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Description
Interaction - c1349731578124 (#INTERACTION_08)About: A series of highly visual designs by digital artist and programmer Robert Allison. "Interaction: A set of random colours, and a set of similar colours, produce plumes of interaction as they are crossed pairwise in each generation. 9 results arranged on each piece" In Robert's work individual colours are defined as 'genetic sequences', realised digitally as a string of 1s and 0s. Each is a kind of 'creature', encoded by a binary DNA, but then
About: A series of highly visual designs by digital artist and programmer Robert Allison. "Interaction: A set of random colours, and a set of similar colours, produce plumes of interaction as they are crossed pairwise in each generation. 9 results arranged on each piece" In Robert's work individual colours are defined as 'genetic sequences', realised digitally as a string of 1s and 0s. Each is a kind of 'creature', encoded by a binary DNA, but then expressed as the usual RGB or HSV colour-map values. Because of this representation, colours can be mutated and crossed with each other within the computer to form new variations. Oversized pixels, rastered onto the image plane, are used to record these colours as they are created.
Visualising these operations shows how richness and complexity can emerge from simple processes iterated to a massive scale. The potential of the purely computational, the mechanistic, is explored as it approaches the boundary with the natural, the tactile, the 'real'.
Each series investigates a different combination of techniques, rendered for effect. The pieces are randomly seeded, and are a unique result from the process they express. They are titled by their 'Unix timestamp' - the exact time of creation recorded as the number of milliseconds since 00:00:00 UTC 1st January 1970.
Medium: A range of designs printed onto a canvas and stretched over a chunky box frame
Visualising these operations shows how richness and complexity can emerge from simple processes iterated to a massive scale. The potential of the purely computational, the mechanistic, is explored as it approaches the boundary with the natural, the tactile, the 'real'.
Each series investigates a different combination of techniques, rendered for effect. The pieces are randomly seeded, and are a unique result from the process they express. They are titled by their 'Unix timestamp' - the exact time of creation recorded as the number of milliseconds since 00:00:00 UTC 1st January 1970.
Medium: A range of designs printed onto a canvas and stretched over a chunky box frame
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4.2 ★★★★★
Based on 18 reviews
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Product Reviews
★★★★★ 1
Not a good buy
Straight up, this thing is horrible. Doesn’t hold on to anything; especially if you add your phone, it just drops, damaging your screen. Don’t buy. Had no grip whatsoever or adjustability.
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Reviewed in the United States on May 21, 2026
★★★★★ 5
Unbeatable
Color: Black
THis is so worth it! Excellent suction, grip and fuctionalty. Great price!
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Reviewed in the United States on April 5, 2026
★★★★★ 3
Looked good
Color: Black
It was a gift, so I don't have anything to say about it.
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Reviewed in the United States on February 24, 2026
★★★★★ 5
Love it
Color: Black
The best magnetic phone holder
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Reviewed in the United States on March 30, 2026
★★★★★ 2
Does not hold as advertised
Color: Black
When the dash got hot from the sun, the glue gave way and everything ended up on the floor. Couldn’t send it back because the time limit had passed but I don’t use it
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Reviewed in the United States on April 26, 2026
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