cover he created for the entire series. It is doubly disappointing when the collection showcases Mr. Dorman's cover to that same comic issue twice in the book! This reviewer would have also been appreciative of a written introduction or history of the creation of the "Crimson Empire" series; and a feature that explained the long wait of 13 years before the concluding chapter in the trilogy was finally released for fans of the saga to enjoy. These editorial choices could have then given this hardcover collection the more appropriate title, "The Complete Crimson Empire Saga." Despite the above shortcomings, this is a very special Star Wars comic collection. From one Star Wars fan to any who read this review, I highly recommend you put on some of John Williams' immortal Star Wars music, sit back, open this hardcover and let yourself be taken away to that "galaxy far, far away" we love so much!
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Reviewed in the United States on September 18, 2012
J
Verified Purchase
Jonathan Miller
Natrona Heights, US
★★★★★ 5
One of the best Star Wars comic series of all time.
Format: Kindle
Crimson Empire was the first Star Wars comic that I read. Stories like these are what kept Star Wars alive and fresh during the nearly 20 years between films. I love the stories about those minor characters that you see in the films. When you saw the Crimson Guard with the Emperor for the first time, you knew there was something fascinating about these guardians of the most powerful being in the universe. This story delves into some of those characters. The art is fantastic, sort of that stylized 90's colorful art. Awesome battle scenes. It really captures the imagination. Great story, give it a try. I highly recommend getting a paper copy of this trade.
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Reviewed in the United States on August 10, 2015
S
Verified Purchase
steven
Fort Morgan, US
★★★★★ 5
Top Notch!
Format: Hardcover
A lot of the time when your reading SW books your imagination doesn't quite fill in the gaps that the author leaves. A lot of SW books have little to no detail because they are movie or game based. This is where the top notch illiustrations took this story line to a whole new level! Richardson does a great job on developping the main character. I was very impressed with the quality of the story and blown away with the illustrations. Great read for all!
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Reviewed in the United States on September 23, 2013
D
Verified Purchase
Darth Caedus
Whiting, US
★★★★★ 5
Great saga!
Format: Kindle
I love this series! It is beautifully painted, has good dialogue, and has a very compelling narrative. I cannot help but like the protagonist, Kir Kanos. He is brave, unselfish, noble, determined, and deadly. Even if his primary goal is to exact vengeance for the killing of the truly evil Palpatine, I cannot help but cheer for him. This is truly a compelling read that refuses to be put down.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 21, 2016

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