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Description
Leatt - 5.5 FlexLock BootsLeatt 5. 5 FlexLock Boots The Leatt 5. 5 FlexLock boot, was a 3 year project with long term development and testing using Pro athletes from all over the world! The 5. 5 boot is a real head turner when it comes to looks and style, but the design brief was comfort and protection. As you slide your foot inside the boot you instantly feel the plush interior and quality of the materials used, its like putting your feet inside your favorite shoes or
Leatt - 5.5 FlexLock Boots
The Leatt 5.5 FlexLock boot, was a 3-year project with long term development and testing using Pro athletes from all over the world!
The 5.5 boot is a real head turner when it comes to looks and style, but the design brief was comfort and protection.
As you slide your foot inside the boot you instantly feel the plush interior and quality of the materials used, it’s like putting your feet inside your favorite shoes or slippers!
The adjustable FlexLock system reduces forces to the ankle by up to 37% and the knee by up to 35% by Locking out the ankle movement when over flexed, giving you that feeling of security. With a great feel of the frame, gear lever and rear brake, these boots instantly feel so good.
You must check out the SlideLock Velcro function, it really is groundbreaking in security fastening boot technology.
Features:
- Fit:
- Outstanding comfort with first-class fit even for wide feet
- Closure:
- SlideLock system, Auto-locking one way sliding closure for great seal at top of boot
- Forged aluminum buckles with Over-lock system and stainless steel base
- FlexLock System:
- Adjustable lower boot flex for personal preference
- LockOut of the sideward ankle movement to reduce forces
- Force Reduction:
- LockOut ankle movement gives:
- Up to 37% reduction of ankle forces
- Up to 35% reduction of forces to the knee
- *Reductions compared to the market leader/most high-end boots
- Bike Grip:
- Inside of boot is flat and grippy for great bike feel
- Toe-Box:
- Low-profile, for easy gear shifting
- Ankles:
- 3D-shaped impact foam over ankles for added protection
- Heel grip ankle design for stability when riding on your toes
- Sole:
- DualZone hardness
- Extended foot peg riding zone for arch and on the toes riding style
- Steel shank reinforced and CE certified
- Inner Liner:
- Breathable mesh 3D liner with anti-slip reinforcement for zero heel lift
- CE tested and certified as:
- prEN 13634: 2017
- Sizing:
- US 7-13, UK 6-12, EU 40.5-48, CM 25,5 -31
- Plastic free recyclable packaging
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.2 ★★★★★
Based on 17 reviews
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Product Reviews
★★★★★ 5
FYI These are worth it!
Color: Caviar PDRN, Color: Caviar PDRN
These eye patches are really nice and worth it. I use them mainly on the weekends (when I don’t wear makeup). I wash my face and apply them under my eyes (I have also used them on my neck , forehead, corners of mouth, and between the brows for extra moisture) I leave them on about 30 minutes or more, peel them off, pat in the left over product; and my under-eye area looks a lot brighter and awake! I then apply and complete the rest of my skincare routine. (Under eye serum, face serum, and moisturizer). These patches are also very pretty, they make me feel like a mystical sea creature; think mermaid! My advice is make sure you are in fact using one, they are very thin and transparent and a few times i was actually applying more than one. With that being said there are A LOT of patches in the container.
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Reviewed in the United States on May 24, 2026
★★★★★ 4
Good product.
Color: Caviar PDRN
Good Product.
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Reviewed in the United States on June 7, 2026
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect.
And did I mention that some guy named Stanley Kubrick directed the thing?
The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous.
Okay.
Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling.
There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief.
It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it.
I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014