SKU: 7751602292

⏰Laatste 4 uur in de aanbieding💇‍♀️2-in-1 Haarroller voor Volume✨Fluffy volume in enkele minuten

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Description

⏰Laatste 4 uur in de aanbieding💇‍♀️2-in-1 Haarroller voor Volume✨Fluffy volume in enkele minutenVoel je je gefrustreerd door onhandelbaar en rommelig haar? Maak je je zorgen over het onvoorspelbare resultaat van het stijlen van je haar? Duurt maar 3 minuten!! Je kunt eenvoudig de perfecte haardos creren. Of je nu lang haar, kort haar of een dikke bos haar hebt! Smooth Wave 2 in 1 Thermische Borstel: stopt pluizig haar, verkort stylingtijd, droogt en voegt glans toe in enkele minuten Dikker, langer, gezonder haar Ervaar salonwaardige resultaten

😔Voel je je gefrustreerd door onhandelbaar en rommelig haar?
Maak je je zorgen over het onvoorspelbare resultaat van het stijlen van je haar? 

Duurt maar 3 minuten!!

Je kunt eenvoudig de perfecte haardos creëren. Of je nu lang haar, kort haar of een dikke bos haar hebt!

✨Smooth Wave 2-in-1 Thermische Borstel: stopt pluizig haar, verkort stylingtijd, droogt en voegt glans toe in enkele minuten

Dikker, langer, gezonder haar

Ervaar salonwaardige resultaten met de SmoothWave Borstel. Ontworpen met dubbele verwarmingsplaten en geavanceerde ionentechnologie maakt het elke streng glad, verbetert de glans en beschermt tegen pluis – voor moeiteloos perfecte fohnslagen en golven, gewoon thuis.

Eén apparaat. Eindeloze stijlen.

De SmoothWave Borstel levert strakke fohnslagen, zachte krullen en pluisvrije glans in enkele minuten – helemaal vanuit het comfort van je huis.

Waarom het de beste keuze is

Met geavanceerde ionentechnologie, salonwaardig design en lichtgewicht comfort levert de SmoothWave Borstel feilloze styling vanuit huis. Vertrouwd door duizenden, het is de slimste manier om elke dag te stylen, te glanzen en te stralen.

KENMERKEN

FLUFFY ONTWERP VOOR VOLUME – Creëer direct natuurlijke lift en body: Het fluffy kamontwerp is ontworpen om haar een lichte, volumineuze uitstraling te geven, waardoor de volheid bij de aanzet wordt versterkt zonder schade te veroorzaken. Zeg vaarwel tegen futloze, levenloze lokken en hallo tegen moeiteloze styling die de natuurlijke textuur van je haar beschermt en voedt.

MEERDERE TEMPERATUURINSTELLINGEN – Aangepaste hitte voor elk haartype: Met vier verstelbare warmtestanden (140°C tot 200°C) biedt deze borstel ideale styling voor alle haarstructuren – van fijn tot grof. Warmt op in slechts 30 seconden voor salonwaardige resultaten zonder wachttijd. Intelligente keramische technologie zorgt voor gelijkmatige warmteverdeling en langdurige vormgeving zonder plaatselijke verbranding.

KERAMISCH VERHITINGSDEEL – Gladde styling, minder breuk: Toermalijn keramische glazuurlaag geeft negatieve ionen af om pluis en gespleten haarpunten te verminderen. Het gladde oppervlak glijdt door het haar zonder te trekken of vast te haken, voor een pijnloze stylingervaring elke keer. Krijg professionele perfectie in één simpele beweging.

ANTI-BRANDING ONTWERP – Style met vertrouwen en veiligheid: Ingebouwde hittebestendige kamtanden, een geïsoleerde punt en een 360° draaibaar netsnoer zorgen voor brandvrij gebruik en probleemloos manoeuvreren. Ideaal voor beginners of drukke ochtenden wanneer veiligheid en snelheid het belangrijkst zijn.

COMPACT & HANDIG – Altijd paraat waar je ook bent: Deze lichte, draagbare borstel past moeiteloos in je dagelijkse routine. Of je nu op een studentenkamer bent, op reis of thuis, geniet van hoogwaardige styling met één druk op de knop en langdurige hold. Een onmisbaar hulpmiddel voor moeiteloze elegantie onderweg.

SPECIFICATIES

Kleur: Zwart, Roze, Groen

Stekker: EU(220V), US(110V), UK(220V)

Materiaal: Toermalijn keramiek

Pakket bevat: 1* 2-in-1 Haarroller voor Volume

OPMERKINGEN

Kies altijd de juiste spanning en stekker voor jouw regio.

Vermijd gebruik op nat haar om hitteschade te voorkomen.

Laat het apparaat afkoelen voor je het opbergt.

Buiten bereik van kinderen houden tijdens gebruik.

Alleen voor binnen, persoonlijk gebruik.

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SKU: 7751602292

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4.5 ★★★★★
Based on 17 reviews
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Product Reviews
R
Verified Purchase
Rachel S.
Waukegan, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 29, 2014
E
Verified Purchase
Eileen O Malley Callahan
Waukegan, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Alexandria, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Cuba, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Dallas, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 11, 2020

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