SKU: 51723579777

L'OMBRE DU LYS | Eau de parfum

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L'OMBRE DU LYS | Eau de parfumLe paradoxe rside dans la nature mme du lys. Certains le considrent symbole de l'amour pur, d'autres celui de la renaissance ou encore de la royaut, mais il est galement considr comme porte bonheur. Comme le muguet et le chvrefeuille, le lys est galement une fleur muette car on ne peut pas extraire son essence naturelle en parfumerie. Le matre parfumeur Alberto Morillas a alors dcid d'exprimer son paradoxe en donnant libre cours sa propre imagination.

Le paradoxe réside dans la nature même du lys. Certains le considèrent symbole de l'amour pur, d'autres celui de la renaissance ou encore de la royauté, mais il est également considéré comme porte-bonheur. Comme le muguet et le chèvrefeuille, le lys est également une fleur « muette » car on ne peut pas extraire son essence naturelle en parfumerie. Le maître parfumeur Alberto Morillas a alors décidé d'exprimer son paradoxe en donnant libre cours à sa propre imagination.

La tubéreuse offre une touche narcotique et capiteuse, alors que le néroli et la fleur d'oranger délicieusement réconfortants viennent tempérer la composition avec leur douceur. En fond, les muscs blancs mêlés au santal offrent une douceur toute charnelle. Un lys qui pourrait exclamer : « Méfiez-vous des anges ».

FAMILLE OLFACTIVE: FLORALE
Notes de tête : Hédione®, Néroli de Tunisie
Notes de cœur : Absolue de tubéreuse d’Inde, Absolue de fleur d’oranger
Notes de fond : Essence de santal du Sri Lanka, Muscs blancs

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SKU: 51723579777

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4.5 ★★★★★
Based on 15 reviews
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Cita
Lexington, US
★★★★★ 5
Fascinating and beautifully written.
Format: Hardcover
Clear and compelling reading of the much-neglected history of Carthage -- all its histories had been written by the victors in Rome. BTEW y four-colour photo insert was missing a page....shame on Norton, the puboisher.
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Reviewed in the United States on March 25, 2026
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Verified Purchase
Nana & Granddad
Charlottesville, US
★★★★★ 4
Excellent Overview of Carthage
Format: Hardcover
293 pages of text/maps/b&w figures; 8 pages of color plates; 15 pages of end notes (mostly citations); 20 page Bibliography; 6 page Primary Bibliography; 2 page Acknowledgements; 8 area maps; 1 battle map [Cannae]. This is a well written history of Carthage. It provides a one source overview of the background and history of the city/empire. As a reasonably well read layperson, I am familiar at an overview level with the Punic Wars, Rome, Alexander, and the Alexandrine successor states and this book packaged Carthaginian information very well while adding interesting information that I hadn't come across before. I was somewhat disappointed (hence the 4 star rather than 5 star rating) that there was a very limited drill down to a lower level of detail, particularly from such a noted author. However, this is probably an unfair criticism given the limited amount of archeological information available and the millennia of effort that has been spent in pigeonholing Carthage according to the desired perceptions. I recommend the book highly as a well written overview of Carthage.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 2, 2026
N
Verified Purchase
Norm G
Charlottesville, US
★★★★★ 5
Brilliant book
Format: Hardcover
Brilliant book. An insightful synthesis of history, myth, and archaeology. Highly recommend.
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Reviewed in the United States on February 22, 2026
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Peter Kurtz
Carnegie, US
★★★★★ 5
Excellent
Format: Hardcover
Excellent
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Reviewed in the United States on February 7, 2026
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Douglas Thorpe
West Palm Beach, US
★★★★★ 4
Great substance; lousy writing.
Format: Kindle
Reviewing this book is not an easy task. Previously I had very limited knowledge of this period of history. With no background, I found the subject spellbinding. The author has done a wonderful job of gathering, and reconciling, ancient sources of mixed reliability. But, in undertaking that task, the text becomes repetitive, difficult to follow and frankly just plain boring. In addition, the writing style and format detracts substantially from the pleasure of learning from the substance. Everything from run-on sentences with mixed subjects to unclear antecedents, to character confusion because of similarity of names and the author's expectation that one can remember which player is on stage at any given moment. My main criticism of the book is that the downsides could have been avoided by application of the skills of a decent editor who instinctively would have addressed and corrected the confusion in presentation that made it a very difficult read. I hope that a cleaned up edition is prepared and the book released again; I think the effort would be worth the result.
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Reviewed in the United States on April 21, 2026

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