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Description
max reger suite op 16 sechs stucke op 94 trevisan zaccariaMAX REGER: SUITE OP. 16 SECHS STUCKE OP. 94 ( CVLD120 ) Author : MAX REGER Performer : T. TREVISAN, F. ZACCARIA Available in: CD. CD File Traces 01 Organ Suite No. 1 in E Minor, Op. 16: I. Introduction. Grave Arranged for Piano Duet 02 Organ Suite No. 1 in E Minor, Op. 16: II. Fugue. Allegro ma non tanto Arranged for Piano Duet 03 Organ Suite No. 1 in E Minor, Op. 16: III. Adagio assai Pi andante Tempo primo Arranged for Piano Duet 04 Organ Suite No.
MAX REGER: SUITE OP.16 / SECHS STUCKE OP.94 ( CVLD120 )
Author : MAX REGER
Performer : T. TREVISAN, F. ZACCARIA
Available in: CD. CD File
Traces
01 - Organ Suite No. 1 in E Minor, Op. 16: I. Introduction. Grave - Arranged for Piano Duet
02 - Organ Suite No. 1 in E Minor, Op. 16: II. Fugue. Allegro ma non tanto - Arranged for Piano Duet
03 - Organ Suite No. 1 in E Minor, Op. 16: III. Adagio assai - Più andante - Tempo primo - Arranged for Piano Duet
04 - Organ Suite No. 1 in E Minor, Op. 16: IV. Intermezzo. Un poco allegro ma non troppo - Trio. Andantino - Arranged for Piano Duet
05 - Organ Suite No. 1 in E Minor, Op. 16: V. Passacaglia. Andante - Arranged for Piano Duet
06 - Six Pieces for Piano Duet, Op. 94: No. 1, Andante sostenuto
07 - Six Pieces for Piano Duet, Op. 94: No. 2, Andante con moto
08 - Six Pieces for Piano Duet, Op. 94: No. 3, Larghetto
09 - Six Pieces for Piano Duet, Op. 94: No. 4, Vivace
10 - Six Pieces for Piano Duet, Op. 94: No. 5, Andante
11 - Six Pieces for Piano Duet, Op. 94: No. 6, Sostenuto
Notes
Teresa Trevisan, Flavio Zaccaria, piano 4 hands Rec. Zanta, May 2005, 24bit / 96 kHz digital recording
Two rarely heard works by the great late-Romantic German composer. The Suite, Op. 16, is a transcription of an earlier work by the same composer, composed for organ and dedicated to J.S. Bach. The piece echoes motifs so dear to German Romanticism, all directed toward the Transcendent and the creation of music that reflects the perfection of the eternal. The Six Pieces, Op. 94, splendidly demonstrate Reger's extraordinary mastery of the harmonic and contrapuntal resources offered by the minor mode. In short, a profound and intense recording characterized by solemn sonorities further enhanced by the authoritative interpretations of Teresa Trevisan and Flavio Zaccaria and the sumptuous sound of the Steinway & Sons D 274 Concert Grand piano.
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