SKU: 68768246620

Jehnny Beth - To Love Is To Live (LP, Album, Ltd, Whi)

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Jehnny Beth - To Love Is To Live (LP, Album, Ltd, Whi)Media Condition: Mint (M) Sleeve Condition: Near Mint (NM or M ) Comments: sealed! General notes about this release (please note: our version may differ a little. see the comments above): Exclusive to European indie stores. Tracks are numbered sequentially on the rear sleeve. [Notes: A1: Published by Jehnny Beth and Johnny Hostile administered by Kobalt Music Group Ltd. SACEM, Songs In The Key Of Mink administered by Downtown DMP Songs BMI. Additional

Media Condition: Mint (M)
Sleeve Condition: Near Mint (NM or M-)

Comments:
sealed!

General notes about this release (please note: our version may differ a little. see the comments above):
Exclusive to European indie stores. Tracks are numbered sequentially on the rear sleeve. [Notes: A1: Published by Jehnny Beth and Johnny Hostile administered by Kobalt Music Group Ltd./SACEM, Songs In The Key Of Mink administered by Downtown DMP Songs/BMI. Additional recording [... at Pop Noire Studio, Paris. Recorded at Jupiter, Los Angeles. A2: Published by Jehnny Beth and Johnny Hostile administered by Kobalt Music Group Ltd./SACEM. Recorded [... at Assault & Battery 2, London. Additional recording [... at Pop Noire Studio, Paris. A3: Published by Jehnny Beth and Johnny Hostile administered by Kobalt Music Group Ltd./SACEM. Recorded [... at Pop Noire Studio, Paris. Additional Recording [... at Assault & Battery 2, London. A4: Published by Jehnny Beth and Johnny Hostile administered by Kobalt Music Group Ltd./SACEM. Recorded [... at Pop Noire Studio, Paris. Additional recording [... at 5640 Hollywood Blvd. Studios, Los Angeles. A5: Published by Jehnny Beth and Johnny Hostile administered by Kobalt Music Group Ltd./SACEM. Recorded [... at Pop Noire Studio, Paris. Cillian's voice recorded [... at Soho Hotel, London. A6: Published by Jehnny Beth and Johnny Hostile administered by Kobalt Music Group Ltd./SACEM, Songs In The Key Of Mink administered by Downtown DMP Songs/BMI. Additional recording by Johnny Hostile at Pop Noire Studio, Paris. Additional recording by Atticus Ross at Jupiter, Los Angeles. B7: Published by Jehnny Beth administered by Kobalt Music Group Ltd./SACEM. Recorded [... at Hackney Studios, London. Additional recording [... at Assault & Battery 2, London. B8: Published by Jehnny Beth and Johnny Hostile administered by Kobalt Music Group Ltd./SACEM, Romy Madley Croft by UMP. Recorded [... at Assault & Battery 2, London. Additional recording [... at 5640 Hollywood Blvd. studio, Los Angeles and Pop Noire Studio, Paris. B9: Published by Jehnny Beth and Johnny Hostile administered by Kobalt Music Group Ltd./SACEM, Joseph Talbot administered by Kobalt Music Group Ltd. Recorded [... at Pop Noire Studio, Paris. Additional Recording [... at Assault & Battery 2, London. B10: Published by Jehnny Beth and Johnny Hostile administered by Kobalt Music Group Ltd./SACEM, Romy Madley Croft by UMP. Recorded [... at Hackney Studios, London. Additional recording [... at Pop Noire Studio, Paris. B11: Published by Jehnny Beth and Johnny Hostile administered by Kobalt Music Group Ltd./SACEM, Songs In The Key Of Mink administered by Downtown DMP Songs/BMI. Recorded at Jupiter, Los Angeles. Additional recording [... at Pop Noire Studio, Paris. ℗ & © 2020 20L07 Music under exclusive licence to Caroline International Made in the EU.

 

A1. I Am
A2. Innocence
A3. Flower
A4. We Will Sin Together
A5. A Place Above
A6. I'm The Man
B7. The Rooms
B8. Heroine
B9. How Could You
B10. French Countryside
B11. Human

 

Barcode and Other Identifiers:

Barcode 6 02508 73380 2
Barcode 602508733802
Label Code LC 03621
Rights Society BIEM / SDRM
Rights Society BMI
Rights Society SACEM
Matrix / Runout 0869148-A CB BK97721-01 A1
Matrix / Runout 0869148-B CB VX BK97721-01 B1

 

Phonographic Copyright (p) 20L07 Music
Copyright (c) 20L07 Music
Licensed To Caroline International
Recorded At Pop Noire Records Studio
Recorded At Jupiter, Los Angeles
Recorded At Assault & Battery 2
Recorded At 5640 Hollywood Blvd. Studios
Recorded At Soho Hotel
Recorded At Hackney Road Studios
Mixed At Assault & Battery 1
Mastered At Bernie Grundman Mastering
Published By Jehnny Beth And Johnny Hostile
Published By Kobalt Music Group Limited
Published By Songs In The Key Of Mink
Published By Downtown DMP Songs
Published By Universal Music Publishing
Pressed By Optimal Media GmbH

Data provided by Discogs
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SKU: 68768246620

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4.9 ★★★★★
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Product Reviews
A
Verified Purchase
AlanWarner
Birmingham, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 6, 2015
C
Verified Purchase
Carole T Emberton
Phoenix, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
Verified Purchase
pat delzell
Pawtucket, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
Verified Purchase
B. Kirzner
Houston, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021
V
Verified Purchase
V. Young
Lowell, US
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 3, 2014

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