SKU: 12212874697

l uccellaja mario folena roberto loreggian francesco galligioni

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l uccellaja mario folena roberto loreggian francesco galligioniLUCCELLAJA Music inspired by the birds singing between the 17th and 18th centuries (CVLD361) Mario FOLENA, traverso, flauto damore Roberto LOREGGIAN, harpsichord Francesco GALLIGIONI, cello, viola da gamba Available in: HD Files, CD 1. Georg Philipp Telemann (1694 1772) Aria Flieg hin flieg hin and Minuet for harpsichord and cello 01: 39 2. Louis Claude Daquin (1694 1772) Le Coucou for traverso1 and harpsichord 02: 13 3. Michel Corrette (1707 1795) Le

L’UCCELLAJA

Music inspired by the birds singing between the 17th and 18th centuries (CVLD361)

Mario FOLENA, traverso, flauto d’amore
Roberto LOREGGIAN, harpsichord
Francesco GALLIGIONI, cello, viola da gamba

Available in: HD Files, CD

  • 1. Georg Philipp Telemann (1694 - 1772)
Aria “Flieg hin flieg hin” and Minuet for harpsichord and cello - 01:39
  • 2. Louis-Claude Daquin (1694 - 1772)
“Le Coucou” for traverso1 and harpsichord - 02:13
  • 3. Michel Corrette (1707 - 1795)
“Le Coucou” for flauto d’amore in A and basso continuo (cello and harpsichord) 02:06
  • 4. Anonymous Italian (17th century)
“Capriccio fatto sopra il Cucchù” for harpsichord - 04:17
  • 5. Antoine Dornel (1691 - 1765)
“L’hirondelle” for traverso2 and basso continuo (viola da gamba and harpsichord) - 03:14
  • 6. Louis-Claude Daquin (1694 - 1772)
“L’hirondelle” for harpsichord - 03:16
  • 7. Françoise Philidor (1689 - 1717)
“L’hirondelle” for traverso2 and basso continuo (viola da gamba and harpsichord) - 01:07
  • 8. Baldassare Galuppi (1706 - 1785)
From the opera “Sirbace“ “Qual colomba afflitta” for traverso1 and basso continuo - 03:33
  • 9. Antonio Vivaldi (1678 - 1741)
From Cantata RV 659 “Indarno cerca la Tortorella” for flauto d’amore in A flat and basso continuo (cello and harpsichord) - 03:41
  • 10. Georg Friedrich Händel (1685 - 1759)
From the opera Acis and Galateac“As when the dove laments” for traverso1 and basso continuo (cello and harpsichord) - 03:43
  • 11. Johann Heinrich Schmelzer (1623 ca. - 1680)
“La gallina” for traverso2 and basso continuo (cello and harpsichord) - 02:47
  • 12. Alessandro Poglietti (? - 1683)
“Il gallo e la gallina” for harpsichord - 05:06
  • 13. Anonymous 18th century
From “The Delightful Pocket Companion for the Flute” London: Robert Bremnen, undated “Polonese” for flauto d’amore in A - 03:14
  • 14. Jean-Baptiste de Bousset - Jacques Hotteterre (1662 - 1725) (1680 ca - 1761 ca)
Aria: “Pourquoy, doux rossignol” for traverso2 and basso continuo (viola da gamba and harpsichord) - 02:49
  • 15. Antonio Vivaldi (1678 - 1741)
From Cantata RV 796 “Usignoletto bello” for traverso1 and basso continuo (cello and harpsichord) - 03:04
  • 16. Francesco Bartolomeo Conti (1681 - 1732)
Aria: “L’augellin trà verdi fronde” for traverso1 and basso continuo (cello and harpsichord) - 02:54
  • 17. Alessandro Speranza (1728 - 1797)
“Divertimento per cembalo in cui si esprime una Uccellaja” for harpsichord - 04:13
  • 18. Joseph Bodin de Boismortier (1689 - 1755)
“Ramage” for flauto d’amore in A - 04:03
  • 19. Jacques-Christophe Naudot (1690 ca. - 1762)
“Chant d’oiseaux” for traverso1, cello and basso continuo - 03:34
  • 20. Antonio Vivaldi (1678 - 1741)
Cantabile from Concerto op. X no. 6 “Il Gardellino” for traverso1 and basso continuo (cello and harpsichord) - 03:11

 Total Time - 63:55

  • Traverso 1 - Martin Wenner, copy of Carlo Palanca
  • Traverso 2 - Federico Xiccato, copy of Chevalier
  • Flauto d’amore in A - Federico Xiccato, copy of Dejardin
  • Flauto d’amore in A flat - Giovanni Tardino, copy of Giuseppe Panormo
  • Cello - Cremona, late 17th century
  • Viola da gamba - Paolo Biordi, Ortimino, 2018 (from Michel Colichon, Paris, 1691)
  • Harpsichord - Florindo Gazzola, copy of Anonymous Italian 17th century
 
  • Digital / Analog recording made strictly live-in-studio at Main Hall, Villa Masiero e Centanin, Arquà Petrarca, Italy, on May 8, 9, 2023 - Analog Mix and mastering made at VL Studio, Naquera, Spain, on May 11, 12, 2023, using Rupert Neve Design Summing Mixing Console, Maselec MLA-2 / MEA-2 / MPL-2 and Studer A810
  • Production: Marco Lincetto and Massimo Corvino Consulting
  • Executive producer: Marco Lincettoo
  • Musical producer: Marco Lincetto
  • Balance, recording, mix and mastering engineer: Marco Lincetto
  • Editing: Matteo Costa
  • Photo: Musicians’Archive
  • Cover Graphics and layout: L’Imag


To celebrate the beauty and inspiration of bird song: this is the aim of this anthology of 17th and 18th-century compositions dedicated to the voices of winged creatures. The CD takes its title from Alessandro Speranza's Divertimento per cembalo in cui si esprime una Uccellaja and includes 20 carefully selected baroque and rococo pieces.

The first piece, a previously unreleased page by G. Ph. Telemann, opens with two notes (D - B) that repeat, enunciating the cuckoo's call. This incisive musical motif, capable of being etched into our auditory memory, introduces the following tracks, dedicated in order to: cuckoo, swallow, turtledoves and doves, roosters and hens, nightingale, various songbirds
and goldfinch.

Between the 17th and 18th centuries, it was common in French instrumental suites (but also in German ones) to find movements with a title having a specific programmatic intent. From these suites (composed by Daquin, Corrette, Philidor, Schmelzer, Boismortier and Naudot) come the pieces dedicated to bird song. And many Italian musicians, such as Poglietti and Speranza, were also inspired by bird song: three pages of great expressive power for solo harpsichord by these composers and an Anonymous one are presented.

Galuppi's aria Qual colomba afflitta has come down to us only in instrumental form. It is part of a weighty collection of opera arias, published in London in the mid-18th century by John Walsh, selected and transcribed for traverso and basso continuo by Carlo Maria Broschi (1705-1782), the famous castrato known as "il Farinelli". At the time, it was still common practice to perform vocal compositions - such as opera arias or those from cantatas, French brunettes or boat songs - in simple instrumental form, as was done in the Renaissance era: a deep-rooted traditional practice with which it was also decided to perform Vivaldi's arias Usignoletto bello and Conti's L’augellin trà verdi fronde. Handel's piece As when the dove laments, on the other hand, belongs to a collection of transcriptions for traverso and harpsichord, also published by J. Walsh in London.

Within this free performing style also falls the aria Porquoy doux rossignol by the composer Jean-Baptiste de Bousset (1662 - 1725), a very popular piece at the court of the Sun King. It is a magnificent aria that Jacques Hotteterre transcribed for traverso and basso continuo, contributing to its fame and dissemination.

The Delightful Pocket Companion for the Flute, from which the Polonese by an unknown author performed here on the flauto d’amore is taken, is a pocket vademecum in several volumes published in London - undated - by Robert Bremnen. It contains hundreds of original and transcribed pieces for the numerous amateur flutists, who were increasingly eager for repertoire for their instrument. The theme of this Polonese, a Polish dance movement in three-quarter time, is the clucking of a hen, so much so that with a play on words it could be renamed Pollonese.

The CD concludes with the famous Cantabile from Concerto Op. X no. 6 "Il Gardellino" by Antonio Vivaldi, whose pure and linear melody is embellished in this CD, during the ritornelli, in the same capricious spirit as Alessandro Speranza's piece: and so, in addition to the typical arpeggiated call of the goldfinch, one can hear the imitation of a myriad of chirping birds, a tribute to the greatness of Nature, with a triumph of notes and sounds that aims to transport us into a world of emotions and beauty.
Mario Folena

 

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SKU: 12212874697

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Anastasia Goygova
Omaha, US
★★★★★ 4
Fallen for the Fallen Angel – A Guilty Pleasure Worth Every Page
Format: Kindle
There’s something deeply irresistible about a dark academia or trial-based setting, a brooding and arrogant fallen angel, and a fierce heroine with enough sass to go toe-to-toe with him. Wings So Wicked is exactly that kind of book—and I devoured it in just a couple of days. To be fair, the plot isn’t groundbreaking. If you’re looking for something fresh and innovative in terms of storyline, this might not be it. But if your reader heart beats faster at the mere mention of enemies-to-lovers, jealousy-fueled banter, magical trials, betrayals, and forbidden tension—you’ll feel right at home. It’s like catnip for those of us with this particular weakness. The chemistry between the leads could have used a slightly slower burn to make the tension sizzle longer, but I still found myself completely invested in their dynamic. There are moments and phrases that feel a bit cheesy or underdeveloped, but honestly? I didn’t care. The vibes were exactly what I wanted. This book isn’t trying to reinvent the genre—it’s here to give readers like me what we crave: high-stakes magical drama, angsty romance, and the thrill of watching a badass girl and her brooding counterpart clash and spark. If that sounds like your kind of story, Wings So Wicked will hit the mark. Here’s hoping Book 2 turns up the heat and keeps the magic alive.
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Reviewed in the United States on May 20, 2025
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Madi lohr
Dallas, US
★★★★★ 5
my new favorite book
Format: Kindle
Ok so I never write reviews but this book was so good I felt the need to write this. Firstly your introduced to Huntyr you see her closed off hard core badass than towards the end you see the most subtle change and growth it’s amazing and the enemies to friends to lovers was just perfect, AND THE TWIST AT THE END GOT ME GOOD! You see one spicy scene the whole book but it doesn’t even MATTER BECAUSE THE BOOK WAS THAT GOOD. I’ve read 85 books in 2023-2024 so far and I’m pround to say this is my all time favorite. I’m so excited to read more of Emily Blackwoods books, this was my first time reading one of hers and I’m glad I did because HOLY!! Well done Emily well done
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Reviewed in the United States on February 23, 2024
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Robin
Louisville, US
★★★★★ 4
Fast paced romantasy you will not want to put down!
Format: Kindle
4.25 stars! I LOVED this book with similar vibes to Hush Hush, Fourth Wing, and The Serpent and the Wings of Night! It was fast paced with easy world building and will keep you turning the pages late into the night because you will not want to put it down! Huntyr is a fierce bad@ss FMC trained to kill vampyres her entire life. She is sent on a mission to go to the academy and earn her spot into The Golden City. Upon arrival, she is forced to room with the delicious fallen angel, Wolf, who is the only one who knows about her assassin identity. The romance, the plot twists, the secrets revealed, the battles, and the tantalizing training scenes had me hooked! And that ending…. I’m holding my breath in need to know hell! Read if you love: 🪽 Fae, Vampyres, Fallen Angels 🪽 Academy setting with magical trials 🪽 Forced proximity and slow burn 🪽 Rivals to lovers 🪽 Hidden identities and secrets 🪽 Tend your wounds “𝘖𝘧 𝘤𝘰𝘶𝘳𝘴𝘦 𝘐 𝘸𝘢𝘴 𝘸𝘢𝘵𝘤𝘩𝘪𝘯𝘨 𝘺𝘰𝘶. 𝘐 𝘤𝘰𝘶𝘭𝘥𝘯’𝘵 𝘭𝘰𝘰𝘬 𝘢𝘸𝘢𝘺 𝘧𝘰𝘳 𝘢 𝘮𝘰𝘮𝘦𝘯𝘵, 𝘦𝘷𝘦𝘯 𝘪𝘧 𝘐 𝘵𝘳𝘪𝘦𝘥.” “𝘐𝘧 𝘺𝘰𝘶 𝘸𝘢𝘯𝘵 𝘮𝘦 𝘰𝘯 𝘮𝘺 𝘬𝘯𝘦𝘦𝘴, 𝘏𝘶𝘯𝘵𝘳𝘦𝘴𝘴, 𝘢𝘭𝘭 𝘺𝘰𝘶 𝘩𝘢𝘷𝘦 𝘵𝘰 𝘥𝘰 𝘪𝘴 𝘢𝘴𝘬.” “𝘠𝘰𝘶 𝘥𝘰 𝘯𝘰𝘵 𝘬𝘯𝘰𝘸 𝘵𝘩𝘦 𝘷𝘪𝘰𝘭𝘦𝘯𝘤𝘦 𝘵𝘩𝘢𝘵 𝘳𝘶𝘯𝘴 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘮𝘺 𝘷𝘦𝘪𝘯𝘴, 𝘣𝘦𝘨𝘨𝘪𝘯𝘨 𝘮𝘦 𝘵𝘰 𝘰𝘣𝘭𝘪𝘵𝘦𝘳𝘢𝘵𝘦 𝘢𝘯𝘺𝘰𝘯𝘦 𝘸𝘩𝘰 𝘭𝘢𝘺𝘴 𝘢 𝘩𝘢𝘯𝘥 𝘰𝘯 𝘺𝘰𝘶.”
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Reviewed in the United States on June 12, 2024
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Bernadette Smith
Belleville, US
★★★★★ 5
Excellent Rivals to Lovers!!
Format: Kindle
The tension and banter between Huntyr and Wold was delectable. I absolutely love the fallen angel and all of his flaws. Huntyr is amazing too being a badass FMC with some major trauma. The world building was great and I enjoyed the training aspect of the story. The writing was immersive and was in the story the whole time. The ending had quite a twist that I hadn’t anticipated and made my jaw DROP. Excellent job! I also loved the narration. Laura is one of my fave narrators!
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Reviewed in the United States on August 15, 2025
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❈ Elizabeth ❈ | Breakawayreads
Dallas, US
★★★★★ 5
Fallen Angels, fae, vampires, oh my!
Format: Kindle
Rating: 4.5 | Spice: 2 (but a good slow-burn) • Main Characters: Huntyr and Wolf • I couldn’t wait to read this book; there was so much hype about it! And there was no doubt why. I fell in love with the characters and the plot itself. This book is mainly plot driven more than friction driven but it’s easy to follow along with. The characters are fun, easily understood. The main setting is at an academy where both the main characters are going through trials and building strength for the final test, The Transcendent. There are fantastic side characters as well. I loved the camaraderie between Huntyr and her friends. But we don’t like Lanson. 😆 We do have some plot twists that come into play throughout the book. Secrets and betrayal to be seen. I did adore Wolf and Huntyr’s relationship. It was a classic slow burn trope. They didn’t hit it off fast, but in time their feelings grew. I loved their banter, so sexy. Wolf is your next book boyfriend; Huntyr is your next vampire assassin independent bad-a*s female. Themes include loyalty, trust, self-discovery, a true slow burn romance. Side note: book ends on a angsty cliffhanger! • Emily, thank you for writing this awesome novel and I cannot wait to devour Book 2, Blood So Brutal! 😍 • Happy reading, my lovelies! xo
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Reviewed in the United States on January 21, 2024

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