SKU: 56603808472

Fits 1985 Autocar C/DC 1109 Coolant Straight Hose,1.75in. I.D, 36 in. Length

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Description

Fits 1985 Autocar C/DC 1109 Coolant Straight Hose,1.75in. I.D, 36 in. LengthCoolant Straight Hose,1. 75in. I. D, 36 in. Length Goodyear EPDM Coolant Straight Hose SAE J20R1 D3, designed for reliable performance and durability in automotive and industrial applications. Engineered with a two ply bias fabric construction, this hose maximizes flexibility and strength while maintaining exceptional performance in extreme conditions. Engineered with compounds that resist degradation from chemicals, oils, and environmental factors,

Coolant Straight Hose,1.75in. I.D, 36 in. Length

Goodyear EPDM Coolant Straight Hose SAE J20R1 D3, designed for reliable performance and durability in automotive and industrial applications. Engineered with a two-ply bias fabric construction, this hose maximizes flexibility and strength while maintaining exceptional performance in extreme conditions. Engineered with compounds that resist degradation from chemicals, oils, and environmental factors, Goodyear EPDM Coolant Straight Hose SAE J20R1 D3 maintains its performance and longevity in harsh conditions.This hose meets or exceeds SAE J20R1 D3 standards, ensuring compatibility and quality for a wide range of coolant systems. Versatile Applications: This hose is suitable for coolant systems in engines, radiators, heaters, and other cooling system components in automotive, industrial machinery, agricultural equipment, and marine vessels. Upgrade to Goodyear EPDM Coolant Straight Hose SAE J20R1 D3 for superior cooling performance, durability, and reliability in demanding applications.

Features:

  • Two-ply bias fabric construction that offers a combination of flexibility and strength.
  • EPDM Rubber is known for its excellent resistance to temperature extremes, weathering, and chemicals.
  • Temperature range of -40?C to +125?C (-40?F to +257?F)
  • Meets or exceeds the SAE J20R1 D3.
  • Reinforced polyester weave construction for added strength and durability, even under high pressure.

Specs:

Centerline Length 914
Centerline Length 3
Centerline Length 36
Color Black
Construction 2-Ply
Contains Spring No
End 1 Inside Diameter 44
End 1 Inside Diameter 1.75
End 2 Inside Diameter 1.75
End 2 Inside Diameter 44
Grade Type OEM Performance
Hose Shape Straight
Material EPDM
Modular No
Molded No

Application:

Year Make Model Submodel
1985 Autocar C / DC
1988 White/GMC WX
1989- 1991 White/GMC WX
1994- 1995 White/GMC WX
1989- 1991 White/GMC WXLL
1994- 1995 White/GMC WXLL
1995 White/GMC WXR
1988- 1993 White/GMC WCA
1988- 1993 White/GMC WIA
1988- 1989 White/GMC WCL
1988- 1989 White/GMC WCM
1988 White/GMC WCM
1988- 1989 White/GMC WCS
1988- 1989 White/GMC J9C0
1984- 1988 White WX
1987- 1988 White WXLL
1988 White WCA
1988 White WIA
1985- 1988 White WCL
1987- 1988 White WCL
1984- 1988 White WCM
1985- 1988 White WCM
1984- 1988 White WCS
1985- 1987 White WCS
1983- 1987 White WHL
1986 White WHL
1983- 1987 White WHS
1986 White WHS
1985 White WHM
1996 Volvo WX
1979 Chevrolet C60
1985 Chevrolet C60
1980- 1988 Chevrolet C60
1979 Chevrolet C70
1980- 1989 Chevrolet C70
1981- 1983 GMC General
1982- 1988 GMC General
1983- 1988 GMC General
1981- 1982 GMC Astro
1981 GMC Astro
1983- 1988 GMC Astro
1981- 1988 GMC Brigadier
1981 GMC Brigadier
1982- 1983 GMC Brigadier
1979 GMC C6000
1980- 1989 GMC C6000
1979 GMC C7000
1980- 1989 GMC C7000
1980 GMC C7000
1986- 1991 Mack CS200P Mid-Liner
1986- 1991 Mack CS250P Mid-Liner
1980 Mack MS200P Mid-Liner
1984- 1991 Mack MS200P Mid-Liner
1981 Mack MS250P Mid-Liner
1983- 1991 Mack MS250P Mid-Liner
1985- 1989 Mack MH
1985- 1993 Mack RW
1981- 1985 Mack RWL
1983- 1985 Mack RWS
1992- 1993 Mack CL
1997- 1999 Freightliner Century Class
1998 Freightliner Century Class
1982- 1988 Freightliner FLC120
1987- 1988 Freightliner FLC120
1995- 1998 Freightliner FLD112
1998 Freightliner FLD112
1987- 1998 Freightliner FLC112
1995- 1998 Freightliner FLC112
1981- 1988 Freightliner FLT086
1988- 1998 Freightliner FLD120
1988 Freightliner FLD120
1995- 1999 Freightliner FLD120
1989- 1994 Freightliner FLA086
1993 Freightliner FLL086
1994 Freightliner FLB
1997- 1999 Freightliner FLB
1987- 1993 Kenworth T600A
1988- 1993 Kenworth T800
1981 Kenworth W900
1988- 1993 Kenworth W900
1981 Kenworth K100
1981- 1982 Kenworth C500
1988- 1990 Kenworth C500
1989- 1993 Kenworth C500
1988- 1993 Kenworth K100E
1965- 1969 Peterbilt 282
1976- 1980 Peterbilt 282
1978- 1980 Peterbilt 282
1989- 1995 Peterbilt 357
1988- 1995 Peterbilt 378
1988- 1995 Peterbilt 379
1981- 1984 Peterbilt 348
1991- 1992 Peterbilt 320
1984- 1987 Peterbilt 349
1984- 1986 Peterbilt 349
1981 Peterbilt 359
1983- 1986 Peterbilt 359
1981- 1986 Peterbilt 310
1983 Peterbilt 310
1985 Peterbilt 310
1982- 1985 Peterbilt 362
1985- 1988 Peterbilt 362
1992- 1993 Peterbilt 362
1988- 1995 Peterbilt 377
1990- 1993 Peterbilt 372
1984- 1985 Peterbilt 353
1981 Peterbilt 352
1979- 1989 International 2574
1980- 1982 International 2574
1985- 1987 International 2574
1983- 1984 International 2574
1985- 1986 International 2574
1979- 1989 International 2275
1980- 1982 International 2275
1985- 1987 International 2275
1980 International 2275
1983- 1984 International 2275
1985- 1986 International 2275
1980- 1982 International F2275
1983- 1987 International F2275
1985- 1986 International F2275
1988- 1989 International F2275
1979- 1982 International F2574
1984- 1989 International F2574
1980- 1982 International F2574
1983- 1987 International F2574
1985- 1986 International F2574
1980- 1989 International F2674
1980- 1982 International F2674
1983- 1987 International F2674
1985- 1986 International F2674
1981- 1988 International CO9670
1982- 1986 International CO9670
1988 International CO9670
1981- 1988 International COF9670
1982- 1988 International COF9670
1988 International COF9670
1985- 1987 International 9370
1985 International 9370
1985- 1987 International F9370
1985 International F9370
1989 International 2675
1985 International COF5870 Paystar
1988- 1989 International F2675
1990- 1994 International 8300
1988 International 9300
1990- 1993 International 8100
1990- 1994 International 8200
1985- 1987 International 5070
1981- 1984 International F5070
1984- 1988 International F5070
1984- 1987 International F5070
1984- 1987 International F5070-SF
1984 International F5070-SF
1986 International F5070-SF/WW
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SKU: 56603808472

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4.4 ★★★★★
Based on 19 reviews
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Product Reviews
D
Verified Purchase
Divan
Waukegan, US
★★★★★ 5
This book is a 'Fraud'... perhaps not
Format: Paperback
This is my first Review ever on Amazon and I am doing this for the love of Hafiz. I am originally of Persian origin and a life long lover of Hafiz... Have visited his tomb and the beautiful city of Shiraz. For people who are looking for a perfect translation, let me tell you that this is not it, not even close. To translate Hafiz, is to try and reproduce Shakespeare in another language and have it somehow come out with the same texture for the modern age (perhaps impossible). So reading Hafiz in Farsi requires years and years of cultural, intellectual and spiritual studies. To me he was an enlightened artist that had walked the esoteric Sufi path to full and authentic comprehension/liberation, in the process one can sense his love for existence and connection to the source (his own being). It feels like he had reached a place where like any great artist he had the necessary tools developed physically/mentally/intellectually to be able to translate his mystical experiences fluently and effortlessly into an external art form (in his case lyric poetry and who knows what else). I am explaining my understanding of him/her to make a point here. Mr. Ladinsky has somehow connected to the essence of Hafiz. In order to comprehend Hafiz in another language (and a whole different time/setting), one has to somehow try the impossible and reproduce the texture by trying to remove vague cultural, intellectual and spiritual references with ideas and thoughts that resonate with people today. Ladinsky has tried and somehow succeeded with giving us a glimpse (just a glimpse) of Hafiz and his loving/playful spirit. In my opinion, this book is mainly an intro to Hafiz, but even an intro is enough to open the door for those that like to venture deeper. In Iran Hafiz (or Hafez) and his main and perhaps only book 'Divan' is read like an Oracle (like the I Ching) - with intention and perhaps a lingering question one opens up to a page to receive his guidance. Well this book, carries the same fire if you're able to get past your ideas of right and wrong and just tune into it. For many Iranians (lots of my own friends), this book brings up a lot of challenges and I can understand that because it's so different from the original, but yet if you are able to realize that his poetry was from over 600 years ago, from a time when the culture was so different and language was a lot more evolved, than maybe you can put into context what this book is actually doing. And yes, language was more evolved, just look at the older writings by poets and writers and it should be obvious (that's a whole other subject). Mr. Ladinsky, has tried his best and this seems like the only book so far that allows one to get a glimpse of Hafiz in the english language, but he also does fall short in many aspects obviously (There probably isn't anyone that could perfectly translate Hafiz, even in Iran people argue about the deeper meanings of most of his writings). Hafiz's words are from another dimension and brought to life in Farsi, so to truly feel Hafiz, one has to study Farsi.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 27, 2022
D
Verified Purchase
David Bankston
Alexandria, US
★★★★★ 5
Music of the Spheres
Format: Paperback
For me, Like many others who have read Dan Ladinsky's unique versions of Hafiz, I find them an ever fresh fountain. These poems hold the essence of experiential spirituality, the possibility of unlimited creativity, the ocean of love, the sweet agony of longing, and the unbearable joy of ectsasy. It is difficult to remember that these miraculous jewels sprang from a life (Hafiz's)that was not without difficulty. The images here are startling and often hilarious and irreverent. But I think that most important Hafiz expands our ability to imagine and understand God. I grew up as a fundamentalist Christian and it never occurred to me that God could be as tender as this, "When the violin can forgive the past It starts singing. . . . You will become such a drunk laughing nuisance That God will then lean down And start combing you into His hair." Here is Hafiz's breathtaking yet practical image of unconditional love, "Even after all this time The sun never says to the earth "You owe me." Look what happens with a love like that, It lights the whole sky." In GREETING GOD Hafiz exquisitely describes spiritual longing this way, ". . .Tonight there is a jeweled falcon singing In a blessed pain using the tongue of Hafiz." I have given more than a few copies of THE SUBJECT TONIGHT IS LOVE as gifts. Now I'll give the gift of THE GIFT. I am a singer and a songwriter and I hear songs in these poems. Thank you Dan Ladinsky! You are like the "jeweled falcon" singing with "the tongue of Hafiz." Many blessings David Bankston, DMA
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 3, 2000
J
Verified Purchase
Jav M
Birmingham, US
★★★★★ 5
Quick and valuable read
Format: Paperback
I love this book. It’s not a sit down and read it through (unless you want to!). It’s a sit, turn to a random page, and read. Sit with it for a bit and think. It’s great poetry and always is insightful. I often purchase this as gifts for friends and is great to have on a “coffee table” or lamp stand.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 1, 2024
A
Verified Purchase
anonymous name
Birmingham, US
★★★★★ 5
Blessed Ruin: Lessons on the Stages of Love
Format: Paperback
Having already been enchanted by Daniel Ladinsky's previous rendererings of Hafiz in _I Heard God Laughing_ and _The Subject Tonight is Love_, Ladinsky's present effort is worthy of no less acclaim. In fact, his choices this time from the _Divan_(250 poems) bring home with exquisite precision that Hafiz, the Perfect Master is in fact, a Master of Love. The reader gets the clear message in Ladinsky's portrait that Hafiz has intermalized to perfection his teacher's (Mohammad Attar)lessons on the manifold levels of love and its demands: "I saw it was Hafiz who wrote all your notes of sadness, But also etched and gave you Every ecstatic wince of joy your face, body and heart has ever known." (p.38). This is no "New Age" nonsense, which at its worst hails the light and avoids the shadow, Hafiz (though seducing the beginner lover by his promises of sweetness and tenderness, that God could actually "become an infant in your arms"[p,56]) cautions that he "hold's the Lion's Paw whenever I dance."(p.57). Western culture has not received such lessons on divine love since Jesus and Plato, and unfortunately, the fresh images of their teachings on love have all been but lost to humanity, save a small remnant of sketches. Ladinsky's Hafiz both assures and challenges the seeker because any fully-alive being with such capacity for loving as Hafiz dwarfs our puny notions of western romantic love without shaming or condemning it. Only encouraging like a true teacher with compassion would: "You ask for a few words of comfort and guidance. I quickly kneel at your side offering you this whole book . . . Here's a rope, tie it around me, Hafiz will be your companion for life."(p83). Hafiz's language of love utilized the metaphor of his time and culture as Jesus incorporated the images of parable. Ladinsky courageously steps out of line (as surely did Hafiz) and takes the risk to be mundane without being irreverent when describing the labyrinth that is the heart: "There are different wells within your heart. Some fill with each good rain. Others are far too deep for that." (p76) Ladinsky's Hafiz teaches us of a divine being who walks among and talks with and celebrates his creation; yet challenges it to stretch beyond its boundaries of self-interest: " I want both of us to start talking about this great love. As if you , I, and the sun were all married and living in a tiny room, helping each other to cook, do the wash, weave and sew, care for our beautiful animals."(p.180). Ladinsky's fine portrait of this 14th century Perfect Master gives the West the certain bugal cry that God is not dead, but it is we who are dead to God. The success of this book will measure how many of us are indeed alive here, and how many are really interested in the more mature lessons of loving.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 27, 2001
L
Verified Purchase
L. D. Weimer
Omaha, US
★★★★★ 5
One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of lif
Format: Paperback
The book has a lovely, reasonably long, introduction to Hafiz, his time, and fellow poets which helps to create an open and curious mind for the poems that follow. Although I was familiar with several Hafiz poems before, most of this book was new to me. It is a fairly thick book, with the poems spread lightly on the pages. Plenty of white space surrounds and set off the poems so that although there are many, many poems in the book, they are not crowded. Hafiz celebrates god in a way that is rich and exuberant. One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of life. In fact, as a Buddhist, I find it is exactly that sensitivity to life, to joy, to the world around, and to other beings around us that offers the greatest illumination. This poetry is wonderful to read just before sleep, or any time, and is a fine addition to any library.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 4, 2015

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