SKU: 39904140354

Joe Henderson - 5 Original Albums (5xCD, Album, RE + Box, Comp)

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Description

Joe Henderson - 5 Original Albums (5xCD, Album, RE + Box, Comp)Media Condition: Near Mint (NM or M ) Sleeve Condition: Near Mint (NM or M ) Comments: General notes about this release (please note: our version may differ a little. see the comments above): 5 original albums with full original artwork. This collection: & 2016 Blue Note Records. CD1, CD2 and CD3 recorded at Van Gelder Studio, Englewood Cliffs, NJ., on September 9, 1963 (CD1), April 10, 1964 (CD2) and November 30, 1964 (CD3). CD4 & CD5 recorded live

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

Comments:

General notes about this release (please note: our version may differ a little. see the comments above):
5 original albums with full original artwork. This collection: ℗ & © 2016 Blue Note Records. CD1, CD2 and CD3 recorded at Van Gelder Studio, Englewood Cliffs, NJ., on September 9, 1963 (CD1), April 10, 1964 (CD2) and November 30, 1964 (CD3). CD4 & CD5 recorded live at the Village Vanguard on November 14-16, 1985

 

. Our Thing (1964)
1-1. Teeter Totter 8:33
1-2. Pedro's Time 10:05
1-3. Our Thing 5:36
1-4. Back Road 6:20
1-5. Escapade 8:03
. In 'N' Out (1964)
2-1. In 'N' Out 10:28
2-2. Punjab 9:11
2-3. Serenity 6:19
2-4. Short Story 7:14
2-5. Brown's Town 6:26
. Inner Urge (1965)
3-1. Inner Urge 12:00
3-2. Isotope 9:17
3-3. El Barrio 7:17
3-4. You Know I Care 7:23
3-5. Night And Day 7:25
. The State Of The Tenor: Live At The Village Vanguard Volume 1 (1985)
4-1. Beatrice 5:48
4-2. Friday The Thirteenth 8:25
4-3. Happy Reunion 8:40
4-4. Loose Change 7:05
4-5. Ask Me Now 6:06
4-6. Isotope 9:56
. The State Of The Tenor: Live At The Village Vanguard Volume 2 (1985)
5-1. Boo Boo's Birthday 7:17
5-2. Cheryl 7:42
5-3. Y Ya la Quiero 6:43
5-4. Soulville 5:38
5-5. Portrait 7:06
5-6. The Bead Game 9:45

 

Barcode and Other Identifiers:

Barcode 0 602547 111005
Barcode 0602547111005
Label Code LC 00133
Matrix / Runout 5714343 12 A00 Sony DADC [Universal logo]
Matrix / Runout 5714344 35 A00 Sony DADC [Universal logo]
Matrix / Runout 5714345 11 A00 Sony DADC [Universal logo]
Matrix / Runout 5714346 11 A00 Sony DADC [Universal logo]
Matrix / Runout [Universal logo] 5714347 21 A00
Mastering SID Code IFPI L552
Mastering SID Code IFPI L555
Mastering SID Code IFPI L551
Mould SID Code IFPI 945B
Mould SID Code IFPI 944A
Mould SID Code IFPI 978A
Mould SID Code IFPI 94K1
Other 06025 5714343
Other 06025 5714344
Other 06025 5714345
Other 06025 5714346
Other 06025 5714347
Rights Society BIEM/SDRM

 

Record Company Universal Music B.V.
Phonographic Copyright (p) Blue Note Records
Copyright (c) Blue Note Records
Recorded At Van Gelder Studio, Englewood Cliffs, New Jersey
Recorded At Village Vanguard
Glass Mastered At Sony DADC

Data provided by Discogs
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SKU: 39904140354

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4.3 ★★★★★
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A
Verified Purchase
AlanWarner
Omaha, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 6, 2015
C
Verified Purchase
Carole T Emberton
Pawtucket, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
Verified Purchase
pat delzell
Lowell, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
Verified Purchase
B. Kirzner
Louisville, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021
V
Verified Purchase
V. Young
Grantham, US
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 3, 2014

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