SKU: 2824182734

Dark Oil Lightweight Mask - Sale

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Description

Dark Oil Lightweight Mask - SaleSebastian Dark Oil Lightweight Mask: de ultieme oplossing voor glanzend en zijdezacht haar, zonder het te verzwaren! Dit diep voedende masker is geschikt voor alle haartypes en laat je moeiteloos genieten van zorgeloos luchtig haar. Met een unieke formule, verrijkt met een speciale mix van jojoba en arganolie, geeft dit masker je haar een vitamineboost en intensieve verzorging, terwijl het toch zijn natuurlijke volume behoudt. Klaar om te stralen met

Sebastian Dark Oil Lightweight Mask: de ultieme oplossing voor glanzend en zijdezacht haar, zonder het te verzwaren! Dit diep voedende masker is geschikt voor alle haartypes en laat je moeiteloos genieten van zorgeloos luchtig haar. Met een unieke formule, verrijkt met een speciale mix van jojoba- en arganolie, geeft dit masker je haar een vitamineboost en intensieve verzorging, terwijl het toch zijn natuurlijke volume behoudt. Klaar om te stralen met gezond en luchtig haar? Dit is jouw moment!

 

Wat zijn de kenmerken van de Sebastian Dark Oil Lightweight Mask?

Waarom zou jij de Sebastian Dark Oil Lightweight Mask gebruiken? Wij hebben alle kenmerken van dit haarmasker voor je op een rij gezet:

  • Lichtgewicht Haarmasker
  • Intensieve voeding zonder verzwaring
  • Maakt haar tot 3 x zachter
  • Gemakkelijk doorkambaar
  • Zorgt voor volume en glans
  • Lichtgewicht masker
  • Zijdezacht haar
  • Verrijkt met een sociale mix van oliën 
  • Bevat Arganolie, cederhout en sandelhout
  • Verzwaart het haar niet
  • Heerlijke geur
  • Vermindert pluizig haar
  • Vrij van: Sulfaten
  • Inhoud: Verkrijgbaar in een verpakking van 150 en 500ml

 

Hoe gebruik ik de Sebastian Dark Oil Lightweight Mask?

Hieronder hebben we stapsgewijs uitgelicht hoe je het Haarmasker van Sebastian Dark Oil het beste kunt gebruiken:

  1. Na het wassen, breng het Sebastian Dark Oil Lightweight Mask gelijkmatig aan op handdoekdroog haar.
  2. Verdeel het masker gelijkmatig over het gehele haar, van de wortels tot de punten.
  3. Laat het masker 2-5 minuten inwerken om diep te voeden.
  4. Spoel vervolgens grondig uit met water.

 

Tip: Voor het beste resultaat gebruik je het Dark Oil Haarmasker van Sebastian in combinatie met de Dark Oil Shampoo en Conditioner

 

Wat is het resultaat van de Sebastian Dark Oil Lightweight Mask?

Het resultaat van het gebruik van de Sebastian Dark Oil masker is glanzend haar met een zijdezacht gevoel. De unieke formule van essentiële natuurlijke oliën, zoals sandelhout, cederhout en arganolie, voedt je haar intensief, wat resulteert in prachtige glans.

 

Uit welke ingrediënten bestaat het Sebastian Dark Oil Lightweight Mask?

Raadpleeg voor gebruik altijd eerst de ingrediëntenlijst op de verpakking voor de meest accurate productinformatie. Vanwege productvernieuwing en -optimalisatie kan het voorkomen dat de hier vermelde ingrediënten afwijken van die op de verpakking.

Aqua/Water/Eau, Stearyl Alcohol, Behentrimonium Chloride, Cetyl Alcohol, Parfum/Fragrance, Panthenol, Isopropyl Alcohol, Benzyl Alcohol, Phenoxyethanol, PEG-2M, Methylparaben, Propylene Glycol, Quaternium-80, Propylparaben, Disodium EDTA, Hexyl Cinnamal, Coumarin, Citronellol, Silica, Citric Acid, Argania Spinosa Kernel Oil, Simmondsia Chinensis (Jojoba) Seed Oil, BHT.



Waar kan ik mijn vraag stellen over Sebastian Dark Oil Lightweight Haarmasker? 

Heb jij na het lezen van deze informatie nog vragen? Neem dan contact op met één van onze teamleden, wij helpen je graag verder! Als je eenmaal hebt ontdekt welke haarverzorging het beste matcht bij je haren, dan kun je daar jaren plezier van hebben. That is what you want! Stuur je vraag naar [email protected] of bel ons team tijdens kantooruren.

 

Dit haarmasker is verkrijgbaar in een verpakking van 150 en 500ml.

Leveranciers contact:
Manufacturer's name: Wella Germany GmbH
Street address: Berliner Allee 65
City: Darmstadt
Postal code: 64295
Country: Germany
E-mail: [email protected]

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
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SKU: 2824182734

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4.1 ★★★★★
Based on 27 reviews
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D
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David R. Papke
Belleville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
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DoubtfulReader
Port Orchard, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Port Orchard, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
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J. Christian
Lake Worth, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Massapequa, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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