SKU: 80511285527

Stormy Coast IV by Mercana Studio a Hand Embellished Framed Art Print Matted under Glass

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Description

Stormy Coast IV by Mercana Studio a Hand Embellished Framed Art Print Matted under GlassOverview "Stormy Coast IV" by Mercana Studio is a mesmerizing depiction of a powerful ocean wave captured in motion. This artwork, rendered with dynamic brushstrokes of cool blues and frothy whites, evokes the raw energy and serene beauty of the sea. Expertly framed and matted under glass, each piece is hand embellished for an added layer of texture and depth, transforming any space with its timeless elegance. Features Art Name and Artist: Stormy

Overview

"Stormy Coast IV" by Mercana Studio is a mesmerizing depiction of a powerful ocean wave captured in motion. This artwork, rendered with dynamic brushstrokes of cool blues and frothy whites, evokes the raw energy and serene beauty of the sea. Expertly framed and matted under glass, each piece is hand-embellished for an added layer of texture and depth, transforming any space with its timeless elegance.

Features

  • Art Name and Artist: Stormy Coast IV by Mercana Studio 
  • Inspiration: Inspired by the powerful and dynamic movement of ocean waves, capturing nature's energy in motion. 
  • Production Artist Medium and Technique: Hand-embellished textured framed art print, matted under glass. 
  • Color Hues and Shades: Features swirling shades of cool blues and greens with dynamic strokes of white, creating an energetic and tranquil oceanic feel. 
  • Room Atmosphere: Captivating and dynamic, ideal for energizing coastal-themed living rooms or serene study spaces needing a splash of oceanic elegance. 
  • Orientation and Dimensions: Measuring 31.5L x 1.6W x 31.5H, this square artwork is designed to hang in landscape orientation using the included wall-mounting hardware. 

Specifications

  • Holiday / Occasion: No Holiday
  • Season: No Season
  • Product Type: Painting
  • Set Type: Does Not Apply
  • Art Print Type: Acrylic Painting Print
  • Art Framed Structure: Closed Corner Frame
  • Art Wood Type: Does not Apply
  • Total Number of Pieces Included: 1
  • Orientation: Landscape
  • Art Scale: Medium
  • Subject: Landscape & Nature, Nautical & Beach
  • Nature Scenes: Beach & Ocean, Mountains, storm
  • Shape: Square
  • Wall Mounting Hardware: Yes
  • Number of Hooks: 2
  • LED/Illuminated: No
  • Open Format Type: Mounted with Backing
  • Art Technique: Acrylic Painting
  • Multi Piece Art: No
  • Art Production Method: Hand Detailed / Embellished
  • Title: Stormy Coast IV
  • Production Run: Open Edition
  • Made to Order: Yes
  • Main Color: Beige, Gray, White
  • Main Material: Paper
  • Mat Included: Yes
  • Mat Color: White
  • Framed: Yes
  • Frame Color: Brown, Gray
  • Frame Construction: Closed Corner Frame
  • Frame Material: Plastic
  • Embellishments/Special Finishes: Yes
  • Embellishment Effect: Textured
  • Embellishment Type: Hand Embellished
  • Technique: Image Texture Gel
  • Frame Type: Picture Frame
  • Mercana Style - Influences: Nautical, Modern & Contemporary

Dimensions

  • Product Size (inches): 31.5L x 1.6W x 31.5H
  • Weight: 11.40 lbs
  • Box Size (inches): 37.0L x 5.0W x 37.0H
  • Box Weight: 16.40 lbs
  • CBM: 0.0263

Additional Resources

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SKU: 80511285527

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4.7 ★★★★★
Based on 27 reviews
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Product Reviews
M
Max
Birmingham, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Pawtucket, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
Charlottesville, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 1, 2003
H
"hirofantv"
New York, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Birmingham, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 5, 2001

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