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Description
【Original】ヴィンテージ ルビー グレープ チェコガラスビーズ ネックレス/Vintage Ruby Grape Czech Glass Beaded Necklace1980Elysa Jewelry () () Fire Polished(=) 1866Schinle Perlseiden"Griffin"100 Elysa Jewelry ()1980 41cm 10mm ()() 49g
1980年代頃のヴィンテージチェコガラスビーズで仕立てた、Elysa Jewelryオリジナルのビーズネックレス。
深いルビーレッドに仄かに葡萄のようなパープルが滲む大粒のファイアポリッシュビーズを、オールノット(珠と珠の間に結び目を作る技法)を用い、手作業で丁寧に繋ぎました。
ビーズのカラーに合わせて、ガーネットレッドのシルクコードをあしらっています。
ビーズの個性を存分に味わい、日常のコーディネートに気軽にプラスしていただけるよう、デザインはクラシカルなムードを残しつつシンプルに。
身に纏えば、果実のような赤の艶めきが、デコルテを印象的に彩ってくれるお品です。
カジュアルからドレスアップまで、幅広いシーンで楽しんでいただけます。
シルクコードとステンレスを使用していますので、金属アレルギーの方やデリケートなお肌の方にもおすすめ。
ガラス表面に一部微細な傷がございます。その他、良好なコンディションです。(画像の最後に動画がございます。)
【ファイアポリッシュビーズについて】
チェコビーズの代表ともいえる「Fire Polished(ファイアポリッシュ=火で磨かれた)ビーズ」とは、カットしたガラスビーズ表面を高温で炙って少しだけ溶かす技法。艶を出しつつ角を取って滑らかにすることで、独特の柔らかな輝きに仕上がります。
【オールノットについて】
古くから真珠ネックレスに用いられてきた、珠と珠の間に結び目を作る技法。オールノットのネックレスは、ガラスビーズ同士が接触して傷つくことを防いでくれるだけではなく、万が一糸が切れたときにもビーズがバラバラになりづらいという安心感も。また、ビーズの間に結び目があることで、デコルテのカーブにしなやかに沿ってくれます。
【シルクコードについて】
1866年創業のドイツSchinle Perlseiden社のメーカーブランドである"Griffin"が生産している、グリフィンコードを使用しています。グリフィンコードは最高級の純絹糸を使った100％ナチュラルシルクでできており、丈夫でしなやか。デザインの一部としても魅せられる美しさです。
【留め具について】
留め具は、ワンタッチで着脱可能なステンレス製マグネットクラスプを採用しています。ネックレスを外す際は、両手でマグネットの根元を持って優しく引いてください。
Elysa Jewelryオリジナルネックレスについてのブログはこちら→
※一点一点手作業でお作りしているため、ノットの形状や詰まり具合が不規則な場合がございます。予めご了承ください。
※繊細なお品ですので、丁寧にお取り扱いいただきますようお願い申し上げます。
※金属アレルギーが起きにくい素材を使用しておりますが、すべての方にアレルギー反応が出ないことをお約束するものではございません。
※当店で扱っている商品は、ヴィンテージのアイテムです。目立つ傷や汚れは記載しておりますが、状態の良いお品でも、経年に伴う小傷や汚れ等がある場合がございます。新品とは異なるヴィンテージ特有の風合いとして、ご理解頂けますようお願い申し上げます。
ヴィンテージ・コスチュームジュエリー
年代(ビーズ)：1980年代頃
長さ：約41cm
ビーズ直径：約10mm
素材：ヴィンテージガラスビーズ、シルクコード(新品)、ステンレス(新品)
刻印：なし
重さ：約49g
原産国：チェコ
輸入元：アメリカ
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4.9 ★★★★★
Based on 5 reviews
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Product Reviews
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future.
Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless.
Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar!
The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co.
And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today?
I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society.
The film can be a bit 'heavy' at times, though. Not everyone's cup of tea.
Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things.
The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring.
The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world.
If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
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Reviewed in the United States on July 22, 2025
★★★★★ 5
Gorgeous Legrand music in a superb film
One of the lovliest films ever made! It's a "jazz opera" with superb Michel Legrand music and more. And the finale will melt the hearts of any "family" person who experiences it.
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Reviewed in the United States on November 26, 2025
★★★★★ 5
Excellent disc and movie
This is one of the great films of the last century. If you haven’t seen it, buying this expensive blu ray is still a bargain. Love Criterion’s high quality publication and bonus materials!
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Reviewed in the United States on October 10, 2025