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Description
20 Gal. Electric Air CompressorPower up pneumatic nailers, impact wrenches, ratchets and more with this powerhouse air compressor from Campbell Hausfeld. Wired for easy hookup to standard household current, this 20 Gal. air compressor delivers enough air power to tackle all nailing jobs and works with most moderate air tool applications. The unit's 20 Gal. horizontal tank rolls smoothly on two large wheels for easy transport, so you can move from site to site smoothly without
Power up pneumatic nailers, impact wrenches, ratchets and more with this powerhouse air compressor from Campbell Hausfeld. Wired for easy hookup to standard household current, this 20 Gal. air compressor delivers enough air power to tackle all nailing jobs and works with most moderate air-tool applications. The unit's 20 Gal. horizontal tank rolls smoothly on two large wheels for easy transport, so you can move from site to site smoothly without picking it up. A twin cylinder, oil-lubricated motor offers 2 horsepower at peak output. A cast-iron, single-stage pump lets this compressor run more quietly than most compressors in its class, so running the thing close to the jobsite doesn't mean you have to wear earplugs. The cast iron design and oil lubrication also provides up to 5,000 hours of overall runtime. The unit operates on 120-Volt household current. And, a fully enclosed belt guard and cooling fan keep the motor from overheating for optimal performance on extended jobs. Made in the US, the purchase is covered by a manufacturer 1-year warranty.- California residents
- Durable and safe ASME code tank
- Powers a variety of air tools for the serious do it yourselfer or contractor
- Unit operates on 120-Volt house-hold current
- 1-Year Limited Warranty
- Large semi-pneumatic wheels and handle make this unit easy to move from one job to the next; the horizontal design makes storage convenient in a garage or under a workbench
- Compressor ideal for paint spraying, inflation, sanding/grinding, stapling/fastening, nailing, and bolting
- Finish your projects faster and easier with Campbell Hausfeld - The Air Power Expert
- <>Need help? CLICK HERE to view our Air Compressor Buying Guide
Features
| Item Weight | 148 |
| Portable | Yes |
| Decibel Rating (Outdoor) | 85 dBA |
| Compressor Type | Framing & Roofing |
| Power Type | Corded Electric |
| Compressor Tank Capacity (Gal.) | 20 Gal. |
| Amperage (amps) | 15 |
| Number of Total Batteries Included | 0 |
| Voltage (volts) | 120 |
| Application Use | Air Brushing,Blow Cleaning,Bolting/Wrenching,Brad Nailing/Stapling,Finish Nailing,Framing Nailing,HVLP Painting,Hobby Nailing,Hobby Painting,Inflation |
| Included | No additional components or accessories are included |
| Condition | New |
| Compressor Volume Rating | Standard |
| Horsepower (hp) | 2 hp |
| Compressor Tank Capacity (Gallons) | 20 |
| Compressor/Air Tool Features | Handle,Tank Pressure Gauge |
| Air Delivery SCFM @ 90PSI | 5.5 |
| Lubrication Type | Oil-Lubricated |
| Returnable | 180-Day |
| Tools Product Type | Air Compressor |
| Tank Style | Wheelbarrow |
| Charger Included | Charger Not Included |
| Reconditioned | No |
| Battery Amp Hours | No Battery |
| Battery/Charger | Tool Only |
| Air Delivery SCFM @ 40PSI | 6.5 |
| Tank Material | Steel |
| Maximum Pressure (psi) | 135 |
| Power Source | Electric |
| Voltage (v) | 120v |
| Product Weight (lb.) | 148 |
| Stage Count | Single Stage |
| Product Depth (in.) | 37 |
| Product Width (in.) | 21 |
| Product Height (in.) | 30.5 |
| Certifications and Listings | CSA Listed,UL Listed |
| Manufacturer Warranty | 1 year limited warranty |
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.4 ★★★★★
Based on 17 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
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