SKU: 3144766269

Vanity Art 36 in. W x 21 in. D x 32.5 in. H 2-Doors Bath Vanity Cabinet without Top in Gray

$154.59 $171.77
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Description

Vanity Art 36 in. W x 21 in. D x 32.5 in. H 2-Doors Bath Vanity Cabinet without Top in GrayGray 2 Door Bath Vanity Cabinet Transform your bathroom with the Vanity Art 36" Gray Bath Vanity Cabinet. Crafted from high quality plywood and birch, this cabinet combines durability with elegant shaker style design, providing ample storage for all your bathroom essentials. Key Features: Premium Material: Made from high quality birch and plywood for lasting durability. Elegant Design: Shaker style doors add sophistication to your bathroom decor. Soft

Gray 2-Door Bath Vanity Cabinet

Transform your bathroom with the Vanity Art 36" Gray Bath Vanity Cabinet. Crafted from high-quality plywood and birch, this cabinet combines durability with elegant shaker-style design, providing ample storage for all your bathroom essentials.

Key Features:

  • Premium Material: Made from high-quality birch and plywood for lasting durability.
  • Elegant Design: Shaker-style doors add sophistication to your bathroom decor.
  • Soft-Closing Doors: Ensures smooth operation for a hassle-free experience.
  • Ample Storage: Two doors open to spacious storage for bathroom essentials.
  • Versatile Use: Ideal for bathrooms, kitchens, or even farmhouses.

Please check the Product Data Sheet Here

Specifications Table:

Specification Details
Assembled Unassembled
Cabinet Color Gray
Cabinet Color Family Gray
Cabinet Material Plywood
Cabinet Shade Medium
Hardware Finish Family Hardware Not Included
Included Mounting Hardware
Mirror Included Mirror Not Included
Number of Drawers 0
Number of Shelves Included in Cabinet 0
Returnable 90-Day
Vanity Features Soft Close Doors,Stain Resistant
Vanity Type Freestanding
Manufacturer Warranty 1-Year
Product Depth (in.) 21 in
Product Height (in.) 32.50 in
Product Width (in.) 36 in

Frequently Asked Questions (FAQ):

Q: How difficult is the installation process?
A: The vanity cabinet comes with mounting hardware, making installation straightforward for pros and skilled DIY enthusiasts. However, consider hiring a professional for optimal results.

Q: Can this vanity be used in other rooms besides the bathroom?
A: Absolutely! Its versatile design makes it suitable for kitchens, laundry rooms, and even living spaces, adding functionality and style to any room.

Q: How do I maintain the cabinet's finish?
A: Regularly clean with a damp cloth and mild detergent. Avoid using abrasive cleaners to maintain the elegant finish.

Q: Is the soft-close feature reliable?
A: Yes, the soft-close doors are designed for durability and ease of use, providing a seamless open-and-close experience every time.

Q: What is the warranty on this product?
A: The vanity comes with a 1-year manufacturer's warranty to give you peace of mind regarding its quality and craftsmanship.

Elevate Your Bath Space to New Heights

The Vanity Art Gray Bath Vanity Cabinet is a testament to timeless elegance, transforming any bathroom into a serene sanctuary. Its pearl gray hue complements contemporary palettes, while the shaker-style doors offer a touch of global sophistication. Imagine this piece perfectly nestled beneath an antique mirror, or paired with sleek chrome fittings, creating a cohesive aesthetic that whispers luxury. This cabinet isn't just a fixture; it's a catalyst for creating a home that radiates luxury and comfort.

Upgrade your bathroom elegance with the Vanity Art Gray Bath Vanity Cabinet—click here to explore this must-have piece today!

Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 3144766269

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4.4 ★★★★★
Based on 13 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Louisville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Chelsea, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
San Leandro, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Omaha, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Dallas, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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