SKU: 49199239613

Ludwig van Beethoven / Leonard Bernstein - Bernstein Conducts Beethoven - Remastered (10xCD, Comp, RM + Box)

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Ludwig van Beethoven / Leonard Bernstein - Bernstein Conducts Beethoven - Remastered (10xCD, Comp, RM + Box)Media Condition: Mint (M) Sleeve Condition: Near Mint (NM or M ) Comments: SEALED , brand new copy General notes about this release (please note: our version may differ a little. see the comments above): CD 1: Original LP: MS 7084, released February 19, 1968 Recording: New York City, Manhattan Center, January 6, 1964 [14; January 20 27, 1964 [58 Producer: John McClure Recording Engineers: Fred Plaut & Ed Michalski LP Matrix Nos.: XSM 135198 [13, XSM

Media Condition: Mint (M)
Sleeve Condition: Near Mint (NM or M-)

Comments:
SEALED , brand new copy

General notes about this release (please note: our version may differ a little. see the comments above):
CD 1: Original LP: MS 7084, released February 19, 1968 Recording: New York City, Manhattan Center, January 6, 1964 [1–4; January 20/27, 1964 [5–8 Producer: John McClure Recording Engineers: Fred Plaut & Ed Michalski LP Matrix Nos.: XSM 135198 [1–3, XSM 135199 [4–8 ℗ 1968 Sony Music Entertainment CD 2: Original LP: ML 6174 / MS 6774, released July 11, 1966 Recording: New York City, Manhattan Center, January 27, 1964 Producer: John McClure LP Matrix Nos.: xLP 110680 [1/2, xLP 110681 [3/4 (mono); XSM 110682 [1/2, XSM 110683 [3/4 ℗ 1966 Sony Music Entertainment CD 3: Original LP: MS 7412, released January 24, 1970 Recording: New York City, Manhattan Center, May 7, 1962 [1–4; October 7, 1963 [5–8 Producer: John McClure Recording Engineers: Fred Plaut & Ed Michalski LP Matrix No.: XSM 150690 [1–4, XSM 150691 [5–8 ℗ 1970 Sony Music Entertainment CD 4: Original LPs: ML 5868 / MS 6468, released July 15, 1963 [1–4; CL 918, released October 15, 1956 [5 Recording: New York City, Manhattan Center, September 25, 1961 [1–4; Columbia 30th Street Studio, July 13, 1956 [5 Producer: John McClure LP Matrix Nos.: xLP 59568 [1/2, xLP 59569 [3/4, xLP 38397 [5 (mono); XSM 59570 [1/2, XSM 59571 [3/4 (stereo) ℗ 1956/1963 Sony Music Entertainment CD 5: Original LP: ML 5949 / MS 6549, released February 15, 1965 Recording: New York City, Manhattan Center, May 13, 1963 Producer: John McClure LP Matrix Nos.: xLP 75957 [1/2, xLP 75958 [3–5 (mono); XSM 75959 [1/2, XSM 75960 [3–5 ℗ 1965 Sony Music Entertainment CD 6: Original LP: ML 5438 / MS 6112, released August 1, 1960 Recording: New York City, Brooklyn, St. George Hotel, October 6, 1958 Producer: John McClure LP Matrix Nos.: xLP 48577 [1/2, xLP 48578 [3/4 (mono); XSM 48579 [1/2, XSM 48580 [3/4 ℗ 1960 Sony Music Entertainment CD 7: Original LP: MS 7414, released February 24, 1970 Recording: New York City, Philharmonic Hall, now David Geffen Hall, May 4/26, 1964 Producer: John McClure Recording Engineers: Fred Plaut & Ed Michalski LP Matrix Nos: XSM 150692 [1/2, XSM 150693 [3/4 ℗ 1970 Sony Music Entertainment CD 8: Original LP: M2S 794 (MS 7211/12), released January 13, 1969 Recording: New York City, Manhattan Center, May 18, 1964 Producer: John McClure LP Matrix Nos.: XSM 138447 [1/2, XSM 138448 [3, XSM 138449 [4/5 ℗ 1969 Sony Music Entertainment CD 9: Original LP: M 30079, released September 28, 1970 Recordings: New York City, Lincoln Center, Philharmonic Hall, now David Geffen Hall, October 9, 1962 [1; October 4, 1966 [2; January 10/31, 1967 [3; February 12, 1970 [4; New York City, Manhattan Center, October 24, 1960 [5 Producers: John McClure & Richard Killough Recording Engineers: Fred Plaut & John Guerriere LP Matrix Nos.: AL 30079 [1–3, BL 30079 [4/5 ℗ 1970 Sony Music Entertainment CD 10: Original LPs: M2L 270 / M2S 619 (ML 5699/5700 / MS 6299/6300), released October 16, 1961 Recording: New York City, Manhattan Center, April 18/21, 1960 Producer: John McClure LP Matrix Nos.: xLP 53861 [1–6, xLP 53862 [7–12, xLP 53863 [13–16, xLP 53864 [17/18 (mono); XSM 53865 [1–6, XSM 53866 [7–12, XSM 53867 [13–16, XSM 53868 [17/18 ℗ 1961 Sony Music Entertainment Produced by Robert Russ Booklet Editor: Jochen Rudelt, texthouse Design: [ec:ko communications Tape Research: Matt Fiveash Analogue tape transfers by Brett Zinn, Iron Mountain Digital Services Mixing and mastering by Martin Kistner, Matthias Erb and Hansjörg Seiler, b-sharp music & media solutions, using 24 bit / 192 kHz technology CDs 2, 4 & 9 remastered in 2017 Photography by Don Hunstein © Sony Music Entertainment Contains previously released material 19075970482 · This compilation ℗ & © 2019 Sony Music Entertainment Distributed by Sony Music Entertainment Sony Classical and [Sony Classical are trademarks of Sony Music Entertainment All trademarks and logos are protected · Made in the EU www.sonyclassical.com

 

. Symphony No. 2 In D Major, Op. 36
. Symphony No. 1 In C Major, Op. 21
. Symphony No. 3 In E-Flat Major, Op. 55 "Eroica"
. Symphony No. 4 In B-Flat Major, Op. 60
. Symphony No. 8 In F Major, Op. 93
. Symphony No. 5 In C Minor, Op. 67
4-5. How a Great Symphony Was Written 12:02
. Symphony No. 6 In F Major, Op. 68 "Pastoral"
. Symphony No. 7 In A Major, Op. 92 [Recorded 1958, Issued 1960]
. Symphony No. 7 In A Major Op. 92 [Recorded 1964, Issued 1970]
. Symphony No. 9 In D Minor, Op. 125 "Choral"
9-1. Overture "The Consecration Of The House", Op. 124 (Maestoso E Sostenuto – Allegro Con Brio) 9:54
9-2. Overture "King Stephen", Op. 117 (I. Andante Con Moto – Presto) 6:29
9-3. Overture "Fidelio", Op. 72b (I. Allegro) 6:43
9-4. Overture "Egmont", Op. 84 (I. Sostenuto, Ma Non Troppo – Allegro) 8:56
9-5. Overture "Leonore III", Op. 72a (Adagio – Allegro – Presto) 13:12
. Missa Solemnis in D Major, Op. 123

 

Barcode and Other Identifiers:

Barcode 1 90759 70482 0
Barcode 190759704820
Label Code LC 06868
SPARS Code ADD
Rights Society BIEM/GEMA

 

Phonographic Copyright (p) Sony Music Entertainment
Copyright (c) Sony Music Entertainment
Distributed By Sony Music Entertainment
Recorded At Manhattan Center
Recorded At Philharmonic Hall, New York
Recorded At St. George Hotel, Brooklyn
Remixed At b-sharp (3)
Remastered At b-sharp (3)
Designed At [ec:ko] Communications

Data provided by Discogs
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CHARLES RGC
Lowell, US
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Great Color and Great Fit !
Size: X-Large, Color: Bright Poppy Red, Pocket Description: Plain Front
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★★★★★ 4
Good quality T-shirt at a very reasonable price
Size: Large, Color: Dusty Blue, Pocket Description: Plain Front
Good quality T-shirt at a very reasonable price. The material feels thick and durable, giving it a premium feel. Fits well for a size L (5’10”, 178 lbs). The only downside is the sleeve length—they run a bit long and sit just above the elbow, so they don’t really highlight the biceps.
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Chirag
Massapequa, US
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Super comfy, great fabric and totally worth the money
Size: Medium, Color: Navy, Pocket Description: Plain Front
I love this shirt! The quality is great and the fabric feels like it will last very long. Super comfy and the color is exactly as described. Washed it a few times but didn't lose any color or shape - didn't shrink either. It's a deal for the money. Must have if you are into round neck plane t-shirts. It can be unisexual too so if you're a girl looking for a lose plane round neck t-shirt, you can buy this too
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Omar Almasry
Lowell, US
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Good quality and size
Size: X-Large, Color: Black, Pocket Description: Plain Front
The size was as expected and the material was really good
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I’m a 5’6’’ 140lbs ish woman and I got a Medium
Size: Small, Color: Black, Pocket Description: Plain Front
Paid 10 bucks ! Got a medium . I am 5’6” 142lbs . It’s thick & 100% cotton. A ‘medium ’ seemed big but I intentionally ran it on high heat in the dryer & it shrunk so it fits me perfectly . The sleeves go closer to my elbows than women’s shirts… which I love. The crewneck is perfect so I can do burpees without worrying about plunging necklines. I wear a 36C bra and this tshirt is comfortable around my chest & shoulders. I carry extra weight on my belly and it’s still comfortable. Absolutely love how it looks on me. It says RELAXED fit in the title so I don’t understand why people are grumbling about the looser fit. I love it — thank you Amazon, for offering 100% cotton clothing
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Reviewed in the United States on May 31, 2026

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