SKU: 8622632436

Clip On Lash Cluster Trays

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Description

Clip On Lash Cluster TraysThese salon size eyelash trays are designed for lash technicians who want to provide their clients with a wide range of options. The clip on lash treatment is the most popular lash treatment in our salon, and now you can offer it to your clients. With over 10 styles to choose from, you can provide a variety of options to your clients, increasing their satisfaction and loyalty. The clip on lash treatment is a popular option for those who want to

 

 These salon size eyelash trays are designed for lash technicians who want to provide their clients with a wide range of options. The clip-on lash treatment is the most popular lash treatment in our salon, and now you can offer it to your clients. With over 10 styles to choose from, you can provide a variety of options to your clients, increasing their satisfaction and loyalty.


The clip-on lash treatment is a popular option for those who want to enhance their natural lashes. It is a quick and easy way to add length and volume to your lashes without the need for glue or extensions. This is especially beneficial for those who have sensitive eyes or who are allergic to traditional eyelash extensions.

The clip on lash treatment is a quick and easy way to enhance the appearance of your clients lashes. With just ten minutes to apply, you can have beautiful, fuller lashes that will last for five to seven days. This is a great option for those who don't want to spend hours in a salon or for those who only need a temporary lash enhancement.

One of the benefits of the clip on lash treatment is you won't have to worry about any damage to your natural lashes.

Another advantage of the clip on lash treatment is that it is a more convenient option for clients. You can top up lashes at home, which means that you don't have to spend time and money on a trip to the salon. Plus, you can do it whenever you want, which is great for those who are always on the go.

For lash technicians, the clip on lash treatment is a great way to make a profit. Taking around ten minutes to complete the treatment, giving you time in your diary to fit more clients in!  Plus, since it is good profit it means that you can make a decent living doing this.


Overall, these Large (12 rows) salon size eyelash trays are a great addition to any lash technician's toolkit. With over 10 styles to choose from, you can provide your clients with a variety of options to enhance their natural lashes. Whether you are a seasoned lash technician or just starting out, these trays are a must-have for anyone who wants to provide their clients with a comfortable and secure fit.

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SKU: 8622632436

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4.2 ★★★★★
Based on 8 reviews
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D
Verified Purchase
David R. Papke
San Leandro, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Alexandria, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Phoenix, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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Verified Purchase
J. Christian
Houston, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Lexington, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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