SKU: 31097620960

PRINCE / SIGN 'O' THE TIMES - THE LAST REHEARSALS [3CD]

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PRINCE / SIGN 'O' THE TIMES - THE LAST REHEARSALS [3CD]=PURPLE GOLD ARCHIVES COLLECTION= PRINCE SIGN 'O' THE TIMES THE LAST REHEARSALS PAISLEY PARK "THE NEW YEAR'S EVE CONCERT" DECEMBER REHEARSAL 1987 : NEW REMASTERS COLLECTOR'S EDITION [3CD] PURPLE GOLD ARCHIVES COLLECTION PGA078CD1 2 3 Prince's final rehearsal from the Sign of the Times period in 1987 is now available from PGA! This is a soundboard recording of the rehearsal for the New Year's Eve Concert held at Paisley Park on December 31, 1987. The

=PURPLE GOLD ARCHIVES COLLECTION=
PRINCE
/ SIGN 'O' THE TIMES
- THE LAST REHEARSALS
PAISLEY PARK "THE NEW YEAR'S EVE CONCERT" DECEMBER REHEARSAL 1987
: NEW REMASTERS COLLECTOR'S EDITION
[3CD] PURPLE GOLD ARCHIVES COLLECTION PGA078CD1/2/3

Prince's “final” rehearsal from the “Sign of the Times” period in 1987 is now available from PGA! This is a soundboard recording of the rehearsal for the “New Year's Eve Concert” held at Paisley Park on December 31, 1987. The rehearsal was held just before the legendary special concert with Miles Davis, which was released on DVD, and is not to be missed. The rehearsal was just like the actual concert. “STARFISH AND COFFEE,” which was not performed at the actual concert, and “IT'S GONNA BE A BEAUTIFUL NIGHT,” which was performed with Miles Davis, were performed twice. This is a must-hear recording that captures the careful rehearsals leading up to the concert. Also included is a rehearsal that took place in December of the same year. The band played “HOT THING” as a base for Jesse Johnson's “SHE (I CAN'T RESIST) / CRAZAY,” Sly & The Family Stone's “M'LADY / IN TIME,” James Brown's “GET IT UP OR TURN IT A LOOSE,” and even “March of the Saints” on “HOT THING. The album includes a huge jam session featuring “M'LADY / IN TIME” by James Brown Also of note are rehearsals of “STRANGE RELATIONSHIP,” “SHOCKADELICA,” and “SUPERFUNKYCALIFRAGISEXY,” which were jam sessions with unusual twists and turns not seen in live performances. All of them are highly recommended and compiled in this latest collector's edition as the last recordings of '87!

CD 1

PAISEY PARK REHEARSAL FOR THE NEW YEAR'S EVE CONCERT
1. SIGN 'O' THE TIMES
2. PLAY IN THE SUNSHINE
3. HOUSEQUAKE
4. THE BALLAD OF DOROSHY PARKER (inc. FOUR)
5. SLOW LOVE
6. STARFISH AND COFFEE
7. HOT THING
8. NOW'S THE TIME
9. SHEILA E. DRUM SOLO
10. IF I WAS YOUR GIRLFRIEND
11. IT'S GONNA BE A BEAUTIFUL NIGHT (1)
12. U GOT THE LOOK
13. STRANGE RELATIONSHIP
14. I COULD NEVER TAKE THE PLACE OF YOUR MAN

CD 2
1. FOREVER IN MY LIFE
2. KISS
3. THE CROSS
4. IT'S GONNA BE A BEAUTIFUL NIGHT (2)
Rehearsal at Paisley Park Studios, Chanhassen, MN, USA december 1987

DECEMBER - REHEARSALS
5. HOT THING (1) (inc. SHE (I CAN'T RESIST) / CRAZAY)
6. HOT THING (2) (inc. M'LADY / IN TIME)
7. HOT THING (3) (inc. GET IT UP OR TURN IT A LOOSE)

CD 3
1. HOT THING (4) (inc. WHEN THE SAINTS GO MARCHIN' IN)
2. STRANGE RELATIONSHIP
3. SHOCKADELICA
4. SUPERFUNKYCALIFRAGISEXY
(inc. 3NIGS WATCHIN' A KUNG FU MOVIE / ATOMIC DOG)
Rehearsals (Unknown Details), Minneapolis, MN, USA december 1987

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SKU: 31097620960

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compact surrounds that blend well with the right setup
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I picked up the Klipsch R‑40M as part of a full 5.1 system built around the R‑50M fronts and the R‑50C center. My original plan was to use another pair of R‑50M speakers in the back, but they simply didn’t fit in the rear cabinet space I have. The R‑40M ended up being the only model that fit comfortably, so they became my surround channels. In terms of build quality, they feel solid and consistent with the rest of the Reference Next‑Gen line. The copper woofers and updated horn design give them the same visual identity as the larger models, which helps the whole system look cohesive. They’re compact enough to place in tighter spaces without compromising too much on performance. Sonically, the R‑40M does a respectable job as a surround speaker. Effects are clear, directional cues are easy to follow, and they integrate smoothly with the more powerful R‑50M fronts. That said, they are noticeably less powerful than the R‑50M, so you need to spend a little time balancing your levels. Once I bumped their channel trim a bit and adjusted the distance settings, the rear soundstage locked in nicely and felt much more even. They won’t deliver the same fullness or dynamic punch as the larger models, but for rear channels that’s usually not a deal breaker. What matters is clarity and consistency, and the R‑40M handles both well. Movies with active surround mixes feel immersive, and ambient effects wrap around the room without calling attention to the speakers themselves. If you’re building a system where space is limited in the back, the R‑40M is a practical and capable choice. Just be prepared to fine tune your calibration so they match the output of the bigger speakers up front. Once dialed in, they round out a 5.1 setup very effectively.
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Great Bang for the Buck!
Size: 5.25” Woofer
These R50 Studio Monitors are worth every penny. One could easily spend a heck of a lot more to get less. Have been a pro audio engineer my entire life. These monitors kick out clean, solid bass and accurate highs. Klipsch did a excellent job designing these monitors. Perfect for smail spaces where fidelity is critical. If you wall mount these, make sure you leave at least a 1.5 inch air gap between the back of the monitor and the wall. These units are sweet.
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Worth the price
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I had in ceiling front speakers and went with these instead. The front ceilings are now height speakers. Sounds great now.
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