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Description
Dawn 16" 1.8 GPM Pull Down Kitchen Faucet, Chrome, AB50 3316CDawn 16" 1. 8 GPM Pull Down Kitchen Faucet, Chrome, AB50 3316C Dawn faucets are made of solid brass and plated with chrome or brushed nickel to provide reliability and durability. They come in classic and modern styles with various functions to suit and enhance the visual landscape of a home. Constructed with ceramic disc cartridges, the faucets are durable over the long run in a broader variety of water conditions. Features Volume & Temperature
Dawn 16" 1.8 GPM Pull Down Kitchen Faucet, Chrome, AB50 3316C
Dawn faucets are made of solid brass and plated with chrome or brushed nickel to provide reliability and durability. They come in classic and modern styles with various functions to suit and enhance the visual landscape of a home. Constructed with ceramic disc cartridges, the faucets are durable over the long run in a broader variety of water conditions.
Features
- Volume & Temperature Control
- Dual Control Operation
- Ceramic Disk Cartridges
- Flexible Supply Lines
- cUPC Certified
- Compliant with California Lead Plumbing Law
- Compliant with Drinking Water System Health Effects
- 1.5m sprayer's hose
- Solid brass construction
Details
| Box Weight: | 6.35 lbs |
|---|---|
| Finish: | Chrome |
| Flow Rate: | 1.8 |
| Handle Type: | Lever |
| Has Overflow?: | No |
| Item Height: | 16.4375" |
| Material: | Brass |
| Number of Faucet Holes: | 1 |
| Number of Handles: | 1 |
| Sku: | AB50 3316C |
| Ship Method: | Ground |
| Style: | Pull Down |
Warranty
Limited Lifetime Warranty
Installation Instructions
Spec 1 (PDF)
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4.2 ★★★★★
Based on 28 reviews
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Product Reviews
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review.
(For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
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Reviewed in the United States on April 10, 2018
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
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Reviewed in the United States on April 20, 2009
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003