SKU: 72451525812

Chateau d'Orschwihr Gewurztraminer Bollenberg 750ml

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Description

Chateau d'Orschwihr Gewurztraminer Bollenberg 750mlChateau d'Orschwihr Gewurztraminer Bollenberg is a fine and expressive Gewrztraminer wine produced by the Chateau d'Orschwihr winery in the Alsace region of France. This wine is renowned for its aromatic complexity and rich flavors, which are characteristic of the Gewrztraminer grape variety. In the glass, the Chateau d'Orschwihr Gewurztraminer Bollenberg typically showcases a beautiful golden hue, offering a visual preview of its luscious and

Chateau d'Orschwihr Gewurztraminer Bollenberg is a fine and expressive Gewürztraminer wine produced by the Chateau d'Orschwihr winery in the Alsace region of France. This wine is renowned for its aromatic complexity and rich flavors, which are characteristic of the Gewürztraminer grape variety.

In the glass, the Chateau d'Orschwihr Gewurztraminer Bollenberg typically showcases a beautiful golden hue, offering a visual preview of its luscious and aromatic qualities.

The aroma of this Gewürztraminer is captivating and intense, featuring a bouquet of exotic and floral notes. You can expect to find fragrant aromas of rose petals, lychee, jasmine, and ripe tropical fruits like mango and pineapple. These enticing scents make it an aromatic delight for the senses.

Upon your first taste, the wine unfolds with a rich and full-bodied character. The flavors are lush, with an emphasis on exotic fruits, lychee, and spice. There's a natural sweetness to the wine, balanced by a zesty acidity that provides structure and freshness. This balance of sweetness and acidity is a hallmark of quality Gewürztraminer wines from Alsace.

The finish is long-lasting and aromatic, leaving you with a lingering impression of the wine's complex and aromatic profile.

Chateau d'Orschwihr Gewurztraminer Bollenberg is a versatile wine when it comes to food pairings. Its aromatic intensity and slight sweetness make it an excellent companion for spicy cuisine, such as Thai or Indian dishes. It also pairs wonderfully with foie gras, cheeses, and desserts featuring fruits or spices.

This Gewürztraminer is a testament to the craftsmanship of Chateau d'Orschwihr and the unique terroir of the Alsace region. It offers a memorable and aromatic wine experience that's perfect for those who appreciate the expressive and exotic qualities of Gewürztraminer grapes.

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SKU: 72451525812

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4.2 ★★★★★
Based on 14 reviews
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Product Reviews
M
Max
Chelsea, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Boise, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Lowell, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Omaha, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Lake Worth, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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