SKU: 37885813765

Loose Fatigue - Dk Navy Lightweight Cotton

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Description

Loose Fatigue - Dk Navy Lightweight CottonOur Loose Fatigue, now in Dk Navy in a new lightweight cotton. True to our love of good fabrics this cotton develops with wear, with creases and character similar to denim garments. With the same fit and styling as our green and black ripstop Loose Fatigues, Inspired by the US Army issue OG 107 pants. Featuring a grown on waistband that sits lower on the waist. With contoured waist (cut lower in the front than back) for a more relaxed look. Fitting

Our Loose Fatigue, now in Dk Navy in a new lightweight cotton.

True to our love of good fabrics this cotton develops with wear, with creases and character similar to denim garments.

With the same fit and styling as our green and black ripstop Loose Fatigues, Inspired by the US Army issue OG -107 pants. 

Featuring a grown on waistband that sits lower on the waist. With contoured waist (cut lower in the front than back) for a more relaxed look. Fitting loose across the seat and top half, tapering down the leg to the hem.

Supply pockets at front, with oversize patch pockets at back that are deep and roomy enough for most wallet sizes.

A relaxed fit in a lighter weight fabric, which can be worn cuffed high or low.

 FIT ADVICE: Waist is oversized. Wear with belt? - then choose your normal waist size for a relaxed look. Wear without belt? - then choose one size smaller.

IMPORTANT -  SEE KEY MEASUREMENTS BELOW

 Specification;

  • Loose military style fatigue with tapered leg
  • Supply pockets at front
  • Oversize patch pockets with buttoned flaps at back
  • Grown on contoured waistband 
  • Signature black buttons at waist and back pockets
  • Thick sturdy beltloops
  • 7oz Dk Navy Lightweight treated cotton
  • Interior cotton binding at seams for clean and comfortable wear.
  • Zip fly
  • Garment made in England
  • Machine washable

 

KEY MEASUREMENTS


 30 32 34 36

Waist

87cm

91cm

95cm

103cm

Inseam

70cm

70cm

70cm

70cm
Leg opening
36cm
38cm
40cm
42cm

 

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SKU: 37885813765

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4.9 ★★★★★
Based on 12 reviews
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Product Reviews
M
Max
Waukegan, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Houston, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
West Palm Beach, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 1, 2003
H
"hirofantv"
Waukegan, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Lake Worth, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 5, 2001

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