SKU: 17743003940

RENÉE NEUE BUD VASE FOR HUTSCHENREUTHER

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Description

RENÉE NEUE BUD VASE FOR HUTSCHENREUTHERA bulbous HUTSCHENREUTHER bud vase from the 1970s, its off white bisque ground is dressed in flowing glittery, metallic bronze and underlined with a matt black bottom. By the artist Rene Neue. RENE NEUE headed the art department for HUTSCHENREUTHER in the 1970s. He was responsible for a variety of novel shapes, finished with splashy displays of color, that reflected a decidely "pop" aesthetic. Neue mastered the art of contrasting bright, crisp colors

A bulbous HUTSCHENREUTHER bud vase from the 1970s, its off-white bisque ground is dressed in flowing glittery, metallic bronze and underlined with a matt black bottom. By the artist Renée Neue.


RENÉE NEUE headed the art department for HUTSCHENREUTHER in the 1970s. He was responsible for a variety of novel shapes, finished with splashy displays of color, that reflected a decidely "pop" aesthetic. Neue mastered the art of contrasting bright, crisp colors with deep earth tones in the glazes he produced for his series of statement vases. All his creations were distinct, very unlike the classic unadorned white porcelain designs that HUTSCHENREUTHER was primarily known for. Neue's work for the company is highly collectible in its own right.


Hutschenreuther is the family name of a German father and son who established competing porcelain manufactories in north-east Bavaria in the 19th century.

C.M. HUTSCHENREUTHER AG was first organized as a porcelain decorating factory in the Bavarian town of Hohenberg an der Eger by its eponymous founder, Carl Magnus Hutschenreuther (1794–1845) in 1814. He decided to try his hand at making porcelain for himself when deposits of kaolin, the soft white clay essential in its production, were discovered locally near the River Eger. The district forester, a relative, Ernst Ludwig Reuß set aside space in Hohenberg Castle for Hutschenreuther to paint porcelain and study its manufacture. In 1816 Hutschenreuther married Reuß' daughter, Johanna Maria Barbara.

After many years of petitioning the Bavarian authorities, a concession was finally granted to C.M. HUTSCHENREUTHER in 1822 to set up a kiln. By that time, a disused alum works on the site of the present-day factory had been acquired. At first, it seems that Hutschenreuther mixed the raw materials himself and similarly oversaw all of the firings so as to keep his processes secret. Only after a second kiln was constructed and additional decorators hired, did the company become successful—supplemented by the sale of white wares to free-lance painters.

To enhance product quality, C.M. HUTSCHENREUTHER recruited artists, craftsmen, and sculptors from all over continental Europe. Primarily focusing on quality and design, the company grew into a competitive firm that produced dinnerware services that were ideal for fine dining. After his death in 1845, Hutschenreuther's widow, along with sons Lorenz and Christian, ran the business. A large part of the factory suffered a devastating fire in 1848 but was quickly rebuilt.

PORZELLANFABRIKEN LORENZ HUTSCHENREUTHER AG SELB (aka LHS) had its origins in 1857 when Lorenz Hutschenreuther (1817–1886) struck out on his own and established a competing factory in the Bavarian town of Selb. The business grew throughout the early 20th century—in large measure by buying up the assets of neighboring firms, including those of Paul Müller, Selb. It was after the acquisition of Müller's art division in 1917 that LHS began producing figurines. By 1926 its art production had won wide acclaim, and the figurines in particular were highly sought after. LHS created many of its most famous dinnerware patterns during the first half of the last century, including Racine (1900), Richelieu (1929), Blue Onion (1930), and Maple Leaf (1940).

LHS marketed aggressively and ultimately became the more notable of the two Hutschenreuther concerns. Indeed, it was the first German firm to seriously rival the famous British porcelain brands. At no point was any partnership established between LHS and C.M. HUTSCHENREUTHER; the two companies would remain fully independent and in open competition for over a century.

By the end of WWII, both businesses had suffered losses, particularly C.M. HUTSCHENREUTHER. Many of its plants had been situated in territory that came under the control of Soviet satellites, and they were duly expropriated, as were a few mines belonging to LHS. Both companies were also faced with severe war-related restrictions. However, by the early 1950s recovery was well underway. The art pottery department at LHS played a significant role during the decade. Shape and décor designers of the time produced many of the company's most notable creations. The artists Hans Achtziger, Hildegard Gruinseiser, Christian Modrack, and Rudolf Lunghard deserve special mention. Much of the work was free-form.

In 1969, the assets of C.M. HUTSCHENREUHTER were purchased by LHS and the two companies at last became one. The new joint company, HUTSCHENREUTHER AG, continued to produce fine bone china and porcelain figurines. In 1972 the company merged with Kahla AG, and in 2000 it became part of the Rosenthal division of the Waterford Wedgwood Group. Rosenthal continues to use the Hutschenreuther’s trademark "lion insignia." (As of 2009, Rosenthal is an independent division of the Italian firm Sambonet Paderno.)


DETAILS

Maker – HUTSCHENREUTHER

Production Period/Year – 1970s

Designer – RENÉE NEUE

Design Period/Year – 1970s

Origin – GERMANY

Styles/Movements – BOHO CHIC; MID-CENTURY MODERN; OP ART

Materials – PORCELAIN

Colors – COPPER, EGGSHELL, BLACK

Condition – Excellent vintage condition.

Dimensions – 4" DIAM. × 4" H

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SKU: 17743003940

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E W.
Omaha, US
★★★★★ 4
Great fit and cushioning
Size: Medium, Color: Deep Sea/Breaker Blue/Electro Pink
Great fit for running and nice cushioning for tennis
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Reviewed in the United States on April 11, 2024
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Tracy Canfield
Massapequa, US
★★★★★ 5
Quality, comfort and support.
Size: Medium, Color: Deep Sea/Breaker Blue/Electro Pink
These socks are the bomb! If you are athletic or on your feet for extended periods these great looking, well made socks are constructed to offer just the right amount of compression and support. The toe is soft and thick. I will order these again and again. Hopefully Amazon will add even more color choices on the future.
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Reviewed in the United States on December 3, 2022
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Heather H Ansley
Lexington, US
★★★★★ 5
Goldilocks of socks!
Size: Medium, Color: Deep Sea/Breaker Blue/Electro Pink
Great socks....good support - the goldilocks. Not too thick or too thin; stay up nicely. Love the colors!
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Reviewed in the United States on January 30, 2024
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Penny
Phoenix, US
★★★★★ 5
Best socks
Size: Medium, Color: Pink Elixir Assorted
Everyone got socks in their stockings this year. But no one was complaining. They weren't thin like some socks. But not super thick either. Just right. I even bought a pair for myself. No regrets. Will definitely buy again.
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Reviewed in the United States on January 24, 2024
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Daniel
Battle Creek, US
★★★★★ 5
Elegance and Practicality in a Lightweight Divider
Color: Mountains and Waters, Size: 4 Panel, Color: Mountains and Waters, Size: 4 Panel
Elegance and Practicality in a Lightweight Divider I recently acquired the 4 Panel Room Divider from the Furnnylane Store, opting for the Japanese mountainside print over the floral theme. Priced at $149.99, this piece not only promised functionality but also an aesthetic charm that piqued my interest. Upon arrival, the first thing I noticed was its impressive dimensions (63"W x 67"H), offering ample coverage for most standard spaces. Despite its substantial size, the divider is surprisingly lightweight, making it a breeze to move and adjust as needed throughout my home. The double-faced design is a standout feature, providing 100% blackout on both sides, which is ideal for privacy or blocking out unwanted light. This aspect was particularly appealing to me as I was looking for a solution to minimize nighttime light intrusion. The divider excels in this regard, effectively blocking and diffusing light to create a more comfortable sleeping environment. From a design perspective, the Japanese mountainside print adds a serene and picturesque element to the room. While the materials are not what one might consider artisanal, the overall look and feel of the divider are quite lovely, enhancing the room's aesthetic without overpowering it. The room divider's foldable design adds to its convenience, allowing for easy storage when not in use. It requires no assembly, which is a significant plus for those who prefer hassle-free products. The natural pinewood frame, free from chemical paints and non-toxic glues, aligns with my preference for safer, more environmentally friendly home decor. In terms of versatility, this divider has proven to be a multifaceted addition to my home. It serves not only as a practical room separator but also as a decorative piece that brings a touch of elegance and tranquility to any space it occupies. Overall, the 4 Panel Room Divider from Furnnylane is a commendable blend of form and function. Its lightweight nature, combined with the beautiful Japanese mountainside print, offers both practicality and visual appeal. While the materials may not be of the highest artisan quality, they do not detract from the divider's charm and effectiveness. This piece has been a delightful and functional addition to my home, and I would recommend it to anyone looking for an elegant solution to room separation or light blocking needs.
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Reviewed in the United States on April 1, 2024

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