SKU: 86610369798

Hi-tech pharmacueticals | Oxy Elite | 2-Product Stack

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Description

Hi-tech pharmacueticals | Oxy Elite | 2-Product StackRauwolscine powered energy boost with real appetite help for cutting Hi Tech's Elite Fat Burning Stack is a bold, stim focused fat burner that ramps up your body's alert chemicals, tames appetite, and helps you stick to your diet day in and day out. It's not a totally open book formula some ingredients are in a blend without full doses shown, but it clearly lists 200mg garcinia cambogia extract at 60% hydroxycitric acid, 100mg 2 aminoisoheptane HCl,

Rauwolscine-powered energy boost with real appetite help for cutting

Hi-Tech's Elite Fat Burning Stack is a bold, stim-focused fat burner that ramps up your body's alert chemicals, tames appetite, and helps you stick to your diet day in and day out. It's not a totally open-book formula – some ingredients are in a blend without full doses shown, but it clearly lists 200mg garcinia cambogia extract at 60% hydroxycitric acid, 100mg 2-aminoisoheptane HCl, and 100mg caffeine anhydrous. The plan is simple: boost your energy and drive, push those alert signals harder than caffeine alone, and make cutting calories feel doable.

The star here is rauwolscine extract, which is alpha-yohimbine, though the dose isn't listed. Rauwolscine blocks alpha-2 receptors – those are like brakes on your norepinephrine, the stuff that keeps you alert. Blocking them lets more norepinephrine flow, which can sharpen focus, cut hunger, and help burn fat, especially in tough spots with lots of those receptors. Studies suggest 0.75mg to 1.5mg works well, and it teams up great with caffeine. Since the dose is hidden, you can't check if it's in that range, but when it's right, you feel a way edgier stim hit than just caffeine.

100mg caffeine anhydrous is a solid middle-ground amount, but it's not solo here. Caffeine perks you up, makes effort feel easier, and bumps energy burn by blocking adenosine receptors and kicking off those alert chemicals. Alone, 100mg is easy for most, but mixed with ra

Key Highlights

  • 100mg caffeine anhydrous kicks things off with quick energy. Paired with rauwolscine and 100mg 2-aminoisoheptane HCl, it hits way harder than a plain 100mg caffeine pill.
  • Rauwolscine extract is the standout for fat loss. It blocks alpha-2 receptors – those brakes on your adrenaline – so you get better hunger control and fat burn in stubborn areas, which is why pros love it for cuts.
  • Caffeine and rauwolscine team up great – studies and real use show it. Caffeine wakes you up and ramps alert signals, rauwolscine amps it by removing brakes, making your cut feel sharper than either alone.
  • 100mg 2-aminoisoheptane HCl adds extra mental push beyond caffeine. You'll notice more urgency, better focus, and readiness to train – perfect for those tough deficit days.
  • 200mg garcinia cambogia extract at 60% HCA gives you 120mg hydroxycitric acid. It's a decent dose, not huge, but it adds real appetite control without just leaning on stims.
  • Capsules are super easy – no mixing, no taste issues, no big scoops. Great for fasted cardio, early shifts, or tossing in your bag for travel.
  • This stack tackles the mental side of fat loss too. When calories drop, energy, hunger, and sharpness matter – and these ingredients hit all that for real dieting wins.
  • Bacopa monnieri extract is a cool add in a fat burner. It's not the main burner, but it might help with brain or mood support, making this less one-note than pure stim products.

Who Is This For?

  • Seasoned cutters in a strict deficit needing hunger help and workout energy. Caffeine, 2-aminoisoheptane HCl, and hidden rauwolscine suit folks who know basic burners fall short when calories crash and tiredness hits.
  • Athletes leaning with fasted cardio. Rauwolscine shines for alpha-2 blocking – pros seek it for cuts – and with caffeine, it gives that urgent feel for morning sessions.
  • Pros dieting through packed days where hunger and brain fog kill it more than workout skips. Hits appetite and fatigue from different sides to make low-cal days doable.
  • Mid-level lifters keeping gym fire while dropping weight. Stims support drive when fuel's low and motivation dips mid-cut.
  • Folks who dig strong stims and need more than 100-200mg caffeine alone. Rauwolscine and 2-aminoisoheptane make it punchier than plain caffeine burners.
  • People who like capsule thermogenics over powders – no sugar, flavors, or big doses. One cap fits easy into mornings or pre-cardio without stack changes.

How to Use

Start with 1 capsule to test how it feels, especially if you're not stacking with strong pre-workouts or tons of coffee. Take 20-30 minutes before fasted cardio, training, or your tough hunger window. With caffeine, rauwolscine, and 2-aminoisoheptane HCl, it's best on an empty-ish stomach for quicker kick-in – big meals can slow it. Wash down with water, and hold off on extra stims till you gauge the strength. If you train late, ease up – even 100mg caffeine feels bigger and lasts longer with these add-ons. Use for cut phases, not nonstop; try weeks on, then low-stim breaks. Store cool and dry, lid tight to keep capsules fresh.

What to Expect

First 10-20 minutes, you'll get a smooth alertness boost from the caffeine. By 20-40 minutes, the edge sharpens: stronger drive, less appetite, and that alert buzz from rauwolscine and 2-aminoisoheptane. Peaks in 1-3 hours, making cardio, lifts, or deficit sticking easier. Then it fades, but if you're stim-sensitive, it might linger. Week one, it's all about that instant help – ready to move, less hungry. Weeks 2-4, the win is consistency, turning easier days into real progress over a full cut.

Key Ingredients

  • Rauwolscine Extract — Amount not disclosed — Advanced adrenergic support for sharper cutting intensity
  • Caffeine Anhydrous — 100mg — Fast-onset energy for training and calorie-deficit days
  • 2-Aminoisoheptane HCl — 100mg — Adds stronger drive beyond caffeine alone
  • Garcinia Cambogia Extract — 200mg (60% HCA) — Supports appetite management during disciplined fat-loss phases
  • Walnut Bark Extract — Amount not disclosed — Supports the product’s broader cutting-oriented blend design
  • Cirsium Oligophyllum Extract — Amount not disclosed — Adds another thermogenic support layer to the stack

Frequently Asked Questions

How much caffeine is in Elite Fat Burning Stack?

Each 1-capsule serving provides 100mg caffeine anhydrous. That is a moderate caffeine dose on paper, but the formula also includes 100mg 2-aminoisoheptane HCl and undisclosed rauwolscine extract, so the overall stimulant experience is stronger than 100mg caffeine alone would suggest.

Is Elite Fat Burning Stack a high-stim fat burner?

Yes. Even though the caffeine content is only 100mg, the inclusion of rauwolscine and 2-aminoisoheptane HCl makes this a high-stim style formula in practice. It is designed for users who want a more aggressive cutting feel than standard caffeine-only thermogenics provide.

What does rauwolscine do in this formula?

Rauwolscine, often called alpha-yohimbine, is a potent alpha-2 adrenergic receptor antagonist. By blocking those receptors, it can increase norepinephrine signaling, which is why users often report sharper energy, stronger appetite suppression, and a more pronounced thermogenic feel.

Is the rauwolscine dose fully disclosed?

No. Rauwolscine is present, but the exact amount is not disclosed on the formula information provided. That matters because published use ranges are relatively low and individual tolerance varies significantly, so you cannot precisely compare this product’s rauwolscine content to clinical reference points.

What is the garcinia cambogia dose and is it clinically strong?

The formula provides 200mg garcinia cambogia extract standardized to 60% hydroxycitric acid, which yields 120mg HCA per serving. That is a supportive dose, but it is modest relative to the higher daily intakes often used in standalone HCA research, so garcinia is not the main driver of this product’s effect.

Should I take Elite Fat Burning Stack fasted?

Many experienced users prefer taking it fasted or with only a light meal 20 to 30 minutes before cardio or training. A fuller meal can delay absorption and soften the onset, especially for stimulant-heavy formulas where users typically want a more immediate effect.

Can I stack this with pre-workout or energy drinks?

Use caution. Since this already contains caffeine, rauwolscine, and 2-aminoisoheptane HCl, stacking it with pre-workouts or multiple caffeinated beverages can push stimulation too high for many users. If you do combine it with anything, start conservatively and assess tolerance first.

Is this a good fat burner for beginners?

Usually no. The stimulant profile is more advanced than the caffeine number alone suggests, and the proprietary blend means not every active can be precisely audited. Beginners are generally better served by a simpler, fully transparent thermogenic or a lower-stim weight management formula.

How long should I use Elite Fat Burning Stack?

This type of formula is best used during a defined cutting phase rather than indefinitely. Since stimulant tolerance can build, many users run it for several weeks, evaluate response, then rotate into a lower-stim period before starting another cycle.

What results should I realistically expect?

Expect more immediate help with energy, appetite control, and cardio or workout readiness than direct visible fat loss from the capsule alone. The real value is that it can make a calorie deficit easier to sustain, which is what drives actual body-composition change over time.

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4.8 ★★★★★
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Dr.C.J.Singh.Wallia
Massapequa, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020
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Matt M
Pawtucket, US
★★★★★ 5
Will reading Wired for Story really make you smarter?
Format: Paperback
In my 36th year as a would-be and penniless writer, I found myself exiled to a dark rough and tumble city in the Far West, guns blazing as a steely-eyed wordslinger for hire. But then one day I stumbled upon Lisa Cron's book Wired for Story. The book's title had my curiosity. A few sample pages later grabbed my attention and has held it ever since. But the price wasn't right for a poor, humble English teacher living in China upon a Chinese salary. I had bills to pay, a mistress to please, and habits to feed. It seemed to me that Amazon.com was colluding with other dark powers to suck humanity dry; why else would they charge more for a digital book than its paper copy? But then I heard ghostly voices, the cinematic intonations of Morpheus telling me to choose between the red and blue pill; Obiwan Kenobi, "Use the Force"; Nike commercials, "Just Do It!"; and other such shadows flickering upon the wall of my TV room. Even this very particular retail website seemed to whisper across all the vastness of cyberspace, reminding me of my destiny via a personalized showcase of products, that I was not just born to buy... So I added it to my cart. About a download and two chapters later I found that I was still happy after the post-purchase buzz ran its course. This book should be required reading for all writers - and anybody else seeking an inoculation against the raging pandemic of competing narratives spewed out from marketers, pundits, prophets, and others posing as guardians of the truth - most of whom seem to be more enraptured than enlightened. For writers though, Wired for Story is quite different from other "how to" books, as Lisa Cron approaches the craft of storytelling from a neuroscientific point of view. She makes the case that writers aren't just entertainers: they are some of most powerful shakers and shapers of human perception. So if storytellers are like snake oil salesmen, then what is the difference? Both seem to be highly skilled in crafting story, using imagery, and evoking emotions, memories, desires. The difference is all about marketing. Salesmen claim to have knowledge, skills, and expertise, that they, and they alone have whatever it takes to get the facts right and fix things. They market their brands cloaked in story, as if they have a monopoly on truth, or at least the can-do spirit and problem-solving experience needed to improve the economy, save the world, whatever. It doesn't matter that time and time again reality proves them wrong; they will always have another story to spin. The difference between those who would use the power of story to express themselves versus those who would use it for personal gain is, perhaps, a fine red line marking the shadowy borders of between ethics and morality. Storytellers differ because they use words to hook audiences and manipulate a willing reader's central nervous system. They make no claims to knowledge or expertise. Indeed, fiction writers will be first to emphasize their work is fictional, and not based on any real life events or people. Their best writing leaves readers thinking, questioning, minds opening, empathizing, expanding their worldviews, the list goes on almost ad infinitum. Storytellers speak for themselves and let audiences think for themselves; pundits speak for others and tell audiences what to think. What's more, the art and craft of story, as well as the talent and hard time in solitary confinement required for their honing, is estimated to take an average storyteller at least 1,000,000 words or 10,000 hours - not including all the reading, language arts development, and life experience necessary to get to a point one needs to seriously embark on such a ludicrous and un-economical vocation. This means that fiction writers who risk everything for dubious prospects of financial reward must have something else driving them - and a good day job. A presidential candidate though, who has genuinely done the time, and crafts speeches with the skill of a poet or bard, should hypothetically have the critical thinking background, moral authority, and empathy to be a great leader. But in the final analysis, actions contradict words; their ability to spin tales proves the old universal theme that the pen is mightier than the sword. Now when I finish Wired for Story sometime this week, I will be one step further on this endless quest to actually sell stories for a living (i.e. stories fit for the fiction aisle of an actual bookstore, not a review for an online retailer). Until then, I'm probably just a hypocrite acting as if a single book alone makes a smarter man, when in fact I know little of anything (which is why I became a writer in the first place) -- or maintaining such a humble pretense. But I don't know myself well enough to be certain. That kind of exploration would be a whole other story - but it would be unsafe to say that I lived happily ever after reading this book. The End
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Reviewed in the United States on October 11, 2012
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arch_reviews
Birmingham, US
★★★★★ 4
A Cheeky Novel about writing cheeky novels
Format: Paperback
Wired for Story is a book full of solid, albeit basic, advice for story tellers, and in particular writers trying to develop their craft. It succeeds in some areas while falls down in others, however I found it solid and well written overall. Where it succeeds is in its brevity and clarity. The author gets right to the point and even provides short lists at times of what to do and how to do it. Her writing is also peppered with cheeky humor which is humorous in a thats-almost-funny kind of way that is refreshing compared to the textbook style adopted by many how-to-write books. Where the book fell down, for me, was in its limited examples and scope. It really felt like the author was addressing romance writers, for the most part. I could think of a few counter examples to some of her rules, although one would have to leave the romance genre for those to work. But for a 230 page book, that is minor discrepancy. The second thing I noticed, which has already been pointed out by others, is that the brain science was limited. In fact, it was mostly only refereed to in footnote. Personally, that was fine with me, but I could see why it made others feel misled (it is in the title, after all).
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Reviewed in the United States on December 5, 2014
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Martijn13Maart1970
West Palm Beach, US
★★★★★ 5
Unfortunately yet another one to add on the pile of writing books!
Format: Paperback
I say 'unfortunately another good book on writing' since I have been reading many books on the topic and each time I think I have read it all by now, pfff, but then another one like this comes along. But hey, it is fun to read about writing and especially if you get something useful and new out of it. Always worth the money. Why the accolades for this book? All the information on characters, plot, details etc, how they work and why they are important, is not new. You find them in many reading books, especially from Reader's and Writer's Digest series. I would especially recommend the books on plot and structure by James Scott Bell. Yet this book Wired For Story is not redundant, since it is unique in both the focus on the familiar subjects like what story is, the importance of details, details versus generics, how events affect a character etc. The approach of using brain science shows in a compelling way why all the stuff in the book (and for that matter, the classic theory on writing) is there for a reason, since it has evolved out of how we humans seem to perceive a story. Interesting though, a lot of rules like 'write about what you know' are shown to be myths. Of course, in the end it is you as a reader that has to decide what works for you, but you will find new things here and that is always good. If you are thinking about writing a story, this book can give you a very sharp focus on what to think about before you start. Or, like me, when you have a draft, and you want to get to the 'real story' behind it to come forward, this work gives you a very transparent way to get better clues as to what stays and what has to go. It is also entertaining and easy to read, so, all I can say is, yet again a book on writing you cannot afford to miss! I just added some extra information: I loved the humor and wisdom of the writer. She has worked for years reading manuscripts and she does know her stuff, and I liked her tone, which was both realistic but also fun! How many times have you read a reference work and actually had to laugh? But this book was also profound on many story issues. Many common writing rules are, as I said before, shown to be myths and more importantly, why this is so. I have read for instance so often that you should have some sensory info on every page, but, as I thought myself and I am not the only one: although this makes things more lively, it should only be there if the story would dictate it! The book has many more things like these. I have compiled a collection of notes I took from all the many many books on writing so I measure new books on writing in how much text I copied and pasted to look at again and this book has given me lots, so 5 stars and I hope we will see more of this author again! I also recommend the book by James Scott Bell on plot and structure which you can find here
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Reviewed in the United States on October 28, 2012
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C. F. King
Chelsea, US
★★★★★ 5
Great book
Format: Kindle
I have been an author for decades and published 4 books. I've been an editor for over a decade and this book is perfect for seasoned and new writers. It certainly made me take a new, long look at the latest book I'm busy with. I think it's great for getting one focused on the important points. I loved it. There wasn't too much about how the brain works to bore one or make it feel like a technical book on neuroscience. I found her writing style amusing and entertaining. I will definitely recommend it to all my clients and writing friends. There was nothing in the book I didn't know, but this book forces one to focus on the bigger picture. It doesn't matter how accomplished one is as a writer, one can always learn more. And I certainly did with this book. So, thank you, Ms. Cron. I saw the negative three or fewer star comments and can only think the commentators didn't see what the author was actually trying to convey. It's a classic lesson in the KISS method (keep it simple stupid) and I loved it. This isn't a full-on, in-depth analysis of every part of the craft of writing, as many seemed to expect, that would take 12 full books or more. This is also not only for beginners as some suggest. To them I would say, don't let hubris cloud your ability to write better--think beyond that--read the book again. I think the book serves as an excellent reference to keep us on track when we lose the plot, so to speak. Seasoned writers can get quite jaded and write almost on auto-pilot at times--not good. Thank you, Ms. Cron, for putting me back on track and making me excited to re-write and re-edit my latest book, my first YA fantasy, for the zillionth time. I was out of my comfort zone with this book and feeling a bit overwhelmed and unsure. Wired for Story has me fired up to go forth and do this. I highly recommend this book, especially for seasoned writers.
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Reviewed in the United States on January 26, 2018

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