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Description
Quimper | LARGE Cake Platter | Signed & Numbered | TRADITION PATTERNBeauitful Qiumper cake plate, of course, use it as you wish. Plate hanger included. Approx 11 5 in diameter. Markings for the pottery known variously as the Grande Maison, de la Hubaudire or the HB factory have been posted in the photos. The western most part of the continent of Europe, this is a 1683 map of Brittany. Quimper is located to the left of center, above a small island and noted with its name at that time Quimper Corentin. From OldQuimper.
Beauitful Qiumper cake plate, of course, use it as you wish. Plate hanger included. Approx 11/5 in diameter.
Markings for the pottery known variously as the Grande Maison, de la Hubaudière or the HB factory have been posted in the photos.
The western-most part of the continent of Europe, this is a 1683 map of Brittany. Quimper is located to the left of center, above a small island and noted with its name at that time...Quimper-Corentin.
From OldQuimper.com
Quimper...pronounced "kem-pair"...is a town in northwestern France. It is also a people and a pottery.
To the people of Quimper, the town name is Kemper, which in their language describes a confluence of rivers. ("Quimper" is a somewhat nonsensical rendition as not all the Breton dialects have a "Q" and a true French pronunciation would be different from the actual "kem-pair"). At any rate, "confluence of rivers" is an apt description, as the town is situated at the juncture of two rivers, the Odet and the Steir. Two other rivers, the Jet and the Frout, are close-by, but travel underground through the town limits. Historically, this close proximity to rivers meant an ideal place to establish a pottery factory and thus, Quimper has been a pottery town for centuries. Its "recent" history of continuous pottery production begins in 1708. (Previous accounts put the date as 1690, but history is not written in stone and recent findings have provided further information).
By the last decade of the nineteenth century, three pottery factories were operating in the town of Quimper. One was the Porquier factory, another was known as the Grande Maison or De la Hubaudière factory, and the third, owned by Jules Henriot, was called the Faïencerie d’Art Breton. Tin-glazed earthenware, known in France as faïence, was a popular product, especially pieces that were hand-painted with scenes depicting life in the region of Brittany.
The making of faïence is an art. Especially in the early days, prior to the introduction of more modern methods, when both the technical and artistic skills necessary to make a piece of faïence were quite daunting. Extremely difficult to master its making, I've been known to liken faïence to being the "puff pastry" of pottery production.
The use of an opaque tin glaze is one factor that distinguishes faïence from other types of pottery...pieces made by this process were known as faïence in France, Spain, Germany, and Austria; in the Netherlands, they were called Delft; in England, the term was Delftware; and in Renaissance Italy, such pieces were called maiolica...not to be confused with majolica, that's actually a trade name of the Minton pottery in England for a Victorian-era product made using substantially different glazes and production methods.
The tradition of Quimper faïence production continues today. But much like the comparison of a Model T with a current Ford Motor Company product, today’s Quimper is very different from vintage Quimper. In many fields of collecting there is a line of demarcation; for Quimper pottery that line is World War II. Modern techniques and machinery introduced in the days after World War II resulted in the creation of a different product. Vintage Quimper refers to pieces made prior to that time period; later production falls into the collectible genre.
Quimper...pronounced "kem-pair"...is a town in northwestern France. It is also a people and a pottery.
To the people of Quimper, the town name is Kemper, which in their language describes a confluence of rivers. ("Quimper" is a somewhat nonsensical rendition as not all the Breton dialects have a "Q" and a true French pronunciation would be different from the actual "kem-pair"). At any rate, "confluence of rivers" is an apt description, as the town is situated at the juncture of two rivers, the Odet and the Steir. Two other rivers, the Jet and the Frout, are close-by, but travel underground through the town limits. Historically, this close proximity to rivers meant an ideal place to establish a pottery factory and thus, Quimper has been a pottery town for centuries. Its "recent" history of continuous pottery production begins in 1708. (Previous accounts put the date as 1690, but history is not written in stone and recent findings have provided further information).
By the last decade of the nineteenth century, three pottery factories were operating in the town of Quimper. One was the Porquier factory, another was known as the Grande Maison or De la Hubaudière factory, and the third, owned by Jules Henriot, was called the Faïencerie d’Art Breton. Tin-glazed earthenware, known in France as faïence, was a popular product, especially pieces that were hand-painted with scenes depicting life in the region of Brittany.
The making of faïence is an art. Especially in the early days, prior to the introduction of more modern methods, when both the technical and artistic skills necessary to make a piece of faïence were quite daunting. Extremely difficult to master its making, I've been known to liken faïence to being the "puff pastry" of pottery production.
The use of an opaque tin glaze is one factor that distinguishes faïence from other types of pottery...pieces made by this process were known as faïence in France, Spain, Germany, and Austria; in the Netherlands, they were called Delft; in England, the term was Delftware; and in Renaissance Italy, such pieces were called maiolica...not to be confused with majolica, that's actually a trade name of the Minton pottery in England for a Victorian-era product made using substantially different glazes and production methods.
The tradition of Quimper faïence production continues today. But much like the comparison of a Model T with a current Ford Motor Company product, today’s Quimper is very different from vintage Quimper. In many fields of collecting there is a line of demarcation; for Quimper pottery that line is World War II. Modern techniques and machinery introduced in the days after World War II resulted in the creation of a different product. Vintage Quimper refers to pieces made prior to that time period; later production falls into the collectible genre.
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4.3 ★★★★★
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★★★★★ 5
Skincare and Hair Care Experience with This Cyperus Rotundus Oil
This cyperus rotundus oil has a lightweight texture with good fluidity, it absorbs quickly when applied to the face, leaving no greasy or heavy feeling, even for combination-oily skin, I mainly use it for facial moisturizing and body care, after washing my face, I warm 2-3 drops in my palms and press it into my skin, and it doesn’t cause pilling when applying makeup afterward, leaving my skin soft and smooth, for hair care, after using it consistently for a month, the hair on my underarms and limbs has become finer, and the growth rate has slowed down significantly, so I don’t need to remove hair frequently, my skin also doesn’t get rough from frequent shaving, there’s no stinging or burning sensation during use, making it safe for sensitive skin, and the light aloe scent is fresh and pleasant, the dropper design is convenient, allowing precise dosage control to avoid waste, in addition to face and body, I also use it for scalp care, after washing my hair, I massage a few drops into my scalp, which relieves dryness and makes my hair smoother and shinier, overall, it delivers noticeable results for both skincare and hair care, with a comfortable user experience.
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Reviewed in the United States on April 10, 2026
★★★★★ 5
Absorbs into the skin well and no irritation so far
I bought this Cyperus Rotundus oil to try out, and the 1.85 oz bottle is a good size for me. The oil has a light botanical scent that is pleasant and not too strong. I have applied it a few times and found that it is very easy to use with the included dropper. It absorbs into the skin well and I have noticed no irritation at all, which is important for my daily routine.
The bottle arrived quickly and was packaged securely so there were no leaks. It is a practical addition to my shelf, and the glass container feels solid. This product does exactly what it says on the label and provides a straightforward way to use a natural oil. It is a functional and simple purchase that meets my needs perfectly.
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Reviewed in the United States on April 25, 2026
★★★★★ 5
Smooth skin without the post-shave itch
I’ve always had issues with my skin feeling super irritated after I shave my legs, so I started applying this Cyperus Rotundus oil right after hopping out of the shower. The quality of the blend is impressive—it’s got jojoba and almond oil too, so it feels very nourishing rather than just sitting on top of the skin. It absorbs quickly enough that I can put on my leggings and head to the gym without feeling like a greaseball.
The functionality as a hair inhibitor is a nice bonus. I’ve noticed the hair on my shins seems to be coming back a bit softer and less stubbly than before. For a 55 ml bottle, the value for money is solid since you only need a few drops to cover a large area. It’s a great find for anyone who deals with that annoying sandpaper feeling a day after waxing. My roommate even started using it on her arms because it’s fragrance-free and doesn't mess with her perfume.
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Reviewed in the United States on April 15, 2026
★★★★★ 5
Lightweight oil that fits into a simple routine
I started using this oil as part of my regular skincare routine, mainly applying it to areas like my arms and face after showering. The texture feels light and spreads easily without leaving a heavy residue. I noticed it absorbs fairly quickly, which makes it convenient for daily use. It also has a mild scent that is not overwhelming. I like that it includes plant based ingredients, and it leaves my skin feeling soft after application.
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Reviewed in the United States on April 30, 2026
★★★★★ 5
Good
Item form: Tablet
Good
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Reviewed in the United States on March 14, 2026