SKU: 5838039576

Fractal Engineering Fractal 65 Micro Whoop Frame Lite Kit (No Ducts)

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Description

Fractal Engineering Fractal 65 Micro Whoop Frame Lite Kit (No Ducts)Are you a whoop racer looking for the sharpest performance without compromising reliability? Or perhaps a freestyle pilot that wants a robust frame with quick maintenance? Maybe you simply want a stronger alternative to those flimsy nylon frames to keep you longer in the air? If you answer yes to any of those, then the Fractal 65 was designed for you! You can find all related Parts in our Fractal 65 Micro Whoop Frame and Parts Collection Check out all

If you answer yes to any of those, then the Fractal 65 was designed for you!

You can find all related Parts in our Fractal 65 Micro Whoop Frame and Parts Collection

Check out all our Frames and the rest of our Fractal Engineering Products!



— A little backstory —

The lifecycle of this craft started back in 2018 already, right around when brushless 0603 powertrains appeared and started looking like a solid next step in 65mm whoop class

Back then I entered the class with a UR65, and although it flew great compared to any other canopy whoop I’ve tried before, something was still off…

The nylon frame didn’t seem to hold up very well to the added weight and power from the brushless era design.

It needed to improve on 2 main factors; rigidity and weight.

So I went to work and came up with the first revision of the project, based on the CrazybeeF3 board and 0603 spinners.

Basically an UR65 powertrain on a carbon frame with individual ducts and 3D printed parts

And while it was great for my basher use, the weight, at 23g wasn’t quite up to my standard…so the project fell off, waiting for better hardware to support the idea…

For almost 3 years I kept flying the first revision occasionally until Happymodel released the right hardware that would make it all possible this time…

You may think there isn’t much to it, that I’m just pulling it out of my arse, but trust me, there is lots of R&D and testing that went into it; I wouldn’t have released it otherwise.

This frame was designed to the lightest it could, where it could, without compromising strength, where it needed it the most, in true aerospace engineering fashion.

here’s a little snippet of the FEA optimization I performed,
ensuring the stress gets spread out across the whole structure without concentrations

As always, this is a project that I designed for myself first, that I put together in a product to share with any pilot that would like to experience the same level of requirements!

Designed with love, by a pilot, for pilots.

But don’t take my word for it, here’s what Team Pilot Glenn “Bellaciao” has to say about it:

I am using the whoop at Full Send FPV’s races every week. I’ve been finishing higher and higher, even got a podium the other day. It is extremely stable in flight, and working on it has been incredibly easy. I am surprised at how the flight controller has held up – it is more protected than I expected. Redpine is a dream. Putting an 85% throttle cap on it improves the battery vastly. For angle racing, the camera angle was too aggressive. After a buddy glued the camera to about a 30 degree angle greatly improved angle racing performance, at the cost of acro performance. I cannot state enough how much I love the flight performance, stability, and workability of this platform. I already am planning on building a second one to use as my backup racer, and want to use this as my racing whoop frame, period.

— What do you get? —

This frame kit contains everything you need to build your own craft, based off virtually any components.

I do however recommend a 4-1 AIO (FC/ESC/RX/VTX) to keep the part count to a minimum, but there should be enough room to stack a separate VTX or RX on top of the AIO

It has a 25.5×25.5mm mounting pattern for the AIO, and motor fixations for both 3xM1.4×6.6mm and 3xM1.6×5.5

The camera mount is 3D printed and universal – I will upload the STL and Step files so you may print your own spares or season them to taste 🙂

Features: 

  • 65mm diagonal, squished X geometry, for 31mm props
  • 1.5mm Carbon Fiber / Individual Nylon ducts hybrid construction
  • Low-profile camera mount, no props in view, no tilt offset
  • Low Center of Gravity, by bringing the AIO closer to the frame/motors
  • Allows mounting with USB pointing up for easy accelerometer calibration
  • No need for a canopy as all electronics are tucked safely between the ducts
  • Maximum rigidity where it matters most; connecting the motors to the FC
  • Easy maintenance, break one duct, replace only the single duct
  • Lightweight, less than 19.5g with HM DiamondF4

Package Includes: 

  • 1 x Fractal 65 Base Plate
  • 2 x Printed TPU fixations (camera, front and rear battery mounts)
  • 14 x M1.4x5mm steel machine screw for motors
  • 4 x M1.7x5mm self-threading screw for short board grommets
  • 4 x M1.7x7mm self-threading screw for long board grommets


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SKU: 5838039576

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4.5 ★★★★★
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Doug S.
Louisville, US
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 3, 2026
T
Verified Purchase
Tripp Moore
Fort Morgan, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
J
Verified Purchase
Joel Bradford
Chelsea, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Draper, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
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***moviemaker***
Phoenix, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011

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