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Description
Emerica. WINO G6 SLIP-ON BlackThe ultimate skate slip on G6 foam cushioning, double wrap vulc construction, Desert Grip tread and a locked in fit Emericas Wino G6 Slip On takes the classic slip on aesthetic and makes it skate ready, solving the challenges of skating in a slip on shoe while keeping the laid back vibe. Known for being comfy but sometimes lacking in support and durability, slip ons needed a tech upgrade, and the Wino G6 delivers exactly that. Skate Ready Design:
The ultimate skate slip-on – G6 foam cushioning, double-wrap vulc construction, Desert Grip tread and a locked-in fit
Emerica’s Wino G6 Slip-On takes the classic slip-on aesthetic and makes it skate-ready, solving the challenges of skating in a slip-on shoe while keeping the laid-back vibe. Known for being comfy but sometimes lacking in support and durability, slip-ons needed a tech upgrade, and the Wino G6 delivers exactly that.
Skate-Ready Design: Built for Performance
• G6 Foam Insole: The big win here is the G6 foam footbed, a premium cushioning system that provides serious impact protection, which is rare for a slip-on. Whether you’re hitting gaps or landing big stairs, your feet will feel more protected compared to traditional slip-ons.
• Double-Wrapped Vulcanized Sole: This vulcanized sole construction is built to last. The double-wrapped foxing tape adds extra durability and improves boardfeel, so you get more flick and connection to the board without compromising longevity.
• Flat Triangle Tread: The low-profile triangle tread offers excellent grip, giving you that sensitive connection to the board while maintaining durability. It’s perfect for riders who want an aggressive grip that won’t wear down quickly.
Secure Fit and Support
One of the biggest challenges of slip-ons is keeping your foot in place during tricks, but Emerica’s Fit Heel Anchor system solves that problem. This system, combined with elastic gore bands across the tongue, ensures your foot stays securely locked in place, no matter how aggressive the session. The elastic Tuff Cuff around the collar adds support around the ankle bone, so you’re protected against any awkward landings or board hits while skating.
Durability and Protection
• Suede Upper: The main panels are suede, providing excellent durability where you need it most, like around the toe and ollie areas. This is crucial because slip-ons can wear out quickly from foot dragging, but double-stitched toe bumpers and an internal rubber underlay in the toe area make sure the Wino G6 Slip-On can handle the wear and tear.
• Canvas or Perforations: For breathability and comfort, the shoe uses canvas or perforations in key areas, so you won’t overheat during a long day of skating.
The Best of Both Worlds: Style and Skate Performance
The Wino G6 Slip-On brings the classic slip-on style to the world of skateboarding, offering all the benefits of a high-performance skate shoe. It’s lightweight, flexible, and incredibly comfortable to wear all day, yet it’s built to handle the demands of skating. Whether you’re cruising around town or throwing down on a ledge, you can trust this shoe to hold up without losing its easygoing vibe.
For Skaters Who Want to Keep It Casual, but Need Serious Performance
This shoe truly delivers the best of both worlds: it feels like a chill slip-on, but it’s ready for serious skateboarding. The durable construction, premium footbed, and secure fit all make the Wino G6 Slip-On one of the most versatile skate shoes out there — a great choice for skaters who want a comfy, stylish shoe that’s built to perform. Perfect for a day in the park or just skating around town, it’s an everyday shoe that lives up to its skateboarding roots.
- Color: BLACK/WHITE/GOLD
- Art nr: 6101000111 715
- DOUBLE-STITCHED TPR TOE CAP FOR DURABILITY
- FULL RUBBER CUPSOLE
- EVA FOAM FOOTBED WITH ARCH SUPPORT FOR COMFORT
- SUEDE/SYNTHETIC
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4.4 ★★★★★
Based on 10 reviews
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Product Reviews
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked.
I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001