SKU: 12985933606

Orgone - Chimera - Yellow

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Orgone - Chimera - YellowOrgone is a pillar of West Coast soul music, maintaining an unmissable touring presence for more than a decade. The group's arresting intensity, impeccable playing style, and undeniable, irresistible chemistry have earned them the reputation as one of the tightest bands of the modern era. Fresh off of doubling as the studio band for discodelic sensation Say She She and circling the globe as the live band for their wildly successful world tour, Orgone

Orgone is a pillar of West Coast soul music, maintaining an unmissable touring presence for more than a decade. The group's arresting intensity, impeccable playing style, and undeniable, irresistible chemistry have earned them the reputation as one of the tightest bands of the modern era. Fresh off of doubling as the studio band for discodelic sensation Say She She and circling the globe as the live band for their wildly successful world tour, Orgone is back in California and coming in hot with Chimera, a fire-breathing spectacle of psychedelic Afro-soul. Produced by Sergio Rios (Neal Francis, Say She She), Chimera is an electrifying, dream-like odyssey, tripping through the hazy swamps of New Orleans, weaving textures of entrancing voodoo soul, thrumming Afro-funk, and stoney psych-rock. In Chimera, the heavy-hitting new LP from Orgone, out February 9th, 2024 on 3 Palm Records, the Los Angeles-based outfit carves tough, gritty, infectious grooves into heady dance rhythms. Taking it's name from a mythical beast with the head of a lion, the body of a goat, and the tail of a serpent, Chimera conjures a state that is at once trance-like and heart-poundingly exciting. The album offers a spellbinding mix of cathartic instrumentals, dub voyages, and soulful vocal performances by Jamie Allensworth, Terin Ector, and Congolese musical alchemist Mermans "Mofaya" Mosengo. Known for their gripping instrumentals and incendiary live show, the band is firing on all cylinders and the earned confidence of this time-tested, cult-favorite crew is on display throughout Chimera. Describing the process of producing and engineering this psych-funk showcase, guitarist and Orgone co-founder Sergio Rios says, "The album really took form organically. It's raw and dark with a hopeful thread throughout that's highlighted by the incredible soul singers we work with. There's a looseness to most of the cuts, giving the album the feeling of a shadowy dream." With Chimera, the band has tapped into a deeper version of themselves. The sounds are fresh yet classic, the grooves are ferocious and infectious, and the vocal performances are captivating. The album opens like a heady puff of smoke in the face with "Hallowed Dreams," drawing the listener into a state where reality blurs and the music takes control. The focus track, "Zum Zum," is a hooky Afro-funk dance floor heater that synchronizes your heart rate to it's propulsive percussion, the hypnotic rhythm building into a raucous, psychedelic climax. Mermans "Mofaya" Mosengo sings in his native Lingala, jabbing and weaving around the rhythm section's chugging force with his gruff and soulful voice. On the raw and rousing "Tula Muisi (Dance Like Them)," a tapestry of Afrobeat and heavy psych-rock bolsters Mosengo's call for unity and respect, which translates to "Hear the music, and dance like them." On "Lies & Games," Terin Ector brings yearning soul vocals to this righteous lament of the rocky road to redemption over grimy rhythm guitar, spaced-out synths, breakbeat-worthy drums, and haunting Wailers-inspired backing vocals. "Parasols" is a jaunty, head-bobbing slab of greasy New Orleans funk, and a heartfelt nod to Josie-era Meters and the unmistakable early 70s-era production of Allen Toussaint. The instrumental serves up a punchy, slightly tipsy rhythm that sways with sweetly melodic gospel-tinged organ. Drawing on multicultural influences of Afrobeat, Southern soul, psych-rock, and raw funk, Chimera bridges the darkest reaches of psychedelia to the highest peaks of joyful dance music. With easy SoCal swagger, deep New Orleans roots, and a profound reverence for the sounds of the African diaspora, Orgone creates a unique, transporting experience that feels untethered to any single place or time. Relentlessly vibey and immersive from start to finish, Orgone's newest LP feels like a sustained hypnagogic hallucination - the place between waking and sleep where reality is fluid and anything feels possible. From it's inception, Orgone has always been a chimera - a multifaceted creation and the physical manifestation of impossible quixotic dreams. Chimera will delight fans of early Orgone while showcasing the band's effortless and endless ability to shape-shift. It's an electrifying, mesmerizing record sure to exceed expectations and keep the listener rapt. For fans of Altun Gun, Khruangbin, King Gizzard and the Lizard Wizard, Witch, Goat & Monophonics.

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SKU: 12985933606

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4.3 ★★★★★
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K
Verified Purchase
KC
Draper, US
★★★★★ 5
Excellent resource for defending why Christianity is not rooted in mythology
Format: Paperback
I bought this book as required reading for an introductory Old Testament class I was taking in seminary. Sad to say, the textbook mostly collects dust. To this day, I use Oswalt's book for reference and continue to recommend the reading of it to others. I do not believe one can fully defend the Christian faith without first knowing how firmly convinced some scholars and historians are that Christianity is rooted in mythology. I will not lie. If you read about some of these myths in a silo, you may find yourself leaning toward such false beliefs. When you take a step back and consider the time in history in which the Old Testament was written, the picture becomes more clear. In the introduction to the Old Testament class, we also read Ancient Near Eastern Thought and the Old Testament by John H. Walton. Again, the text book is mostly collecting dust, I also repeatedly use this one as a reference. I would strongly recommend reading both books. The second is more academic in style than the first, but it helps lend further context.
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Reviewed in the United States on March 29, 2015
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P. Hayes
Houston, US
★★★★★ 5
An inspiring take on the story of the Bible and reality.
Format: Kindle
This was an absolute pleasure to read. Oswalt utilizes his knowledge of ancient near east culture and religion to thorough debunk any effort to one might make to pretend that the Bible is of a similar mythology.
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Reviewed in the United States on January 7, 2025
J
Verified Purchase
J.M. Diener
Pawtucket, US
★★★★★ 5
Is the Bible Really Unique?
Format: Kindle
Oswalt takes up the question of the uniqueness of the Christian Bible by focusing on the Old Testament (which is also the holy book of the Jews) and its similarities and differences to the myths of the periods in which it was put together. His comparison and contrast make for very interesting reading. He allows the two world views to stand alone, allowing the reader to understand his conclusions without forcing him/her to agree with the author. In reading this book, I also began to notice some very interesting parallels between the ancient worldview of "continuity" (versus the biblical view that Oswalt calls "transcendence") and some modern views being espoused in the Western world. Definitely worth a read whether or not you agree with him. It will help broaden your view both of your view and of the other side's view.
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Reviewed in the United States on October 12, 2013
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Verified Purchase
Christy
Lake Worth, US
★★★★★ 5
Bible Among the Myths textbook. Very reliable shipper!
Format: Paperback
The item was priced right, arrived on time, exactly as described. I'm very happy with this purchase.
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Reviewed in the United States on June 18, 2025
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Jeffrey Mullis
Phoenix, US
★★★★★ 3
Good Core Content but I won't read it again
Format: Kindle
This book makes a strong stand for the position that the Bible does not fit within the genre of myth. That is the positive aspects of this work. However, this book at times seems somewhat philosophical, it can be hard to follow the author's logic, and it does not adequately cover one of the most fundamental questions the author poses. For example, the question of whether the theology of the Bible should receive special credence if the historical basis it rests on is found to be incorrect is asked, but the answer given is short and does not fully interact with the question which I found to be very disappointing.
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Reviewed in the United States on February 4, 2014

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