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Description
Billet Masterclass"Your work on billets, the rationales etc are brilliant and your clear bowl Q&A at the end is totally worth the price of the entire product. Loved it." Marc Spelmann "Outstanding! I haven't been this excited about a mentalism video for ages The thought behind, and the motivation of, your billet peek make it perfect. It's probably one of the best peeks out there. Your Bowl of Billets is simply wonderful, you've provided such a great structure and
"Your work on billets, the rationales etc are brilliant and your clear bowl Q&A at the end is totally worth the price of the entire product. Loved it."- Marc Spelmann
"Outstanding! I haven't been this excited about a mentalism video for ages... The thought behind, and the motivation of, your billet peek make it perfect. It's probably one of the best peeks out there. Your Bowl of Billets is simply wonderful, you've provided such a great structure and variety of effects and reveals, it's fantastic, very well done. It's great thinking."
- Marc Paul
"Thank you for releasing material you've actually performed in front of real audiences and in PR situations under the eagle eyes of journalists. I love your peeks and especially your Q&A, which has a great structure."
- Harry Lucas
Mastering billets transformed Alexander Marsh from a self-confessed mediocre mentalist to the HEADLINE ACT for one of the world's largest touring magic shows!
And now he's going to teach you EVERYTHING he knows.
But what even is a billet?
The word Billet is mentalist-speak for any small slip of paper utilised during your performance.
They appear innocent to your audience, but once you learn Alex's billet handling secrets, you will possess the knowledge and power to use them to create television-worthy displays of mind reading and mind control AT A MOMENT'S NOTICE!
Broken down into bite-size sections, each lesson builds upon the previous, meaning value will be found for every skill level. If you're new to billets, this is a perfect place to start; you'll be reading minds after the first three lessons alone.
If you're a seasoned billet worker, you're going to fall madly in love. This is a project you will keep coming back to. Not only are you going to learn the greatest peek since Acidus Novus, Alex is going to give you his ENTIRE, hour-long Question and Answer (Q&A) act as performed at the Edinburgh Fringe Festival in 2014 (and it uses nothing more than some pens, some billets, a clear bowl and some envelopes).
Here's how this project came to be:
During the 2020 lockdown, Alexander Marsh filmed a two-hour billet lecture in his kitchen and sold it directly to magicians from his personal website.
It was SO GOOD, two of Britain's most celebrated mentalists immediately endorsed it; Marc Paul and Marc Spelmann (Magician X from BGT).
But Alex limited his self-shot seminar to just 100 copies.
We have received countless requests to create a billet course, so we begged Alex to let us release it to a wider audience. But he said no; he wanted to honour his initial promise of only 100 copies sold.
So we made him a deal.
We offered to re-shoot the entire lecture with multiple cameras over two days at The 1914 studio; We asked Alex to cover even MORE content; And we offered to EXPAND it even further with valuable contributions from fellow billet-connoisseur Lewis Le Val.
Finally, he said YES.
What started out as a two-hour lecture quickly doubled in size (and some) to a FIVE HOUR, MONSTER MASTERCLASS!
To date, this is our largest release ever.
This really is the DEFINITIVE video guide to billets. Never has there been a more comprehensive, detailed, in-depth examination of this cornerstone of mentalism.
Here's what's covered:
You will learn the classic centre tear and why it's flawed. Alex will then teach you his devious improvement along with a fun, commercial routine to apply it to which involves divining your spectator's secret cocktail ingredient, which can be literally anything (unicorn tears, anyone?).
You will learn an array of classic and contemporary billet switches including the Annemann Switch, the Al Baker Switch and Alex's very own Unfolding Switch which requires ZERO misdirection whatsoever.
You will learn how to make a secret billet switching envelope on the fly. You'll also learn how to construct a more robust switching envelope with some prior preparation for an extra layer of deception.
Alex will teach you how to read stolen billets and will provide you with many routine ideas with the help of master mentalist Lewis Le Val. Between them, they offer contrasting presentations for the same effects; perfect inspiration for mystical performers like Lewis, or more buoyant personalities like Alex.
Alex will then disclose the secret to his very own, outrageous billet peek. If you're a fan of Acidus Novus, you will LOVE this. It can be executed directly under your spectator's nose, even as they're burning your hands.
You'll then learn even more, powerful effects including Alex's rendition of Bob Cassidy's Fourth Dimensional Telepathy; an engaging routine for both close up or stage where three spectators have their thoughts divined, one at a time, in a theatrical manner.
And finally, Alex pieces together everything you've learnt to teach you an entire stage act! By the end of the course, you'll be able to provide an hour's entertainment to a full-house theatre, using barely any props. This is Alex's simple-yet-beautiful Q&A act of Edinburgh Fringe fame.
There really is so much more to gain from this course but so little space to write it. Access now to see for yourself just how powerful your billet work can become.
Forget the latest gizmos and gadgets. This is the PUREST form of mentalism.
Master billets. Master the art.
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4.6 ★★★★★
Based on 24 reviews
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Product Reviews
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review.
(For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
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Reviewed in the United States on April 10, 2018
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
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Reviewed in the United States on April 20, 2009
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003