SKU: 14815620562

Page County, Virginia 1840 Federal Census by John Vogt

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Page County, Virginia 1840 Federal Census by John VogtJohn Vogt's transcription of the York County, Virginia 1810 Census, from the original images. Indices, figures. The Sixth Census of the United States in 1840 is the first glimpse we have of the population and its distribution, both geographically and demographically for Page County. Although a publication of this census was made nearly two decades ago (1990), it omitted the free colored and slave sections, as well as the occupational and educational

John Vogt's transcription of the York County, Virginia 1810 Census, from the original images.

Indices, figures.

The Sixth Census of the United States in 1840 is the first glimpse we have of the population and its distribution, both geographically and demographically for Page County.

Although a publication of this census was made nearly two decades ago (1990), it omitted the free colored and slave sections, as well as the occupational and educational portions of the census. These can be extremely valuable in discerning the area and social status of a family, as well as giving an insight into the occupations. In addition, this researcher uncovered more than 125 mis-transcriptions of names, as well as five families simply omitted in the earlier publication. Hence this new census transcription.

William M. Keyes, an Assistant to the Marshall of the Western District of Virginia, conducted the census to reflect the households of the county as they existed on June 1, 1840. The census was taken over the summer and early fall of that year, and he had his work certified by a justice of the peace on October 30, 1840. In all, the total population of the county consisted of 6,184 souls, made up from 898 households. A total of 741 slaves were held by 170 families, or about one in five families. Only a relative few held more than ten slaves.

The only town in the county and the county seat, Luray, consisted of 375 persons, including 96 slaves, distributed among forty families. The only other large settlements were located at the foundaries of Blackford and Forrer's, the two primary manufacturing centers. By and large, the remainder of the county was a rural, agricultural area. Mills were scattered throughout the county, as later references show, but none of the were reflected in the census documentation.

One important area overlooked in the census data for 1840 is that of education. The presence of at least ten organized primary or common schools attest to the emphasis placed upon education by most families. Of all the adults over 21 in the county, about 330 listed themselves as unable to read and write. This information is contained at the far right margin of the second folio in each entry. Research in the location of these schools would probably reveal a great deal about the growth of small hamlets and later urban settlements in the county.

While Luray was the only community singled out in the census, smaller hamlets such as Stanley, Marksville, Rileyville, Stony Man, and others were beginning to emerge by this time. And as they grew, the need for basic education facilities became important.

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SKU: 14815620562

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Reviewed in the United States on May 17, 2026
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Reviewed in the United States on May 12, 2026
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Reviewed in the United States on June 6, 2026
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Daniel Myers
Alexandria, US
★★★★★ 5
A Foundling's Felicity
This book or novel or whatever you may deem fit to call it has so many points in its favour that it's difficult to know where to begin. I think a rundown of a few of the myriad of characters that delight me personally might do for starters: Tom Jones - A young fellow with many "imperfections" if so they may be called, but a robust fellow with a "good heart." Prudence and what is commonly called virtue are not his strong suit - But may I remind the reader that virtue comes from the Latin word for "manliness"- Tom is certainly possessed of the word's etymological origins, if not of its modern usage (particularly in amorous matters)--And a good thing too, or we should have no story here to delight us! Squire Western- Another rambunctious character, who, for me, typifies all that is Eighteenth Century England. Every time he appeared in this book, whether it was to comment on wenching, wine, or riding to hounds a smirk would immediately cross my face followed invariably by chuckling by the end of the chapter. Henry Fielding - The author plays as much a part of the book as any of the characters with many prologues and prefaces and etc. For these, and for much of the rest of the book, I might add, the reader who has not had four years of Latin inculcated into him at an English boarding school would do well to buy the Oxford edition, which fully explains all the learned quotes - Also, as one who was thus inculcated but is inclined to laziness, the Oxford edition's notes prove extremely helpful also. Fielding also gives us a lively picture of the literary life of his time, which the Oxford footnotes do a deft job of explaining- In short, buy the Oxford edition. This review can not be comprehensive. There are simply too many characters to even make a go at encompassing them all. I'm merely describing some of the, to me, more delightful ones. The book as a whole is simply a joy to read, in its comic descriptions of all who will deign to admit that they are human, and of some priggish sorts who will not so deign. I can put it no better than Fielding Himself at the beginning of Book XV: "There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that is not true." In short, this is a delightful ramble of a book which, while entertaining the reader not too attached to Sunday School, sheds light on how unvirtuous the virtuous can be, and how kind and good-natured the roguish can be as well as giving us as good a history lesson on the state of affairs in Eighteenth century England (with attention given to the Jacobite Rebellion etc.) as many a "proper" history does. Who, I ask myself, would not delight in this book? ---Well...for the priggish, there's always Jane Austen.
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Reviewed in the United States on January 24, 2007
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Alexander Kobulnicky
Massapequa, US
★★★★★ 4
The Sidekick in Early-Modern Literature.
Tom Jones is probably the most influential novel in English history, pioneering elements like complex characterization, social criticism and authorial interjection. But you already knew that. What you want to know is, is this a good book for us in the 21st century. And here, it's not so clear. The dialogue is pretty brisk, and some of the exchanges (the stereotypical Whig Mrs. Western arguing with her Jacobite brother is a particular treat) are actually funny. The latter part of the novel evolves into a farce, with a dozen characters engaged in scheming against one another, while Tom and Sophia helplessly go along. Farce works better in drama, where it has a faster pace, but it's always a welcome mode of comedy. You don't see enough farces. Some of the characters are evocative (why do I picture Blifil as looking like Ted Cruz?) but some are not: Dowling is just a lawyer, and Mrs. Miller is a good woman, like thousands who have come since, and that's all there is to it. It's not as if every character needs to, or can, be a fully realized person, but the parts of the novel spent with these human plot devices do feel mechanical. But Mr. Partridge, Tom's traveling companion, is in a different category altogether, and he just poisons the parts of the novel that he features in (chiefly the middle third). Eighteenth Century literature has a depressing reliance on goofy loose-lipped sidekicks: Mr. Partridge, Hugh Strap, Humphrey Clinker, Andrew Fairservice, Friday. Sometimes they're servants, but sometimes they're just stupid friends. Part of this must be practical: It's difficult to follow a wandering hero (and why are the heroes of these novels always wandering? But that's a different question altogether) without giving him a friend to talk to. Maybe early novelists had a hard time sketching characters who didn't have a way to discuss the ongoing action. But mostly, I think this is the bad influence of Don Quixote, which was becoming increasingly popular in England during this period. Sancho Panza is OK, and he's certainly the funniest element of that leaden tome. But Mr. Partridge *is* Sancho Panza, cowardice, superstition and all, and one Sancho Panza was more than enough. You know? There's a limited number of things that a silly, selfless, lazy pal can do, and it's hard to read about the same old doofus, yet again.
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Reviewed in the United States on April 28, 2016

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