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Description
Dell PowerEdge R740xD 18x 3.5" - Zelf samenstellenDe "Go To" Standaard van ServerLama Bij ServerLamais de R7XX serie altijd de betrouwbare "Go To" standaard geweest. Heeft u een server nodig die uitblinkt in kracht, met ondersteuning voor 2 CPU's, veel RAM en een enorme hoeveelheid opslagruimte? Dan is de R7XX serie precies wat u zoekt! De Dell PowerEdge R740xD is het nieuwste paradepaardje in deze lijn en ondersteunt de nieuwste Intel Xeon Platinum, Gold, Silver en Bronze CPU's. Met maar liefst 24
De "Go To" Standaard van ServerLama
Bij ServerLamais de R7XX-serie altijd de betrouwbare "Go To" standaard geweest. Heeft u een server nodig die uitblinkt in kracht, met ondersteuning voor 2 CPU's, veel RAM en een enorme hoeveelheid opslagruimte? Dan is de R7XX-serie precies wat u zoekt!
De Dell PowerEdge R740xD is het nieuwste paradepaardje in deze lijn en ondersteunt de nieuwste Intel Xeon Platinum, Gold, Silver en Bronze CPU's. Met maar liefst 24 DIMM slots biedt deze server meer dan genoeg geheugenruimte om aan al uw behoeften te voldoen. Wist u dat dit model zelfs 512GB RAM-modules ondersteunt? Dat betekent dat u beschikt over een ongekende hoeveelheid geheugen.
De R740xD is verkrijgbaar met 12x tot 18x 3.5" bays. Dit betekent dat u, met 18TB harde schijven, tussen de 216TB en 324TB aan opslagcapaciteit kunt bereiken.
De Dell PowerEdge R740xD biedt dus meer dan genoeg capaciteit voor elke toepassing. Dit model wordt op dit moment nog steeds geproduceerd door Dell, dus u kunt erop vertrouwen dat hij nog jarenlang mee kan!
Heeft u een specifieke configuratie in gedachten die niet standaard beschikbaar is? Neem gerust contact met ons op! Wij kunnen elke configuratie op maat samenstellen, precies volgens uw wensen.
| Feature | PowerEdge R740xd Technical Specification |
|---|---|
| Processor | Up to two Intel® Xeon® Scalable processors, up to 28 cores per processor |
| Memory | 24 DDR4 DIMM slots, Supports RDIMM /LRDIMM, speeds up to 2666MT/s, 3TB max Up to 12 NVDIMM, 192 GB Max Supports registered ECC DDR4 DIMMs only |
| Storage Controllers | Internal controllers: PERC H730P, H740P, Software RAID (SWRAID) S140 Boot Optimized Storage Subsystem: HWRAID 2 x M.2 SSDs 120GB or 240 GB External PERC (RAID): H840 12Gbps SAS HBAs (non-RAID): External - 12Gbps SAS HBA (non-RAID); Internal - HBA330 (non-RAID) |
| Drive Bays | Front bays: Up to 24 x 2.5” SAS/SATA (HDD/SSD), NVMe SSD max 153TB or up to 12 x 3.5” SAS/SATA HDD max 144TB Mid bay: Up to 4 x 2.5”, max 25TB SAS/SATA (HDD/SSD), NVMe SSD max 25TB or up to 4 x 3.5”, max 48TB Rear bays: Up to 4 x 2.5”, max 25TB SAS/SATA (HDD/SSD), NVMe SSD or up to 2 x 3.5” max 24TB SAS/SATA HDD |
| Power Supplies | Titanium 750W, Platinum 495W, 750W, 1100W, 1600W, and 2000W 48VDC 1100W, 380HVDC 1100W, 240HVDC 750W Hot plug power supplies with full redundancy Up to 6 hot plugs fans with full redundancy |
| Dimensions | Form factor: Rack (2U) Max depth: 715.5 mm |
| Embedded Management | IPMI 2.0 compliant, iDRAC9 with Lifecycle Controller (Express, Enterprise), Quick Sync 2 wireless module optional |
| Bezel | Optional LCD Bezel or Security bezel |
| OpenManage Software | OpenManage Enterprise, OpenManage Essentials, OpenManage Mobile, OpenManage Power Center |
| Integrations and Connections | Integrations: Microsoft® System Center, VMware® vCenter™, BMC Software Connections: Nagios & Nagios XI, Oracle Enterprise Manager, HP Operations Manager, IBM Tivoli Netcool/OMNIbus, IBM Tivoli® Network Manager, CA Network and Systems Management |
| Security | TPM 1.2/2.0 optional, Secure Boot, System Lockdown, Secure erase |
| I/O & Ports | Network daughter card options: 4 x 1GE or 2 x 10GE + 2 x 1GE or 4 x 10GE or 2 x 25GE Front ports: VGA, 2 x USB 2.0, dedicated IDRAC Direct Micro-USB Rear ports: VGA, Serial, 2 x USB 3.0, dedicated iDRAC network port Video card: VGA Riser options with up to 8 PCIe Gen 3 slots, maximum of 4 x 16 slots |
| Accelerator Options | GPU and FPGA options are available only on 24 x 2.5” drive chassis. Nvidia Tesla P100, K80, K40, Grid M60, M10, P4, Quadro P4000, NVIDIA V100 or Intel Arria® 10 GX |
| Supported Operating Systems | Canonical® Ubuntu® LTS, Citrix® XenServer®, Microsoft Windows Server® with Hyper-V, Red Hat® Enterprise Linux, SUSE® Linux Enterprise Server, VMware® ESXi |
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4.8 ★★★★★
Based on 5 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
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