SKU: 5329767327

Ivan Quinteis - Mi mujer

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Description

Ivan Quinteis - Mi mujerThis is a very cool original work on paper, by a very talented artist. This work is mixed media, and collage, and measures around 16 x 12" (40 x 30cm). The artist is Ivan Quinteis. Cuba is a goldmine of talent. From the Russian influences, to the classical European artists, that many of the Cuban Masters studied with. Despite a series of repressive governments the art scene has historically thrived in Cuba, where culture occupies a prominent place.

This is a very cool original work on paper, by a very talented artist. This work is mixed media, and collage, and measures around 16 x 12" (40 x 30cm). The artist is Ivan Quinteis. 

 

 Cuba is a goldmine of talent. From the Russian influences, to the classical European artists, that many of the Cuban Masters studied with. 

 

Despite a series of repressive governments the art scene has historically thrived in Cuba, where culture occupies a prominent place. Art played a key role in the Cuban revolution and there are currently about 14 art schools, a University of Fine Arts, as well as 13,000 ‘registered artists’ on the island, as Rene Duquesne of the National Council of Visual Arts points out.


The African presence in Cuba is undeniable, incredibly strong and visible but because of the practice of whitening in the US, it is possible to shed, deny, or simply omit one's blackness in order to melt into the dominant, acceptable identity group in Miami. Here it is both possible and common to refer to being Cuban, refer to one's self as “white” while showing pictures of generations of family that include a Black abuelo or abuelita. So when we talk of Afro-Cuban art, we have several distinctions – art that pays homage to African heritage and culture, art by Black Cubans, art that makes reference to Afro-Cuban culture, and none of these are mutually exclusive. As a “movement,” Afro-Cuban Art involves bringing what is Black about Cuba to the forefront and an important linking with Black diaspora arts as a much larger field or landscape. It is one in which Black/ Afro-Cuban lives matter.

 

Afro-Cuban art has given the world, and the African diaspora in particular, a symbolic language with which to speak to and about African spiritual systems, specifically with regard to the orishas. The iconography of spiritual African systems from many nations – Yoruba, Fon, Dahomey, Congo, Ketu, Ijesha, Egbado, Oyo, Nago, Jeje are all a part of what has become Afro-Cuban art. Here there are so many points of reference that people from throughout the African Diaspora will feel and see a “familiar” energy in a variety of artistic mediums in Cuba and the Cuban diaspora.

By using this symbolic language, embedding it in painting, music, sculpture, textiles, and other mediums the narrative histories of West and Southern Africa (specifically Yoruba and Congo) that didn’t exist visually as art for art sake in Africa have significantly contributed to the globalization of Lucumi/orisa culture and positive associations with Cuban culture worldwide. The Lucumi tradition also understood as Afro-Cuban religion, has given us a new world lens on ancient African traditional spiritual systems by creating visible representations that offer a new and necessary lingua franca that we recognize as part of Cuba, bringing together African aesthetics from many different nations.

 

As such Afro-Cuban religion has travelled extensively and influenced the world. It is possible now to see certain images and identify them as representations of Oshun, Oggun, Exu, Obatala, Shango, Oya, Ochossi and their tools as both overt and imbedded in artistic forms. This is a major specific contribution Afro-Cuban art has made to the world – it has in this way made visible narratives which only existed orally and in the minds and hearts of practitioners for many generations. Now, because of Afro-Cuban art, students reading African American novelist Ntozake Shange or viewing international pop sensation Beyonce’s “Lemonade,” can quickly pick up on the Osun imagery because we have a context for a yellow wearing, mirror having, beautiful, brown skinned woman in touch with her own sensuality.

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SKU: 5329767327

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Mary
Waukegan, US
★★★★★ 5
Very Nice
Size: Double Pelt/2 ft x 6 ft, Color: Mocha
Great in my office chair for added comfort
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Reviewed in the United States on April 9, 2026
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Ninel Bubon
Draper, US
★★★★★ 5
It is real and natural. No synthetic- no allergy!!!
Size: 2' x 6' (Double Pelt), Color: Brown Tipped
SUPER QUALITY, the color is exactly like on the picture, I love it!!! Thank you!
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Reviewed in the United States on April 3, 2026
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Terran
Dallas, US
★★★★★ 5
ITS SOOOO FLUFFY!!
Color: Orange
Ooouuu she’s so fluffy!!!!!! Omg, I’m in love. The color looks exactly as pictured. The gear shift cover was way too small for my RAV4 but it’s okay, it kind of interfered with the button to move the gear. Also, if you need to see the info on the dash, be aware that the steering wheel cover blocks it for the most part. I’m not bothered by it but it’s something to make note of for those who might be.
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Reviewed in the United States on April 24, 2026
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Michele Fay McKenna
Draper, US
★★★★★ 5
Warm and soft!!
Color: Orange, Color: Orange
So funky and cute! Matches my inferno orange car! I really only wanted the steering wheel cover & have no need for the other covers because they don’t fit on my shifter, or my parking break. Besides, it gets kind of dirty on the console. Keeping gloves in the car so it doesn’t end up dirty from my hands this winter:) It does make it a bit hard to see the ignition and some of the gauges as it is so fluffy, but it’s so funny, I don’t care! Lol
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Reviewed in the United States on December 6, 2025
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Ms. Jackson
West Palm Beach, US
★★★★★ 5
If Fluffy was a person lol
Color: Blue, Color: Blue
Came vacuum sealed. No smell. I ABSOLUTELY LOVE how fluffy it is!!! The color is a perfect match to my car. I don’t have an emergency break lever so I couldn’t use that. Overall 10 out of 10 rt now!
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Reviewed in the United States on May 15, 2026

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