SKU: 88012232412

gli invisibili sol ensemble boischio meira de aguiar gradella

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Description

gli invisibili sol ensemble boischio meira de aguiar gradellaTHE INVISIBLES (CVLD291) Composer: Adriano Lincetto (Music); Giorgio Erminio Fantelli (Lyrics) Performers: Sol Ensemble; Alberto Boischio; Tatiana Meira de Aguiar; Alvaro Gradella Available in: HD File, CD Tracks 01 09: 9 Vilote Pavane, for female choir (10'14") Music: Adriano Lincetto Words: Giorgio Erminio Fantelli Performers: SolEnsemble, voices 10 14: 5 Musical Moments, for solo piano (9'40") Composer: Adriano Lincetto Performer: Alberto Boischio,

THE INVISIBLES (CVLD291)

ComposerAdriano Lincetto (Music); Giorgio Erminio Fantelli (Lyrics)
PerformersSol Ensemble; Alberto Boischio; Tatiana Meira de Aguiar; Alvaro Gradella

Available in: HD File, CD

Tracks

    01 - 09:
    9 Vilote Pavane, for female choir (10'14")

    • Music: Adriano Lincetto
    • Words: Giorgio Erminio Fantelli
    • Performers: SolEnsemble, voices

    10 - 14:
    5 Musical Moments, for solo piano (9'40")

    • Composer: Adriano Lincetto
    • Performer: Alberto Boischio, grand piano

    15 - 38:
    24 Melodies, for vocalizing voice and piano (29'31")

    • Composer: Adriano Lincetto
    • Performers: Tatiana Meira de Aguiar, soprano; Alberto Boischio, piano

    39:
    El Testamiento, for reciting voice (4'13")

    • Poem in rhymes by: Giorgio Erminio Fantelli
    • Performer: Alvaro Gradella, voice


    Production

    • Recordings, mixing and mastering: Marco Lincetto, using advanced digital and analog technologies with custom Ribera Tube R12 and R47 microphones.
    • Production: Velut Luna
    • Executive Producer: Marco Lincetto
    • Editing of "9 Vilote Pavane": Michele Sartor
    • Photos: Marco Lincetto (except for SolEnsemble, provided by the group itself)
    • Layout and graphics: L'Image
    • Cover painting: Danilo Lincetto

    Notes

    Certain music, certain albums, are special. They have a special value. Objective.
    And it is NECESSARY that they are valued for their ARTISTIC VALUE, for their content, and not for the piece of plastic worth a few cents that serves to support the musical content.

    So, I am tired of having to submit to the perverse logic of the race to the bottom, to savage discounts, to having to translate art into "market logic".

    I therefore start with this album, of TRULY ABSOLUTE value despite the usual indifference with which it was received when it was released a couple of years ago, a little more.
    From now on, this album will be on sale, on our website and at the next Milano High Fidelity for 50.00 euros, with an original autograph from myself, who am the sound author and the composer's heir.

    Lucky are the few who have bought it so far at a ridiculous price.

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    Exchange/Return Notes
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    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
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    SKU: 88012232412

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    4.8 ★★★★★
    Based on 17 reviews
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    aariann ibatuan
    Dallas, US
    ★★★★★ 5
    Beautiful Book
    Format: Hardcover
    I love this book and it’s so pretty!
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on December 13, 2023
    M
    Verified Purchase
    Miscellaneous Notes
    Lowell, US
    ★★★★★ 5
    Beautiful Book!
    Format: Hardcover
    A beautiful edition of one of my childhood favorites!
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on September 22, 2023
    S
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    Shava Nerad
    Pawtucket, US
    ★★★★★ 5
    You can get this online free, but I bought it. Let Fanon turn your brain inside out.
    I actually like the idea of supporting a press that is publishing Fanon. When I was growing up with my dad working with the SCLC and Dr. Martin Luther King, Jr., as part of the night security crew for the summer marches, I was probably more aware than most Americans -- certainly most Americans outside of the black community -- of how much permeability there was between the nonviolent SCLC, and the Black Panther movement, for which Fanon was a seed influence. Youth in the SNCC organization, the youth group associated with the SCLC, often went back and forth between SNCC and the Panthers as they developed their activist identity and their ideas of how justice might be achieved. The phrase "by any means necessary" used by the Panthers often scared the bejeezus out of the white community. But when I sat down with my father -- who was an adherent of formal nonviolence -- he handed me Fanon to read, and told me that it was a valid investigation as to whether violence should be considered if nonviolent means were not entertained by the state. To my dad, who was a peaceful but fiercely justice-oriented man (for those of you who know the idiom "fire of Amos" he had it), he considered that without the counterpoint of the Panthers, MLK would never have gotten a hearing in Washington DC. Just the idea that there were revolutionaries in American society looking at American "apartheid" and saying, "We are willing to take care of our own if you separate us. We see our situation as that of a post-colonial slavery society and use the model of African liberation as our model. We are willing to be peaceful if we are given justice in peace, but we do not believe that you are acting in good faith and will use whatever means necessary to see you follow your own promises of justice and see justice for our own people if you will not see that done." That was actually a step down from Fanon. That was actually optimism. But all white Americans heard out of any of that was: "...by any means necessary." They didn't think of how they were creating the circumstances that might precipitate violence. That whites had created a system that instituted violence to keep slaves, and later free blacks, contained and preserve power and privilege for the white majority. It is hard for most Americans to even realize that America -- although we became independent from England -- continued as a colonial nation and economy on our own continent and territory. That all the institutions of the repression and destruction of indigenous and imported-slave cultures that happened "over there" in countries that Europeans colonized far from home, we did at home as a break-away colony, and the Europeans who conquered America never relented, compromised, or acknowledged that colonial reality in the way that the Spanish, Dutch, Portuguese, Italian, French, and British Empires did in their colonial domains. So Fanon is someone worth reading, not only for Africans, or for African-Americans, but for any American or anyone else in the world who wants to better ponder white privilege in America and how it became so very different from colonial privilege as that faded in Africa, through the lens of this Algerian revolutionary philosopher, who so influenced our Panthers. I remain committed to nonviolence personally, but I understand intensely how MLK and Malcolm balance each other. And how that can actually lead to better peaceful solutions, in a social justice conflict where the status quo has been preserved by judicial and extrajudicial violence by a superior force. This is still relevant in puppet regimes all over the world. In client states of capitalist powers and of Russia and China. In the conflicts surrounding Israel, and the conflicts throughout the Middle East and Central Asia that are often couched in sectarian terms or sectarian vs secular terms. It is vital to understanding countries like Zimbabwe or South Africa, where the dynamics of early black leadership as colonial-wannabes are creating environments of corruption and scandal, and robbing their own people. Everyone should read Fanon. If you can't afford the book here, you can find it online free. This book, and Black Skin, White Masks, both highly recommended. If you don't like Marxist/Socialist politics, try to suspend disbelief a bit. The philosophy, sociology, and psychology is amazing.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on March 28, 2019
    T
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    TH
    Boise, US
    ★★★★★ 5
    The destruction of racism
    Format: Paperback
    This is a very open and candid view of racism in the early 19th century
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 22, 2026
    B
    Verified Purchase
    Benguet Bill
    Port Orchard, US
    ★★★★★ 5
    good read
    Format: Paperback
    classic work on imperialism
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on January 11, 2026

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