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Description
Visconti Single Cylinder Edged Bronze Door Handleset with Santo InteriorThe Delaney Designer Series Italian Collection was inspired by the simple elegance of Venice and the timeless appearance found in Tuscany. The Visconti entrance handleset with exquisite straight lines and enlarged back plate adds style and value to any home. The edged Oil Rubbed bronze finish complements a wide selection of interior design options. The upper trim is a single cylinder deadbolt which is operated with a key on the outside and a thumb
The Delaney Designer Series Italian Collection was inspired by the simple elegance of Venice and the timeless appearance found in Tuscany. The Visconti entrance handleset with exquisite straight lines and enlarged back plate adds style and value to any home. The edged Oil-Rubbed bronze finish complements a wide selection of interior design options. The upper trim is a single cylinder deadbolt which is operated with a key on the outside and a thumb turn on the inside. The lower trim is a Santo mushroom shape knob for either a left hand or right hand door. Handing is determined by standing on the outside of the door noting on which side the hinges are located – hinges on the right side is a RH door, hinges on the left side is a LH door.- Universal installation feature with adjustable latch and interlocking guides make it easy to install requiring only a screwdriver
- All parts and installation instructions included
- Reinforced spring assembly provides long lasting smooth operation
- Internal protective collar provides added security
- Fits on both wood and metal doors 1 3/8 in. – 1 ¾ in. thick
- Mounting hardware included
- Single cylinder deadbolt with a thumb turn on the inside
- All products with a key on the same order will be keyed alike
Features
| Item Weight | 8 |
| Door Handing | Universal |
| Hardware Finish Family | Bronze |
| Lock Type | Keyed |
| Commercial/Residential | Residential |
| Total Number of Keys Included | 2 |
| Deadbolt Type | Single Cylinder Deadbolt |
| Product Weight (lb.) | 2 |
| Security/ANSI Grade | ANSI Grade 3 (Good) |
| Knob/lever strike | Round corner |
| Handleset Product Type | 2 Piece Front & Back |
| Keying Type | Keyed Alike |
| Application Type | Entry |
| Features | Adjustable Backset,Easy Installation |
| Lock Type2 | Keyed Entry |
| Backset size (in.) | Adjustable |
| Material | Metal |
| Deadbolt strike | Round corner |
| Returnable | 180-Day |
| Knob style | Flat ball |
| Door Locks & Knobs Product Type | Keyed Handlesets |
| Finish | Edged Oil Rubbed Bronze |
| Minimum door thickness (in.) | 1.375 |
| Interior/Exterior | Interior/Exterior |
| Door Lock Style | Rustic |
| Electronic/Mechanical | Mechanical |
| Included | Drilling Template,Hardware,Installation Instructions,Mounting Hardware,Self Guiding Screws |
| Outside top handle plate length (in.) | 3.75 |
| Knob/lever housing width (in.) | 3 |
| Inside top plate width (in.) | 3 |
| Handle grip length (in.) | 12.375 |
| Deadbolt cross bore diameter (in.) | 2.125 |
| Deadbolt bore hole diameter (in.) | 1 |
| Assembled Width (in.) | 3 in |
| Knob/lever strike height (in.) | 2.25 |
| Knob/lever strike width (in.) | 1 |
| Outside key plate width (in.) | 3 |
| Outside top handle plate width (in.) | 3 |
| Assembled Height (in.) | 18.375 in |
| Deadbolt trim ring diameter (in.) | 3 |
| Outside key plate length (in.) | 2.5 |
| Knob Diameter (in.) | 3 |
| Knob/lever housing height (in.) | 2.5625 |
| Deadbolt strike height (in.) | 2.25 |
| Maximum door thickness (in.) | 1.75 |
| Deadbolt strike width (in.) | 1 |
| Inside top plate length (in.) | 3.75 |
| Projection (in.) | 3 |
| Outside bottom handle plate width (in.) | 3 |
| Deadbolt throw length (in.) | 1 |
| Assembled Depth (in.) | 4 in |
| Knob/lever throw length (in.) | .5 |
| Outside bottom handle plate length (in.) | 11.5625 |
| Knob/lever bore hole diameter (in.) | 1 |
| Knob/lever cross bore diameter (in.) | 2.125 |
| Certifications and Listings | No Certifications or Listings |
| Manufacturer Warranty | Limited Lifetime Mechanical Warranty |
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
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4.1 ★★★★★
Based on 16 reviews
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Product Reviews
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked.
I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001