SKU: 8707170713

"Gentlemen's Apparel c1923 Watercolour Vignette" by Herbert 'Fell' Sharp (1880-1972)

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"Gentlemen's Apparel c1923 Watercolour Vignette" by Herbert 'Fell' Sharp (1880-1972)Stylish & dapper watercolour 'decoupage' vignette by 'Fell' 1923 Featuring seven English gents sporting various styles of bespoke apparel Image Sz: 17"H x 12 3 4"W Frame Sz: 23 1 4"H x 18 3 4"W (4 14 1880 11 1972) Herbert Fell Sharp was a British comic artist illustrator born in London, United Kingdom in the district of Islington, son of Charles Sharp and Catherine ne Fell. He immigrated to United States by 1910 married Ruth Sheriff in 1916 in

Stylish & dapper watercolour 'decoupage' vignette by 'Fell' 1923

Featuring seven English gents sporting various styles of bespoke apparel

Image Sz: 17"H x 12 3/4"W

Frame Sz: 23 1/4"H x 18 3/4"W

(4/14/1880- 11/1972)
Herbert Fell Sharp was a British comic artist/illustrator born in London, United Kingdom in the district of Islington, son of Charles Sharp and Catherine née Fell. He immigrated to United States by 1910 married Ruth Sheriff in 1916 in Westchester, New York.

He lived at 31 Poplar Street, Brooklyn and served as a former president to the New Rochelle Art Association in Westchester County, New York, an organization that included J.C. Leyendecker as a prominent member during the 1950's. Sources suggest that Fell Sharp began his career as a comic artist, composing illustrations for the Amalgamated Press comics circa 1900 and "The Jester and Wonder" in 1905.

Mr. Sharp possesses an artistic technique that is easy to identify and yet unique. The people featured in his artwork show details of pointed noises. Sharp's career, like his contemporaries, explored a diversity of avenues in which to market his craft. For example, he sketched artwork that consisted of war themes. As you will see, his art signatures feature his middle name on most prints, but sometimes may include middle and last names together coupled with the year of its completion.

There are some websites that happen to confuse Sharp's work with Laurence Fellows, mainly because of the words Fell contained in the signature. This is a careless mistake, because there are definite stylistic differences between the two. Furthermore, there are significant differences in the art signature. Laurence Fellows pens his art signature with L. Fellows or L.F., moreover, the accents placed on the pen strokes are another indicator as well. Artistically, Fellows' art is more animate, whereas Fell's possesses a comic or caricatured aura.

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SKU: 8707170713

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Lyndsay Bamberger
Massapequa, US
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Wonderful!
Format: Paperback
Great read
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Reviewed in the United States on September 20, 2025
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David Galindo
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BookReader
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Victoria Tran’s Mastering Community Management is the book I wish I had when I was managing massive startup communities as an introvert. It validates the emotional labor behind the role and reframes community management as care, not chaos. Tran’s strategies are practical, but what makes the book powerful is her empathy. She shows that introverts’ strengths from listening deeply, noticing subtle shifts, valuing one‑on‑one connection, are essential to building healthy communities. Her emphasis on kindness and intentionality reminded me that the late nights, careful responses, and invisible scaffolding of trust truly matter. This book is both a guide and a comfort. It proves that introverts can thrive in community management, and it honors the humanity behind the work.
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Reviewed in the United States on November 16, 2025
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Danielle Baum
San Leandro, US
★★★★★ 5
Favorite graphic novel of all time
Format: Paperback
Daisy Kutter used to be train robber. And she used to be partners (and perhaps more) with Tom. But those days are past as Tom is now the Sherif and Daisy is owner of local general store...and bored out of her mind. She can't acclimate herself to "normal" life like Tom can and one night trying to relive her boredom she loses the store in a poker game. Mr. Winters, who she lost the store to, has a proposition though: try to rob his train and test his new security robots. And he's willing to pay. But it appears that not everything is on the up and up. And Daisy and Tom are fighting to survive. Set in a steampunk version of the old west, where robots and humans live together, Kibuishi creates a masterful story that has a great deal of humor. You know that classic stoic character in the old west movies? That's Daisy. But instead of being played by some curmudgeonly old man, it's played by a young woman with a bit of humor to her, which is a nice change of pace. The relationship between Tom and Daisy is set up beautifully and it's easy to relate to them and understand where both of them are coming from. The artwork has some of the elegance and detail that can be found in Kibuishi's current series, , but in a bit simpler style. It's a completely black & white, but Kibuishi uses the gray tones effectively to create a lot of depth and energy to the characters. And with just a few simple lines Kibuishi gives us memorable characters that keep us coming back for more. I especially love the close ups of the characters eyes, particularly Daisy's. When those happen we get a real sense of who the character is and the emotion that they're feeling at the time. Like the title says, this is my favorite graphic novel of all time. It was the first one I ever picked up so yeah it hold some sentimental value, but the combination of a great story and great artwork make this a must read for anyone. My one complaint...no sequel (although there is a short story in Flight volume 6)!
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Reviewed in the United States on September 19, 2011
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Eric B.
Omaha, US
★★★★★ 5
Great!
Absolutely charming. Good story and great artwork!
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Reviewed in the United States on April 29, 2025

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