SKU: 13450373701

One Control TORNADO FX Tornado Drive by BJF - Brass

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Description

One Control TORNADO FX Tornado Drive by BJF - BrassTORNADO Fx is a new brand line from One Control, under the full supervision of Mr. TK. With this new brand, we bring a new sound tested and approved by the great Bjrn Juhl of BJF (Sweden) and the production of One Control (Japan). Mr. TK seeks an effects pedal that can create the ideal sounds in guitarists heads. One Control already possesses a great deal of experience in bringing to life the incredible sound designs from BJF and BJFe series pedals.

TORNADO Fx is a new brand line from One Control, under the full supervision of Mr. TK. With this new brand, we bring a new sound tested and approved by the great Björn Juhl of BJF (Sweden) and the production of One Control (Japan).

Mr. TK seeks an effects pedal that can create the ideal sounds in guitarist’s heads. One Control already possesses a great deal of experience in bringing to life the incredible sound designs from BJF and BJFe series pedals. However, these new designs and concept are different, so we launched this new line called TORNADO Fx to pursue the ideal sounds that TK is looking for.

TORNADO Drive Brass:
The TORNADO Drive Brass is an overdrive pedal completed under the supervision of Mr. TK after exchanging various ideas and opinions. It is the pinnacle of overdrive as an effects pedal, and a pedal to create the sound that TK wants. It is very similar to the TORNADO Drive Aluminum, but with some special differences.

The first prototypes were used for several years in TK’s live performances, and adjustments were made with both BJF and TK based on the sound and feel of the pedal onstage. The first TORNADO Drive Brass, which has been improved, was incorporated into the pedalboard of the DEAD IS ALIVE TOUR 2022 – Tornado and Extend Life tour.

The TORNADO Drive Brass is an overdrive pedal tailored to the equipment TK uses and his desired tone. The enclosure is cut from solid brass and features two trim pots which can fine-tune the differences in acoustic characteristics depending on the gig, whether at the venue, a recording studio, or the practice room. The thick tone is three-dimensional and can go from a whisper to a scream with just the playing dynamics. We have carefully refined these seemingly contradictory characteristics, creating a superb overdrive that was born from BJF’s tonal sensibilities and TK’s commitment to tone.

High gain with clarity can easily be heard when playing complex chords, with long sustain and high performance. Special filtering by BJF has contributed to achieve a most beautiful sound. From stadium-level playing to playing in your own room, you can get the best sound at any volume.

TORNADO Drive Brass is the top-of-the-line overdrive, made with luxury housing and components to be exactly the tone and feel that TK demands. It is a next-level overdrive pedal for the guitarists of today seeking the most superb tone possible.

Controls:
- Level: Adjusts the volume.
- Drive: Adjusts the intensity of the distortion.
- Tone: Adjusts the tone.
- 2K: Fine-tuning the sound around the mid-range.
- High Treble: Fine-tunes the edge of the top end of the tone and the balance of the entire tone.

Specs:
- Input impedance: 200kΩ
- Output impedance: 10KΩ
- Current consumption: 3.5mA
- S/N: -80dB
- Size: 80W x 120D x 30H mm (excluding protrusions)
„ÄÄ  „ÄÄ„ÄÄ85W x 120D x 44H mm (including protrusions)
- Weight: 892g
- Enclosure: Machined brass

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SKU: 13450373701

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4.8 ★★★★★
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Doug S.
San Leandro, US
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 3, 2026
T
Verified Purchase
Tripp Moore
Grantham, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
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Joel Bradford
Lowell, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Boise, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Whiting, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011

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