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Description
iFlight Nazgul Evoque F6D V2 O4 6S HD DeadCat BNF W/ DJI O4 Air Unit Pro - Choose ReceiveriFlight premier 6 inch pre built drone is now upgraded with DJI's cutting edge FPV technology. This Bind And Fly drone combines ease of use with enthusiast grade durability and performance, offering extended flight times thanks to a larger battery and efficient lower KV motors. Featuring the DJI O4 Pro Air Unit with a 1. 1 1. 3 inch sensor and 155 ultra wide angle, it delivers stunning 4K stabilized video and real time up to 1080p 100fps transmission
iFlight premier 6-inch pre-built drone is now upgraded with DJI's cutting-edge FPV technology. This Bind-And-Fly drone combines ease of use with enthusiast-grade durability and performance, offering extended flight times thanks to a larger battery and efficient lower KV motors. Featuring the DJI O4 Pro Air Unit with a 1.1/1.3-inch sensor and 155° ultra-wide angle, it delivers stunning 4K stabilized video and real-time up to 1080p/100fps transmission for an unparalleled flying experience. Welcome to the next level of FPV adventure with iFlight.
Features:
- Smooth and Powerful XING2 Motors
- The latest upgrade of our bestseller XING motors, no compromises taken! Durable unibell (one-piece bell) technology, strong titanium alloy shaft with reinforced bell joint, crash resistant 7075 aluminum bell, smooth and long-lasting Japanese NSK bearings, center slotted N52H curved arc magnets and our XING O-ring bushing gap protection.
- Latest Nazgul Frame for Maximum Protection
- The old days are over, getting your electronics full of dirt and wet grass every time you crash. Our latest frame reduces contamination that could build up on your flight controller or ESCs, preventing failure or short circuits. Strategic airflow to keep your components cool and clean without taking any shortcuts in weight or performance. Illuminated side panels and 360-degree TPU protective parts.
- DJI O4 HD Air Unit, Enhanced Perception
- DJI O4 video transmission's enhanced stability lets you fully immerse yourself in each flight and provides greater safety. It boasts up to 13 km of maximum video transmission distance, a transmission latency as low as 24 ms, 1080p/100fps high-definition image quality, and a maximum transmission bitrate of 60Mbps. (Source DJI)
- 4K Stabilized Video with 155° Ultra-Wide Angle
- Together with high-grade imaging performance, it delivers exceptional visuals that will keep your audience on the edge of their seats. (Source DJI)
- Secured Battery Plug with Anti-Spark Filter
- Plugging in a battery can create a loud spark at the connector which is caused by the high battery current rushing into the low ESR capacitor first as well as filling up ESC capacitance. We’ve added a protective circuit to extend the lifespan of XT60 connectors and prevent rapid voltage or current spikes which can protect your electronics from damage.
Specifications:
- Product Name: Evoque F6 V2 O4 HD
- FC: BLITZ Mini F722 Flight Controller
- ESC: BLITZ Mini E55 4-IN-1 2-6S 55A ESC
- Video Transmission: DJI O4 Pro Air Unit
- Frame wheelbase: 262±2mm (DeadCat)
- Motor: XING2 2506 1500KV motors
- Prop: HQ 6x2.5x3 propellers
- Weight: 485±5g(DeadCat)
- Takeoff Weight: Approx.710±5g (With 6S 1480mAh)
- Dimensions (L×W×H): 209*162*36±2mm
- Diagonal Distance: 120 mm
- Max Speed: 180 km/h
- Maximum Takeoff Altitude: 3200 m
- Max Hover Time: Approx. 8.5 mins (No load With 6S 1480mAh)
- Max Flight Distance: 5 km
- Max Wind Speed Resistance: Level 7
- Operating Temperature Range: -10° to 40° C (14° to 104° F)
- Antennas: Dual Antennas
- GNSS: GPS+SBAS+Galileo+QZSS+Glonass
Video Transmission:
- Product Name: DJI O4 Air Unit Pro
- Image Sensor: 1/1.3-inch
- Lens: FOV: 155°
- ISO: 100-25600
- Video Resolution: 1080p/100fps H.265
- Video Format: MP4, Max Video Bitrate: 130Mbps
- Color Mode: Normal Mode/D-Log M
- Stabilization: RockSteady 3.0+ ; Stabilization function off (When RockSteady is enabled, the shooting angle only supports standard.)
- Live View Quality: 1080P@100fps
- Operating Frequency: 5.170-5.250 GHz & 5.725-5.850 GHz
- Transmitter Power (EIRP): 5.1GHz＜23dBm(CE)/5.8GHz＜33dBm(FCC)/＜14dBm(CE)/＜30dBm(SRRC))
- Max Video Transmission Range: With DJI Goggles 3/DJI Goggles N3: 15 km (FCC), 8 km (CE), 8 km (SRRC)
- Communication Bandwidth: Max 60 MHz
- Antenna: Dual antennas
- Built-in Storage: 4GB
- Supported SD cards: microSD (up to 512GB)
- Operating Temperature: -10° to 40° C
- Weight: Air Unit (camera module included): Approx. 32 g
- Dimensions: Transmission Module: 33.5×33.5×13 mm (L×W×H)
Compatibility:
- DJI Goggles 3 / DJI Goggles N3+ DJI FPV Remote Controller 3
- DJI Goggles 2 / DJI Goggles Integra+ DJI FPV remote control 2
- (Or another Radio to match the RX in the Drone)
- The flight control firmware needs to be configured to support the SBUS protocol so that the DJI FPV remote controller can be used.
Package Includes:
- 1 x Evoque F6 6S O4 HD BNF
- 2 x Antennas
- 1 x Battery pad
- 2 x propeller(Pairs)
- 1 x Battery strap
Important
All iFlight BNFs are tested before shipment to guarantee the highest quality.
If you still encounter a problem after receiving your shipment, please immediately contact our iFlight customer support at www.iflightrc.freshdesk.com.
Note
1. iFlight products may be used for civilian purposes only and any direct or indirect use of iFlight products for or in connection with the following is prohibited:
(1) Any military combat purpose or military combat related use;
(2) Terrorist activities: The purchaser also shall require its customers or end users to comply with the foregoing requirements.
2. iFlight Partners must strictly adhere to applicable export control and sanction laws as well as any written compliance requirements regarding these controls issued by iFlight from time to time.
If Party A has violated applicable export control or economic sanctions laws and regulations, Party B has the right to immediately suspend delivery of products to Party A or terminate relevant cooperation without any liability.
For more specific content, please check: https://shop.iflight.com/Export-Policy-info
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- Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
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4.9 ★★★★★
Based on 13 reviews
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Product Reviews
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section.
When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes:
"another woman" "in uniform" "from above ground"
"entered" "the train" "She was fireproof" "she wore gloves, & she"
"took" "the baby" "took the baby" "away from the"
"mother" "Extracted" "the burning baby" "From the fire" "they
made together" "But the baby" "still burned"
("But not yours" "It didn't happen" "to you")
"We don't know yet" "if it will" "stop burning,"
"said the uniformed" "woman" "The burning woman" "was crying"
"she made a form" "in her mind" "an imaginary" "form" "to
settle" "in her arms where" "the baby" "had been" "We saw
her fiery arms" "cradle the air" "She cradled air" ("They take your
children" "away" "if you"re on fire")
"In the air that" "she cradled" "it seemed to us there" "floated"
"a flower-like" "a red flower" "its petals" "curling flames"
"She cradled" "seemed to cradle" "the burning flower of" "herself gone"
"her life" ("She saw" "whatever she saw, but what we saw" "was that flower")
After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns.
The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book.
The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole.
If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems.
The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses.
I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book.
I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down.
I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long.
Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015
★★★★★ 4
Good, Fun, Important Topics
Format: Paperback
Good, solid, read for ages 12+. Somewhat unrealistic and yet believable story of two strong young female characters traveling west disguised as boys. Couldn't stop reading it until I was finished with the book, and now my granddaughter is doing the same. This book has many relevant themes about race, gender, class, religion, and other stereotypes and is an excellent choice for a classroom or family read aloud. Get it.
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Reviewed in the United States on February 26, 2017