SKU: 333016708

Olympus M.Zuiko ED 60mm f2.8 Macro

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Description

Olympus M.Zuiko ED 60mm f2.8 MacroThe M. Zuiko Digital ED 60mm f 2. 8 Macro from Olympus is a 120mm equivalent prime for Micro Four Thirds mirrorless cameras. A Focus Limit Switch can also be used to better facilitate working at close or distant ranges by constraining the focusing mechanism for faster, more precise AF. In regard to the optical design, extra low dispersion and high refractive index glasses are used to control a variety of aberrations and a ZERO coating has been applied

The M.Zuiko Digital ED 60mm f/2.8 Macro from Olympus is a 120mm equivalent prime for Micro Four Thirds mirrorless cameras. A Focus Limit Switch can also be used to better facilitate working at close or distant ranges by constraining the focusing mechanism for faster, more precise AF. In regard to the optical design, extra-low dispersion and high refractive index glasses are used to control a variety of aberrations and a ZERO coating has been applied to suppress flare and ghosting to improve contrast and color accuracy. The lens barrel also has an indicator window with scales for working at 1:1.3, 1:2, and 1:4 magnifications, and a Focus Limit Switch can be used to constrain the usable focusing range for faster, more controlled performance. One E-HR (Extra-High Refractive index) element and two high refractive index elements are also featured in the optical design to control spherical aberrations and distortion for accurate rendering and high sharpness. Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, and fast performance. The internal focusing mechanism maintains the overall lens length while focusing for easier use when photographing close-up subjects.

Olympus M.Zuiko Digital ED 60mm F/2.8 Macro Specs

Focal Length 60mm (35mm Equivalent Focal Length: 120mm)
Maximum Aperture f/2.8
Minimum Aperture f/22
Lens Mount Micro Four Thirds
Format Compatibility Micro Four Thirds
Angle of View 20°
Minimum Focus Distance 7.48" / 19 cm
Maximum Magnification 1x
Macro Reproduction Ratio 1:1
Optical Design 13 Elements in 10 Groups
Diaphragm Blades 7, Rounded
Focus Type Autofocus
Image Stabilization None
Filter Size 46 mm (Front)
Dimensions (ø x L) 2.2 x 3.23" / 55.88 x 82.04 mm
Weight 6.53 oz / 185 g


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    SKU: 333016708

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    Kenny Smith
    Carnegie, US
    ★★★★★ 5
    Good story
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    Awesome to see what happens right after episode 3
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    Reviewed in the United States on November 5, 2025
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    Zack Klesel
    Louisville, US
    ★★★★★ 5
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    Format: Paperback
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    Reviewed in the United States on May 30, 2026
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    KB2187
    Louisville, US
    ★★★★★ 5
    Vader's Second Marvel Series Is Good!
    Format: Paperback
    This is actually the start of a second Vader series. The first one began, along with the new Marvel main Star Wars series, right after the Death Star was destroyed. That Vader series birthed the new characters of Doctor Aphra, Triple Zero, BeeTee, and Cylo. Now, that series has come to an end. THIS NEW SERIES IS GOOD! It picks up the moment that Anakin Skywalker awakes in his armor at the end of Revenge of the Sith. It chronicles the first steps of Darth Vader. We learn something new about the Sith. They do not create their own lightsabers. They must take a saber from a Jedi and make it their own. The Sith blades are red and only red. Why? Palpatine explains that the kyber crystals that power the sabers are living things within the Force. This is backed up by the Rogue One novel (it was either that or Catalyst). The crystals are rock, but they are also alive. In the hands of a Sith, the new owner uses the Dark Side to push all his pain into the crystal--until the crystal bleeds and turns the color of the beam red. I just think that is all sorts of awesome!
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    Reviewed in the United States on May 11, 2018
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    PWDecker
    Grantham, US
    ★★★★★ 5
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    Format: Paperback
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    Reviewed in the United States on December 29, 2017
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    Fred
    Carnegie, US
    ★★★★★ 5
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    Love this Darth perspective. It potentially fills in some gaps in the timeline in the beginning of his transition. Loved the humor and the art.
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    Reviewed in the United States on May 15, 2025

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