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Hofmann, Leopold: Oboe Concerto in C major (Badley C2) (AE068)

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Description

Hofmann, Leopold: Oboe Concerto in C major (Badley C2) (AE068)Description Hofmann, Leopold (1738 1793) Product Code: AE068 Description: Oboe Concerto in C major (Badley C2) Edited by: Allan Badley Year of Publication: 1996 Instrumentation: ob pr; 2cor 2vn va vc b Binding: Score: Spiral Parts: Unbound Duration: 16 min(s) Key: C major ISBN: 1 877170 68 2 Solo Instrument(s): Oboe Audio sample Details The present concerto was probably composed in the 1770s and no later than 1780, the year Hofmusikus Franz Xaver

Description

Hofmann, Leopold (1738-1793)

Product Code: AE068
Description: Oboe Concerto in C major (Badley C2)
Edited by: Allan Badley
Year of Publication: 1996
Instrumentation: ob pr; 2cor 2vn va vc/b
Binding: Score: Spiral / Parts: Unbound
Duration: 16 min(s)
Key: C major
ISBN: 1-877170-68-2
Solo Instrument(s): Oboe

Audio sample

Details

The present concerto was probably composed in the 1770s and no later than 1780, the year Hofmusikus Franz Xaver Frall, the owner of the manuscript upon which this edition is based, died. Frall was an oboist at the Oettingen-Wallerstein court which was noted for its fine wind music. An inventory of his property, made at the time of his death, lists two concertos by Leopold Hofmann both of which are preserved in the Oettingen - Wallerstein'sche Hofbibliothek at Schlo Harburg. The wrapper for the C major Concerto (signature III 4/1/2) reads: " No.12 / Concerto / Ex C: / a / Oboe Solo / 2 Violini / 2 Corni / Alto Viola / con / Basso / Del Sigre Leopoldo Hoffmann ". Two other copies of the work survive, and, significantly, no flute versions are known to have existed: the work is, in all probability, an authentic oboe concerto. In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the source. As is usual in Hofmann's concertos there are no dynamic markings in the solo sections; these are left to the discretion and good taste of the performer. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the source, reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth century sources, the present manuscript is very inconsistent in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley

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SKU: 50164296343

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